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UNTOPIA £35 Welcome to UNTOPIA 200 patches and 80 specially devised new sound sources for Omnisphere 2 for Spectrasonics OMNISPHERE 2 add to cart Untopia is born from a boisterous mix of influences. The darkly industrial but uplifting soundscapes created by Factory records producer Martin Hannett for Joy Division and A Certain Ratio are in there. So are the madly brilliant and brilliantly mad Christobal Tapia de Veer soundtracks for Utopia, National Treasure, the Girl with all the Gifts and Dirk Gently. All thrown around with a good measure of cosmic hippy wig out Terry Riley vibes, some Jon Hassell/Brian Eno Fourth World aesthetics and the grubby wonderment that makes Sound Dust, you know, Sound Dusty. Expect strange disjointed and alluring voices, grainy strings, finely sculpted noise scapes, organic grit and grime, slurring mellotrons, drunken string machines, bent synths, amped keys turned to 11, low ebbing throbs and a healthy selection of other beatific cathedral of sound oddities. "There comes a point on every production when you've done the basics and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! "I love it! Went straight into a soundtrack I'm working on" - Paul Hartnoll - Orbital "This is just what Omnisphere has been waiting for" - Phil Hartnoll - Orbital 1/2 mid Philosphy... Omnisphere is a lot like a sampler from the early days of sampling. She can happily loop around pre-written loop points, but for user samples* she can't do multi sampling. Instead of each note having its own sample to play back at several velocities, one sample is stretched over the whole keyboard. Higher notes are simply played back at faster rates, lower notes are slower. This means that looping samples move at different rates across the range of the instrument. This is terrible if you are looking for accurate renditions of real world instruments, but if you embrace it this can be a joyful playground of creative happenstance. Sound Dust is a big believer in creative happenstance. * do not fear, this doesn't apply to the core omnisphere library (although it does for some of it) £35.00 for Untopia instant download. Needs Spectrasonics Omnisphere 2 add to cart What's Inside ? 200 new patches, fully databased and for easy access prefixed with usefully untopian categories... ARCANA – generally vocal based sounds that refer specifically to the work of Cristobal Tapia de Veer BLOW – windy gems BOW – real strings, well they were real once BPM – use the arpegiator or envelopes for beat synced mayhem DMX – drum machines DST – noisy distortion based sounds GTR – yup, guitars HIT – single thuds and thumps KEY – things made into polyphonic keyboardy things LOW – big bottoms ODD – useful but unlikely and hard to categorise ORG – organs and organic organ like organs PAD – big pads SCAPE – interesting noise/soundscapes SLOW – long slooow builders SM – string machines THROB – beat synced throbbing TRON – mellotron style pseudo instruments VOX – human and other voices All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. 80 new sounds... Made from a variety of sources and fed into the Omnisphere core sound library - Roland Juno 60, Oberheim Xpander, Dsi Pro 2, Moog Voyager, Nord Wave, Yamaha TQ5, Technics WSA1, Nord Drum, Hofner Bass, Fender Stratocaster, Fender Mandolin, Plastic Trumpet, Recorder, Whirly Tubes, Modular System including Waldorf NW1, Mutable Instruments Braids and Music Thing Radio Music, two human lady voices, one male voice and uncontrollable robot chatter. you might like these... PMC Because Post Modernism is so last century Friction Just as dystopian - but for U-He Diva LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

Pendleonium4 £35 Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven 97 snapshots 6 x articulations 1.53GB download for FULL version of Kontakt 5.8.1 or above. add to cart It is a Pendleonium and as such, it sounds like only a Pendleonium can. After a period of evolutionary development, the new PENDLEONIUM4 is here. The control panel has undergone a complete re-think. The new look is sharp and purposeful and the layout of instruments and functions is intuitive and user-friendly. A total of 6 sampled source instruments are arranged left to right across the main panel - two baritone guitars, two infinity guitars, Spring Viola and an additional instrument based on samples created with a vintage Roland Space Echo. Each individual source instrument comes with greatly enhanced editing tools, offering wave shape, ADSR, effects, and volume. To the right of the instrument panel is a dedicated editing bay offering yet more capability. Here you will find reverb and delay sends, reverb, rotor, EQ and dirt for gnarly lo-fi effects. A second interface window can be opened for velocity and round-robin. The best thing about the P4 though, is playing it. With its unique sounds and easy editing, The P4 is an absolute pleasure to play and tweak as you go. It must be stated that this instrument is not attempting to sound like anything else or even to offer any faithful reproduction of its source instruments. This is great! Went right into a cue. Thank you so much, great work as always. And I’ve used a ton of “Lost and Found” on the score to “Collateral Beauty”. Thanks for all the great stuff. Theodore (Teddy) Shapiro - composer : Ghostbusters, Zoolander, Trumbo, St. Vincent. PENDLEONIUM4 PENDLEONIUM4_GUBBINS PENDLEONIUM4_INSTRUMENTS PENDLEONIUM4 - a sample library for Kontakt VST - Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven. PENDLEONIUM4 1/6 mid Each snapshot is like a composition, just sit back and listen to the mysterious and beautiful musical layers unfold. Jonathan Whitehead - composer : Brass Eye, Black Books, Nathan Barley, Mount Pleasant The P4 excels at creating complex sounds, pianos, strings, smooth synth-like pads, rumbles, and unfathomable noises. At lower registers the Pendleonium4 can produce seismic movement and deep rich textures. In high registers it can be configured to produce sounds like ripples passing through mercury. The P4 truly inspires. During an afternoon creating sounds with the PENDLEONIUM4, I found myself playing funky 70’s freak out soul and Victorian fairground music alongside electronica and environmental hardcore. The instrument’s ability to seamlessly merge organic and electronic elements in rhythmic time kept me playing for hours. The echo and sustain editing controls allow for some truly wonderful development when notes are held. Beside pitch and mod wheels, if your keyboard features aftertouch you are in for an additional treat. Set up to control tuning, the extra expression this allows while playing is superb. To sum up, the Pendleonium4 is a prime example of what makes the Sound Dust world a place of wonder and discovery. The instrument’s sound, versatility and editing capabilities should make it a first choice for those wishing to create highly original music and sound design. Dean- Quietland What's Inside? Baritone Guitar x 2 - amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - 4 velocity layers Tape Baritone Guitar - recorded wet through Roland Chorus Echo RE501 with lots of chorus Fernandes Sustainer Infinite Guitar x2 -amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - endlessly looped Spring Viola -mic-ed and pushed completely wet through a noisy Vermona RetroVerb spring reverb. 700 24bit mono samples = 1.53GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument (except infinite guitars) BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 97 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5 or above needed. PENDLEONIUM4 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/40€ (inc VAT) for PENDLEONIUM4 instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds DULCITONIUM Haunted dulcitone device FLUTTER DUST Beautiful mangled acoustics LOOP POOL - Percussion An infinity of earthy percussion

£35/$45/€43 Deep undertow, endless low and dirty bass throb hybridized from many sexy analogue, digital and acoustic sources. DRIFT part four - a NEW LOW 11 deeply sampled hybrid articulations 6GB of 24bit multi samples 110 snapshots 42 modular stacks Wow, flutter & multi throb in abundance for FULL version of Kontakt 5.8.1and above add to cart DRIFT004 Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Now Playing OPERATOR 00:10 Play Video Now Playing ULTRADUCT 00:10 Play Video Now Playing SYNTHI 00:10 Play Video Now Playing GHOST SEAM 00:10 Play Video This is the FOURTH instalment of the DRIFT series of instruments. Simple at the front, complex behind the curtain. The business end is just 4 large knobs: Grist, ADSR, Morph and Space combine multiple functions for uncomplicated and intuitive sound design. A minimal interface beneath which lurks a maximalists desire to warp, bend and squash millions of new sounds into the aether. New features for DRIFT 004... POLYPHONIC/MONO/LEGATO mode - with portamento and super detuned girth. Two bipolar ducking modulators that wrangle a single low note into a swelling, writhing behemoth of filthy beat-synced undertow. Tiny changes in depth and pulse width make subtle organic changes, and tempo automation brings pulses to life. DRIFT 004 is a monstrous splurge of the low sloppy pulse of Haxan Cloak/Bobby Krlic , Ben Frost and Jóhann Jóhannsson , but it also a fantastic source of exotic leads, organic pads and weird keyboards like no other. the sounds 6Gb of deep hybrid sounds teased from analogue, digital and acoustic source s EMS VC3, Moog Voyager + Dfam, Waldorf XT, Novation Summit, lots of modu lar kit inc RY K Vector Wave , Nord G2, lots of pedals, a broken double bass, Hohner Bass, Hammond B3 organ + Leslie, 303 Devil fish clone... Long evolving samples of every note, multiple velocity layers and unlikely happenings - mod wheel always does something interesting. mid What's Inside ? 11 deeply multi sampled complex sounds sources = 6GB 42 modular instrument stacks 110 snapshots polyphonic, monophonic, legato and offset play modes portamento up to 8 voices of detuned girth morph EQ knob with 100 settings morph ADSR knob with 100 settings grist knob for noisy filth 50 custom impulse response reverbs space knob adds IR reverb and goes to 100% wet BPM synced drift control for tape like chaotic wow and flutter 2 x BPM synced bipolar ducking modulators for complex throbbing custom modwheel settings per sound source full automation capability chaos page adds even more unpredictability Handy built in instructions in RTFM page FULL version of Kontakt 5.8.1 needed DRIFT 004 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/€43 (inc VAT) for DRIFT004 instant download add to cart you might like these... end DRIFT001 Complex simplicity DRIFT 002 Ecstatic wooze DRIFT 003 Dubious voices from the post apocalypse DRIFT005 Hammered and plucked

STRANGE & BEAUTIFUL SOUNDS FOR YOUR STRANGE & BEAUTIFUL MUSIC Impossible instruments handcrafted from unlikely sources... RECENT inVENTIONS BAD PIANOS So bad, they are great! - also FREE DRIFT005 CLAVOTRON A 60-string electric guitar ##HOBBES## Generator of surprise DRIFT 004 A new low from SOUND DUST DUST ENGINE #2 electro acoustic sonic playroom DRIFT 003 Human - but only just ! DUST ENGINE #1 Liberation from preset scroll hell PLANKTON SONAR It's good to float PLANKTON DRUMMER a harmonic drum machine SPONGE PIANO 2 sponge + thumb x piano FELT dULCITONE glorious thonk and clunk PLANKTON SEQUENCER a sequencer you can play like an instrument SEE MORE end KIND WORDS FROM COOL PEOPLE 'Sound Dust makes one of the strongest arguments for the sampler as a true, expressive instrument. The care, creativity, quirkiness & MUSICALITY found in all their instruments has led to many inspiring moments for me. Highly recommended.' TRENT REZNOR - Nine Inch Nails, The Social Network, Gone Girl, Mid90s, Watchmen

you might like these... Flutter Dust Module Beautiful mangled acoustics. Cloud Cello You shouldn't really do that to a cello ! Ghost Dulcitone 1900 a convolution dulcitone. Orgone analogue but organic. LOOP POOL FREE FREE A sound design taster of LOOP POOL libraries. Dirty energetic drum loops, evolving low throbs, broken tape melodies, brooding cinematica and many more lovely sounds with that organic Sound Dust flavour. 30 .wav loops 74mb download add to cart

Modular Chaos Engine#2.1-evolved £25 An analogue chaotic drum machine for a chaotic analogue world 1500+ original 24bit samples for FULL version of Kontakt 5.5.1 or above. add to cart It's probably fairly obvious by the blueness and the title that this machine is based on the strange and rather wonderful analogue/digital masterpiece that is Dave Smiths' Evolver. I LOVE this synth, in a sterile world it oozes personality. Modular Chaos Engine#2.1 takes hundreds of sounds from this beast and moulds them into a highly interactive and serendipitous 'drum' device that can help you quickly create new and unexpected beats, breaks and rhythms that you just didn't know you had in you. Modular Chaos Engine #2 - a hybrid drum machine for Kontakt VST Modular Chaos Engine #2 - a hybrid drum machine for Kontakt VST Modular Chaos Engine #2 - a hybrid drum machine for Kontakt VST 1/3 mid This Chaos Engine has up to 120 different sounds/articulations per sequence node which are very loosely mapped across the keys from low kick drum type sounds through snappy snare type sounds up to more clicky, rattly hats and then the mildly melodic sounds up near the top end of the key range. Whats Inside ? Boom Engine page - 12 user programmable, key triggered patterns with 12 tracks per pattern. Up to 120 percussive sounds available per note. Blap Engine page - 12 user programmable, key triggered patterns with 12 tracks per pattern. 21 pitched sounds available per note (K5 only). One Shot Kit page -5 octaves of programmable one shot kits with chaos and order parameter randomisation control. Sends and Master FX page - control of master levels, master EQ and Transient designer (K5 only). 1500+ original 24bit samples. Instrument presets (.nki's) for Kontakt 4 and Kontakt 5. 2 Vintage sampler emulation preset modes (K5 only). Boom/Blap Engines - drawable, per note control of: sound selection, volume, reverb send, hold time, low pass filter, pan, sample start, tune, compression, bit reduction. (K5 only). Boom/Blap Engines - sound selection chaos control (K5 only). Boom/Blap Engines - timing chaos control (K5 only). Boom/Blap Engines - 'remix' control with 32 loop variations. Boom/Blap Engines - 16 or 32 beats per track selection. Boom/Blap Engines - solo & mute per sound. Boom/Blap Engines - copy/paste of patterns & tracks. Boom Engine - tube and transistor distortion. Blap Engine - tape saturation. Swing amount control for extra hippity hoppity per engine. One Shot Kits - individually editable note articulations with jitter, release, flam, drag, ruff, roll, muted, speed roll & Geiger settings One Shot Kits - per note control of reverb send, pitch, high & low pass filters, volume attack & decay, volume & pan. Built in instruction manual in RTFM tab. Evolved#1.1 needs a FULL version of Kontakt 5 and will not run in Kontakt 4, but there is still the original version #1 which runs in both Kontakt 4 & 5. Please don't buy this if you are using Kontakt Player. £25/$40/35€ (inc VAT) for Modular Chaos Engine #1.1 (and version #1.0) instant download. add to cart you might like these... MCE#1 Found a field recording drum machine MCE #3 OddHop wonky chaotic drum box MCE #4 SDPR Steel Drum Percussion Room - great sounding but badly treated drums Tiny Binaural Harpsichord³ Don't forget the prepred harpsichord drum box end

HAMMR Growler £30 Re-inventing the (tone)wheel II The best sounding LOUD multi sampled, multi round-robin Hammond B3 you will ever hear. 5 x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps for FULL version of Kontakt 4 or above. add to cart Mind your ears ! Hammr Growler is the filthy brother of the not particularly demure Hammr+ and a part of the Hammr Suite, a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. The Growler is a 3GB monster that captures from 4 mic positions the full tilt sound of Mikeys favourite 888000000 setting on his 1959 B3 through a cranked up Leslie cabinet, and frankly it is one heck of a sound ! mid Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library 1/5 What's Inside ? x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps Individual control of volume, pan, ADSR and vibrato per mic. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 24 presets. Master/slave control system for quick adjustment of group controls. Built in user manual. FULL version of Kontakt 4 or above needed. Hammr Growler will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr Growler instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Orgone 2 Re-inventing the (tone)wheel part 2 Flutter Dust Module Acoustic wavetable loopiness DULCITONIUM No ghosts were injured

RUBBER BASS £20 Kala Ukelele bass - robust, with a lovely rubbery bottom 8 randomised round robins per note 145MB download handy arpeggiator for FULL version of Kontakt 5.8 or above add to cart Rubber Bass 2 is sampled from a funny little Kala ukulele bass. It's about the size of a kid's guitar and has big fat rubber strings which are a nightmare to tune. It's not very loud acoustically but when DI'd it has a wonderful round, rubbery bottom end with a lovely hint of twang which belies its tiny stature. It's a little bit double bassy with a hint of P Bass, but essentially it has a character all of its own. mid Rubber Bass 2 Rubber Bass 2 1/1 down Whats Inside ? 8 randomised round robins per note 145MB download Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed RUBBER BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £20/$30/25€ (inc VAT) for RUBBER BASS instant download add to cart you might like these TOO... Sponge Bass Pure Hofner bass thud Sponge Piano Sponge + thumb + piano = Sponge Piano Ships Piano 3 Scott of the Antarctics piano, and some friends Orgone 2 Very low ebbings

Cloud Cello Omni 2 edition £5 38 brand-new Omni patches made from 12 sound sources from CLOUD CELLO Kontakt version. 25MB download Orchestral-ish, cinematic tones, textures and deep organic basses that sound both familiar and alien. for Spectrasonics OMNISPHERE 2 add to cart mid Cloud Cello is a deeply multi sampled hybrid Kontakt sample library created from an ordinary 17th century classical stringed instrument, but played and recorded in an extra-ordinary way using classy analogue outboard, multi mics and coarse twine instead of a conventional bow. The Omnisphere 2 edition takes some of the 2GB original sample content and pours it into the powerful sample engine of Spectrasonics Omnisphere 2 for some amazing results. Free to Cloud Cello Kontakt edition owners Whats Inside ? 38 brand new Omni patches made from 12 sound sources from CLOUD CELLO Kontakt version. 25MB download £5.00 for Omni Cloud Cello instant download. Needs Spectrasonics Omnisphere 2 add to cart you might like these... UNTOPIA Beware filth ! PMC There's throbbing here LOST & FOUND It's there somewhere BOOM & BUST Semi epic looping for Kontakt end

kicktom £40 Building back better from the bottom end 100s of Kicks and Floor Toms 15 drum articulations 15 sequencers 15 algorithm engines 1500+ samples 1GB download for FULL version of Kontakt 5.8 and above ADD TO CART EXCELLENT thump AT YOUR FINGERTIPS KICKTOM is based around the simple concept of doing one thing really, really well. Low end beats, percussive rumble, punch, thump and a bit of thwack. All quickly available at your fingertips with an easy to use but complex BPM synced sequencer engine and 11 algorithmic playback engines for every single note. Use KICKTOM to start tracks with a chunky bottom end, or add it to existing pieces for rumbustious low frequencies and clatter. From delicate to epic, subtle to stomping, wild to wonky. Build a BPM synced, chunky Funky Drummer or dirty glitter stomp in moments and play it live with a few keys. mid building from the bottom Each articulation has its own GUI, sequencer and algorithmic playback engine, with a suite of effects for individual sound sculpting. 83 Custom IMPULSE RESPONSES per articulation to create natural and impossible spaces. Hybrid IR's can transform a kick into a cowbell, high hat or tuned piano note. SUB IR's adds tuned sub-bass for extra low end rumble. 'Well, this is worryingly useful. Fortunately, you can do weird stuff as well! Great programming, and it really is very nice to be able to shape the sounds inside the instrument like this. ' a YOUTUBE comment too good not to share DOUBLE BRUSH SPRING MIC DOUBLE BRUSH 1/6 articulations KICK SINE - 808 style kicks - 21 velocity layers KICKS ELECTRO - 98 FM kicks - 98 velocity layers ROOM KICK - HARD MALLET - acoustic kick -74 velocity layers ROOM KICK - SOFT BEATER - the wrong side of an acoustic kick - 94 velocity layers FLOOR TOM - MALLET - 105 velocity layers FLOOR TOM - TEA TOWEL - 128 velocity layers FLOOR TOM - FINGERS - 122 velocity layers FLOOR TOM - SOFT MALLET - 104 velocity layers FLOOR TOM - SHAKER - small wooden shaker balanced on drum skin - 106 velocity layers FLOOR TOM - TAMBOURINE - metal tambourine balanced on drum skin - 86 velocity layers FLOOR TOM - SPRING MIC - kids toy mic balanced on drum - 88 velocity layers FLOOR TOM - BRUSH - one metal jazz brush - 128 velocity layers FLOOR TOM - DOUBLE BRUSH - two metal jazz brushes - 100 velocity layers FLOOR TOM - BROOMSTICK - hard wooden 'brush' - 128 velocity layers FLOOR TOM - HARD BRUSH - hard plastic 'brush' - 120 velocity layers bottom FULL version of Kontakt 5.8 and/or 6.4.2 needed KICKTOM will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$55/€48 (inc VAT) for KICKTOM instant download ADD TO CART What's Inside ? KICKTOM - the small print 1 GB total size - 900 MB download 15 articulations 15 sequencers 15 articulator engines with 11 algorithms 1500 hits 85 snapshots 1 Kontakt instrument Huge, non-fiddly GUi Classic Sound Dust RTFM instruction manual built into interface sequencers 1 sequencer per note Sequence lanes for velocity, pitch and decay Multiple play rates 1 to 64 steps Swing, drag and humanize controls ARTICULATORS 1 algorithmic articulator engine per note 11 algorithms Flam, Drag, Ruff, Roll, Buzz, 16ths, 8ths, ALGO 1 to 4 EDIT section PER note Volume Snap Sample start Pan Transient Designer Tape saturation Solid G equalizer - 4 bands Delay Convolution reverb CUSTOM IMPULSE RESPONSE 83 custom IRs per note Categories - Epic, Polite, Device, Reverse, Plate, Spring, FX, SUB FX section can turn a drum into a piano, Rhodes or musical saw SUB section to add tuned sub frequencies mixer Controls for every articulation Volume, Pan, IR mix and Snap Master low and high pass filters Master IR reverb unit you might also like these... FOUND A found sound drum machine BOOM AND BUST The original pool of cinematic thumping INFUNDIBULUM #1.1 More time funnel - but different LOOP POOL - Percussion_square Plenty of Bam & Tschak