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  • Modular Chaos Engine#3-OddHop | sound-dust

    A hip hop hybrid drum machine sample library for Kontakt by Sound Dust Modular Chaos Engine#3-OddHop £25 She's a quirky, wonky Kontakt drum device built for quickly and elegantly disappearing down a rhythmic rabbit hole. 700+ original 24bit samples (see box for sources) for FULL version of Kontakt 5.5.1 or above. add to cart OddHop is packed to the gills with 100's of original acoustic and electronic sounds arranged into 5 octaves of one-shot kits with plenty of control for an infinity of sound design and beat making possibilities. Things get really exciting when you use the drum and bass sequencing engines, each with twelve tracks of draw-able per note control over nine parameters. mid Modular Chaos Engine #3 - a odd drum machine for Kontakt VST Modular Chaos Engine #3 - a odd drum machine for Kontakt VST Modular Chaos Engine #3 - a odd drum machine for Kontakt VST Modular Chaos Engine #3 - a odd drum machine for Kontakt VST 1/5 Whats Inside ? Drum Engine page - 12 user programmable, key triggered patterns with 12 tracks per pattern. Up to 62 sounds available per note. Bass Engine page - 12 user programmable, key triggered patterns with 12 tracks per pattern. 15 sounds available per note. One Shot Kit page -5 octaves of programmable one shot kits with chaos and order parameter randomisation control. Sends and Master FX page - control of master levels , master EQ and Transient designer. 700+ original 24bit samples (see box for sources). Instrument presets (.nki's) for Kontakt 4 and Kontakt 5. 2 Vintage sampler emulation preset modes (K5 only). Drum/Bass Engines - drawable, per note control of: sound selection, volume, reverb send, hold time, low pass filter, pan, sample start, tune, compression. Drum/Bass Engines - sound selection chaos control. Drum/Bass Engines - timing chaos control. Drum/Bass Engines - 'remix' control with 32 loop variations. Drum/Bass Engines - 16 or 32 beats per track selection. Drum/Bass Engines - solo & mute per sound. Drum/Bass Engines - copy/paste of patterns & tracks. Swing amount control for extra hippity hoppity. One Shot Kits - individually editable note articulations with jitter, release, flam, drag, ruff, roll, muted, speed roll & Geiger settings One Shot Kits - per note control of reverb send, pitch, high & low pass filters, volume attack & decay, volume & pan. Built in instruction manual in RTFM tab. OddHop#3 needs a FULL version of Kontakt 5. Please don't buy this if you are using Kontakt Player. £25/$40/35€ (inc VAT) for OddHop#3 instant download. add to cart end you might like these... MCE#1 Found a field recording drum machine MCE #2 - Evolved wonky analog drum box MCE #4 SDPR Steel Drum Percussion Room - great sounding but badly treated drums Tiny Binaural Harpsichord³ Don't forget the prepred harpsichord drum box

  • GHOST in the MACHINE | sound-dust

    Free granular Kontakt instrument - sculpted from noise and spring reverb feedback GHOST in the machine ghost me A dirty, beautiful Kontakt instrument hand sculpted from noise, analogue oscillators, spring reverb feedback...and ghosts of course. features include... 138mb download 26 glorious presets Granular and formant based variations XY pad happenstance control 2 x volume ADSR Lovely waveform display Hardwired modwheel and aftertouch fairy dust Built in manual Ghosts GHOST in the MACHINE will play nicely with FULL Kontakt 5 and above.

  • FREE POOL percussion | sound-dust

    Free curated percussion oddness for your DAW you might like these... Flutter Dust Module Beautiful mangled acoustics. Cloud Cello You shouldn't really do that to a cello ! Ghost Dulcitone 1900 a convolution dulcitone. Orgone analogue but organic. FREE POOL percussion FREE A sound design taster of LOOP POOL PERCUSSION for your DAW. 20 evocative loops curated by Marcio Doctor and Pendle of Sound Dust. All conjured from the full version of LOOP POOL PERCUSSION 20 .wav loops 41mb download get me

  • Infundibulum #2.1 | sound-dust

    A chaotic time funnel sample library for Kontakt VST - includes a 3 way arpeggiator, treated strings, guitars, horns, school recorder, whirly tubes and many more. INFUNDIBULUM#2.1 The second in the series of multi-arp workstations. A gloriously grimey playground of possibilities with an open door policy for unexpected artefacts and happenstance. An instrument with the audio patina of a life well lived. 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but INFUNDIBULUM is all about tweaking 3.8GB download for FULL version of Kontakt 5.8 or above add to cart INFUNDIBULUM#2.1 - takes the polyrhythmic cascades of sound, strange interlocking tremolos and beautiful warped loopings of her big sister into bigger bolder territories - great for organic and gorgeous pseudo orchestras, wibbly wobbly dust pads, muscular Michael Nyman swoon and epic thrusting cinematica. INFUNDIBULUM#2.1 is packed with 4GB of bowed, sung, spun, plucked, stretched, teased and blown things that have been squashed through tape, vinyl, springs and valves for the character and audio patina of a life well lived. 60 sound sources per channel = 216,000 glorious combinations New in #2.1 - 6 filter sequencers, updated sound sources, new convolution reverbs, user sample import, new FX and a snazzy new interface. "Infundibulum is unbelievably groovy… what an amazing untapped palette of timbres and rhythms, a real polyrhythmic wonderland.” - Chris Carter - Throbbing Gristle, Carter Tutti and Chris & Cosey middle THE INFUNDIBULUM family is not intended to authentically replicate any of the sounds included, some have been deeply multi sampled and others are deliberately stretched across a wider key span than is sensible. The samples all have very obvious loop points. The whole point of Infundibulum is to embrace and celebrate the artefacts that occur when sampling goes too far. Hold a chord, any chord, and you will hear the different notes start to cycle back on themselves in disjointed but glorious ways that you will never hear from a gazillion gigabyte hypersampled piano, crumhorn or orchestral calabash. Then add in the multi-arp and filter sequencers, 3 sounds repeating through different length cycles at different speeds, and you are halfway to an out-of-body experience. The SAMPLED INSTRUMENTS... Dust piano, Lowry organ, Winfield organ, many many electric guitars, household paint brush, violin played by a proper violinist, trumpet played by an improper trumpeter, concert whirly tubes, Jecklin disc, 4 track cassette recorder, taut wires, Sherman Filterbank, spring reverbs, Nord Modular, Space Echo, Roland SH101, Hammond Organ, a singing human, ribbon mics and broken electrics, guitar pedals set to 11, harmonica, recorders (school not tape this time), Moog theremin, many modular modules, Clouds, Strymon Big Sky and Deco, Roger Linn Adrenalinn 3, home-made guitars, electric milk whisk and home-made pickups... 'This is superb, I've never seen anything like it. I really, really love it !' - Mikey Rowe keyboard wiz to the stars (Sheryl Crowe, Noel Gallagher, Ed Sheeran, Dave Gilmour etc ) INFUNDIBULUM#2.1 multi-arps INFUNDIBULUM#2.1 multi-filter sequencers INFUNDIBULUM#2.1 INFUNDIBULUM#2.1 multi-arps 1/8 What's Inside? 1 Kontakt .nki instrument 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but Infundibulum is all about tweaking really, these will just get you in the ballpark 1300+ samples 3.8GB download MULTI-ARP 3 independent multifunction arpeggiator contraptions with gate, chord and 10 arp modes Adjustable step lengths from 1 to 64 per multi-arp Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per multi-arp Swing, offset, decay and pitch control per multi-arp Filter sequencer... Independent multifunction sequencers for high pass and low pass filter control - 2 per oscillator lane Adjustable step lengths from 1 to 64 per sequencer Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per sequencer Swing and slew mode control per sequencer The ENGINE... 3 sample oscillators, each with 60 multi-sampled sample sets LOAD YOUR OWN SAMPLES Sample start, loop start and loop length control per oscillator Pan and auto-pan control per oscillator Volume attack, decay, sustain and release control per oscillator Distortion module with drive, damp, tube or transistor, bit and sample rate reduction per oscillator Low pass and high pass filters with resonance Vibrato rate and depth control per oscillator Chorus rate and depth control per oscillator Convolution reverb with 50 custom IRs per oscillator Delay send control per oscillator ARP Recorder... Drag & drop midi file recorder grabs single and multichannel output from the multi-arp that can be loaded back into a new DAW track INSERT effects Tape & saturation Solid G - 4 band equalizer Phaser Rotor speaker Algorithmic reverb SEND effects Tempo synced tape delay Algorithmic reverb FULL version of Kontakt 5.8.1 or above needed INFUNDIBULUM#2.1 will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player . £60/$80/70€ (inc VAT) add to cart you might like these TOO... INFUNDIBULUM#1.1 More funnel DRIFT001 Minimal maximalism SYNTHFUNDIBULUM#3 Sexy soviet synthesizers FLUTTER DUST Beautiful mangled acoustics. What the heck is an INFUNDIBULUM anyway ? Funny you should ask :- technically it's just a funnel, but in his excellent time leaping novel Sirens of Titan, Kurt Vonnegut invented the Chrono-synclastic Infundibulum , which is essentially a time funnel. Seemed an apt name for this instrument. bottom

  • ODDular | sound-dust

    Amazing over modulated synth device with rare sampled EMS Putney for Kontakt VST ODDULAR £50 A beautiful throb monster, a one of a kind modulation leviathan. Pulsational rapture is only ever a few mouse clicks away. 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty 210 themed snapshots. 1.5GB download Contains rare multi-sampled EMS Putney for FULL version of Kontakt 5.8 or above add to cart ODDular is a hybrid sample instrument based around 3 specially coded BPM synced super LFOs, a complex but very simple to use modulation matrix and an innovative user interface. ODDular borrows some of the more useful concepts of modular synthesis to create otherworldly and impossible sounds that are actually musically useful and don’t require a complex nest of cables to produce. "F**king cool and really f**king amazing ! " - James & Pablo - ToyDrum mid The sample engine is loaded with 1.5GB of multi samples from rare and sought after classic synths - EMS VCS3 Putney, Oberheim Xpander 6, Siel Orchestra and great sounding synth wildcards - Moog Dfam, Moog Voyager, Technics WSA1, Make Noise O-Coast and Nord Wave. If you ever dreamed of owning a polyphonic BPM syncable VCS3 (who wouldn't) or need to quickly create a complex rhythmic underscore for ‘John Carpenter meets the Berlin Minimalists’ ODDular is definitely for you. 1/4 down What's Inside? 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty instrument for loading your own samples 210 snapshots...but ODDular is all about tweaking really, these are just to get you started 1.5GB download LFOs (Low frequency oscillators - the coloured ones) 3 super dooper flexible LFOs Adjustable beat-synced time units (32nd to whole note, with triplets) plus free running 8 select-able basic shapes + remix function to combine with other shapes for really complex LFO shapes Shift and offset for shape adjustment LFOs can modulate each other's speed ENVELOPE FOLLOWER (the pink one) Tracks overall volume of the instrument Controls for attack, fade, boost and follow ARPEGGIATOR Chord and 10 other arp modes Adjustable step lengths from 1 to 64 Adjustable step rate from 1/128 to whole note with triplet variations. Swing, decay, octave and mode control MASTER CLOCK On, off and reset controls Clock divider - effects speed of all LFOs LFO overload mode select - 3 modes to choose how modulation behaves when maximum value is reached ODDulation - choose to reset or randomise modulation destinations ODD LFO - reset or randomise LFO speed and shapes SAMPLE ENGINE Volume attack, decay, sustain and release control Low pass and high pass filters EQ - low, mid and high bands Amp simulator - tone, drive and bottom controls Tape drive Device - a selection of esoteric impulse responses (includes speakers, amps, vinyl and of course the EMS) Room - 17 bespoke convolution reverbs, clouds, rooms, springs, plates and ghosts Delay send FULL version of Kontakt 5.8.1 or above needed ODDULAR will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$64/60€ (inc VAT) for ODDULAR instant download add to cart you might like these TOO... Infundibulum#1.1 The originial multi arp Infundibulum#2.1 more time funnel Flutter Dust Module Beautiful mangled acoustics. Modular Chaos Engine #2.1 Chaotic Dave Smith Evolver drum machine MODULATION DESTINATIONS... Low pass cut-off and resonance High pass cut-off EQ - low, mid and high bands Amp simulator - tone control Tape drive Device - mix Room - mix from ENVELOPE FOLLOWER. Low pass resonance Amp simulator - drive XY PAD Controls all modulations for filters and EQ Separate midi learn-able X and Y controls AFTERTOUCH Pitch +/- 1 octave Bit reduction Sample rate

  • Cloud Viola 2 | sound-dust

    Garden string plus garnular viola = Kontakt sample library CLOUD VIOLA 2 £40 Viola × green garden twine ÷ √ (granular oscillator³ × reverb) = CLOUD VIOLA² 1 Kontakt .nki instrument 60 snapshots 2.5GB download 3GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart The DNA of a viola, but not a viola anymore. CLOUD VIOLA² is a deeply multi sampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world. CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a 'proper' orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion. CLOUD VIOLA² is completely in her comfort zone in cutting-edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical. See also CLOUD BASS and CLOUD CELLO How? A Cloud Viola happens when you ditch the conventional viola bow and look for something else to stimulate the strings. After much experimentation I discovered that a ball of course green garden string sounded 'best', but stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried). After many experiments a retractable dog lead came to the rescue. It can hold long lengths of twine under tension and when fixed to one end of the studio it can allow the twine to be drawn evenly over the viola string. Another week perfecting the art of dogbowing and recording hundreds and hundreds of dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with different settings for 200% wetness. Voila the Cloud Viola ! mid Eight deeply sampled articulations through eight 'oscillators' Accent Bow: bowed with a real bow, five round robins per note - recorded with large diaphragm valve condenser mic Grain Bow: bowed with a real bow, five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Palm Mute: plucked and muted with palm of the hand - AKG C414 large diaphragm condenser mic- five round robins per note with up to 22 levels of velocity per note Grain Legno: Latin for 'gently thwacked with the back of the bow', five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Black Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - AKG C414 large diaphragm condenser mic White Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded AKG C411 contact mic Grain Cloud: Black Twine Bow recorded 100% wet through Strymon Big Sky hardware reverb - played through granular oscillator with XY pad control of playback speed and grain size White Cloud: six selectable multi-sampled and heavily processed viola sample sets - cloud, sad cloud, bit cloud, vox cloud, jitter cloud, pain cloud Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust. Granular Bowing for ythe win. Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust 1/3 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' Low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD VIOLA will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/50€ (inc VAT) for CLOUD VIOLA instant download add to cart you might like these TOO... CLOUD BASS Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! FLUTTER DUST Strings and other things String Pool Organic violin-ing down

  • dULCITONE1900² | sound-dust

    Beautiful ancient keyboard sample library for Kontakt VST dulcitone 1900² £25 The lovely younger sister to Dulcitone1884² , with a slightly jinglier and more even tone which really compliments the butch woody clunk of the 1884 version. Recorded binaurally with 7 layers of velocity. 500mb download for FULL version of Kontakt 4 or above. add to cart mid Think of dULCITONE1900² as Keira Knightly and Dulcitone1884² as Kristin Scott Thomas.....or maybe whatshisface in Twilight compared to George Clooney. Seven velocity layers of binaural recording add up to around 500mb of samples. There's a wee video of her in action which tells you more about her than can be put into words. Originally designed and manufactured in Scotland in the 1800's, and with allegedly only 2000 in existence the DULCITONE is a portable keyboard that was made for missionaries to hump around remote African village churches to help perk up hymn services. It has a very basic piano action with spring-loaded felt covered hammers striking small magnet shaped tuning forks. A bit like a Fender Rhodes electric piano without the electric bits, and has a very lovely woody, clonky glockenspiel/celesta kind of sound. dulcitone 1900² dulcitone 1900² dulcitone 1900² dulcitone 1900² 1/6 down What's Inside ? Binaurally recorded for lovely 3d sound. 3 voice, 3 octave architecture. Sample start controllers. Individual control of volume, pan, attack & decay, reverb send and saturation per voice group. All controls midi learnable 500 mb of 24bit samples. 10 dulcitone presets. Built in manual. FULL version of Kontakt 4 or above needed. dULCITONE1900² will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25 (inc VAT) for dULCITONE1900² instant download add to cart you might like these... SPONGE PIANO Piano + Sponge DULCITONIUM The worlds only convolution Ducitone. It's complicated Ships Piano 3 Three character pianos in one. Prepared Pianet Like a Dulcitone, but with electricity.

  • TABLE of ELEMENTS | sound-dust

    We follow the science. Elements and compounds for Spectrasonics Omnisphere. A Periodic Table of sound. TABLE of ELEMENTS £35 A Periodic Table of sound An evocative custom sound for every element - rich malleable pads for ecstatic drama and gorgeous tension 119 elemental patches 60 compound multis for SPECTRASONICS OMNISPHERE 2 add to cart We follow the science Table of Elements is an innovative approach to Omnisphere sound design. Every patch is a sonic re-creation of an element of the periodic table. Each a complex and unique texture with movement and rich sonic character that can evolve with modwheel and aftertouch manipulation. A palette of beautiful, undulating, chilling, ecstatic, lustrous, warm, squashed, diaphanous pads that go from inspirational minimal ambience to full-blown cinematic opulence. Long evolving notes move and swell with serpentine tempo synced motion that ebbs and flows with your music. Table of Elements is an (in)organic symphony of ear fruit - a catalyst for your creativity. And you might learn a bit about chemistry too. "There comes a point on every production when you've done the basics, and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! Fermium Fm Table of Elements for Spectrasonics Omnisphere Argon Ar Table of Elements for Spectrasonics Omnisphere Untopia review Fermium Fm Table of Elements for Spectrasonics Omnisphere 1/5 mid The periodic table of elements, is essentially an infographic that cleverly displays all the chemical elements , which are arranged by atomic number , electron configuration , and recurring chemical properties . Russian chemist Dmitri Mendeleev published the first recognizable table in 1869, developed mainly to illustrate periodic trends of the then-known elements. He also predicted some properties of unidentified elements that were expected to fill gaps within the table. Most of his forecasts soon proved to be correct, culminating with the discovery of gallium and germanium in 1875 and 1886 respectively. TABLE of ELEMENTS instant download £35 requires Spectrasonics Omnisphere 2 add to cart What's Inside ? 119 elemental patches, fully databased and for easy access prefixed with usefully Mendelevium categories... ACTINIDE – radioactive : beautiful, volatile and maybe a bit scary ALKALI METAL – reaction with water forms alkalies : mysterious and liquid ALKALINE EARTH METAL – second most reactive : cold, austere, unstable LANTHANIDE – silver-coloured metals : deep, complex, lustrous METALLOID – between metals and non-metal : quixotic, surprising NOBLE GAS – odourless, colourless, unreactive : light, amorphous, gassy NON-METAL – do not produce heat or electricity and are structurally brittle : pulsating, rich, frangible POST TRANSITIONAL METAL– AKA the poor metals : spiteful, agile, naive TRANSITIONAL METAL –the largest group in the table : a bit of everything 60 compound multis - a combination of elemental patches that create gorgeous and complex sounds - eg H2O (hydrogen and oxygen) All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made from zeros & ones can possibly be. you might like these... Untopia for Omnisphere Dank and delicious post punk synths PMC Because Post Modernism is so last century LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

  • Hammr B&C | sound-dust

    Free Hammond Organ chords and bass for Kontakt Hammr Bass & Chords add to cart Developed as part of the HamMR suite with organ supremo Mikey Rowe , Bass & Chords is the 400mb cut down "home keyboard" version of the mighty HamMR+ and the HamMR Growler. This little monster features... The bottom octave of a Mikeys 1959 Hammond B3 played at full tilt through an overloaded full speed Leslie cabinet. 5 x 15 second round robin samples per note from two mic positions. One octave of major chords mapped per note One octave of minor chords mapped per note Adjustable volume, ADSR, pan and vibrato controls per articulation. Overall EQ. Leslie simulator and reverb on chord articulations. A hidden extra.... watch the video for details Works in FULL Kontakt 4 and 5.

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