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- WURLITZER TOOLKIT | sound-dust
bad VIOLIN TOOLKIT £20/$20/€20 + free version Beautifully played solo violin treated brutally 700MB 24bit sample pool 70 plus snapshots 2 x Kontakt instruments DRIFT + GRAINs engines for FULL version of Kontakt 6.7.1and above get BAD VIOLIN TOOLKIT bad violin toolkit The BAD VIOLIN TOOLKIT features two instruments with the same(ish) sample set. The whole range of a beautifully bowed violin, with 6 velocity levels of every note. Everything is kept deliberately simple, the fun starts with the Kontakt engines. DRIFT BAD VIOLIN is a gorgeous and easy to use Kontakt wooze engine. Simple on top but deep and complex underneath. Two multi functioning tremolo engines, deep tape warble control, 100 morphing EQ presets, 50 plus custom IRs, one knob ADSR, filth control and amusing fake legato mode. 60 snapshots each with different internal architecture and something exciting mapped to the mod wheel (CC1). GRAINs BAD VIOLIN is a granular Kontakt engine that shrinks and stretches notes into new textures that are still recognizably violin-ish - or not. GRAINs also has a second layer of heartily played col legno violin for extra pluck. 10 snapshot playgrounds with re-configured internal architecture and something different mapped to the mod wheel (CC1) are starting points for further sonic adventure. BAD VIOLIN FREE BAD VIOLIN TOOLKIT inside DRIFT BAD VIOLIN 1 Kontakt instrument (for FULL 6.7.1 or above) 60 themed and re-cabled snapshots in 6 categories 800mb uncompressed samples. Every note @ 6 velocity layers mod wheel (CC1) always does something. morph EQ knob with 100 presets. morph ADSR knob with 100 presets. grist knob for noisy filth. 50 custom impulse response reverbs. space knob adds IR reverb and goes to 100% wet. BPM synced drift control for tape like chaotic wow and flutter. 2 X BPM synced bipolar volume ducking modulators for complex throbbing. polyphonic, monophonic, legato and offset play modes. portamento. up to 8 voices of detuned girth. full automation capability. handy built in instructions in RTFM page. What's Inside ? FULL version of Kontakt 6.7.1 needed BAD VIOLIN TOOLKIT will load into KONTAKT PLAYER but time out after 10 minutes, so please don't buy this if you are using the free KONTAKT PLAYER. £10/$10/€10 (inc VAT) for BAD VIOLIN TOOLKIT instant download BAD VIOLIN TOOLKIT drift ? GRAINs BAD VIOLIN 1 Kontakt instrument (for FULL 6.7.1 or above) 2 sample sets BOWED + COL LEGNO Every note @ 6 velocity layers 10 snapshots each with reconfigured internal workings. mod wheel (CC1) always does something exciting. live granular engine. 2 channels with volume and ADSR. chaotic vibrato control per channel. XY pad with control of GRAIN: speed & size, VERB: size & depth FILTER: high pass & low pass EQ: freq & cut/boost. XY pad chaos-ifier - click GRAINs icon. XY pad un chaos-ifier - click BAD VIOLIN icon. full automation capability. handy built in instructions in RTFM page. BAD VIOLIN FREE DRIFT FREE BAD VIOLIN 1 Kontakt instrument (for FULL 6.7.1 or above) 200mb uncompressed samples. 1 velocity layer 0 snapshots mod wheel (CC1) does something exciting. morph EQ knob with 100 presets. morph ADSR knob with 100 presets. grist knob for noisy filth. 50 custom impulse response reverbs. space knob adds IR reverb and goes to 100% wet. BPM synced drift control for tape like chaotic wow and flutter. 1 X BPM synced bipolar volume ducking modulators for complex throbbing. polyphonic, monophonic, legato and offset play modes. portamento. up to 8 voices of detuned girth. no automation capability. handy built in instructions in RTFM page. you might like these... end BAD PIANO TOOLKIT Good bad pianos 001 Complex simplicity 002 Ecstatic wooze 004 A new low
- Tiny Chaos Engine #1 | sound-dust
Free chaotic drum machine made from found sounds Tiny Chaos Engine#1 - Found add to cart It's a "found sound" drum-machine ! Made with a collection of unlikely sound sources that include a lawn mower, kite flying, celery, static electricity, trickling water and a broken piano as well as some more obvious percussive sources. features include.. the Chaos button for instant randomisation the Order button for an instant return to normality comprehensive editing with quick edit system 12 sample engines with individual articulation control 12 sequence engines with algorithmic looping controller lots of great binaural sounds celery ! built in manual Tiny Chaos Engine will play nicely with FULL Kontakt 4 and 5.
- LOOP POOL FREE | sound-dust
Amazing free dirty and lovely loops for your DAW you might like these... Flutter Dust Module Beautiful mangled acoustics. Cloud Cello You shouldn't really do that to a cello ! Ghost Dulcitone 1900 a convolution dulcitone. Orgone analogue but organic. LOOP POOL FREE FREE A sound design taster of LOOP POOL libraries. Dirty energetic drum loops, evolving low throbs, broken tape melodies, brooding cinematica and many more lovely sounds with that organic Sound Dust flavour. 30 .wav loops 74mb download add to cart
- WURLITZER TOOLKIT
What happens when a very special Wurlitzer Electric Piano is pushed in new directions. A sample library for Native Instruments Kontakt VST WURLITZER TOOLKIT immediately recognizable and slightly strange £30/$30/€30 inc VAT plus free version add to cart Bad Wurli Risin' Michael Oliva 00:00 / 01:12 Trailing Mr George Jean-Eric Bohdanowicz 00:00 / 01:50 It's at Percy 00:00 / 01:02 APOLLO 18 Nigel Turley 00:00 / 01:06 FLOW Pendle 00:00 / 00:51 WURLITZER TOOLKIT As you know the SOUND DUST ethos is always to try and push things beyond the norm, Wurlitzer Toolkit takes a beloved instrument* and lovingly does new and loving things to it...not always that loving! Yes, it's another electric piano, but this one is different (obvs), it sounds 'like' an electric piano, it carries the memory of electric piano-ness, but it also has its own unique sound that means it can function like an electric piano but without carrying the usual electric piano baggage. At the rougher, more 'organic' end of the electric piano spectrum, a real fully working Wurlitzer is a rare and wonderful beast. This Wurlitzer 200 is particularly special, it belongs to ex Sheryl Crowe, Oasis and current Noel G keyboard player Mikey Rowe, and it can be heard on records by all of the above. It also has the rare tremolo speed mod, so it does things that most Wurlis can only dream of. Wurlitzer Toolkit is recorded/misused in 4 different ways and then poured into 4 different instances of an expanded version of the DRIFT engine. It emanates beautiful organic textures and mellow cinematics with a subtle suggestion of a charming and melancholic nostalgia. This could be your new secret weapon for cool, edgy, cinematic, organic and otherworldly gorgeousness (that sounds a bit electric piano-ish.) *Marvin Gaye, Ray Charles, The Beatles, Beck, Queen, Supertramp, Steely Dan etc etc... mid the INSTRUMENTS FOUR WAYS OF MESSING UP A CLASSIC BAD WURLITZER Pushed through the terrible live pitch shifting algorithm of an AKAI MPC 100. Pitched down it sounds rather wonderful. 12 velocity layers ranging from one octave down to one semitone down CHAOTIC WURLITZER Trem speed knobs wiggled in real time. Chaotic Wurlitzer has 3 velocity layers where every note has differently evolving wobble speed - speeding up, slowing down - whatever took my fancy at that moment. FUZZY WURLITZER Each note is recorded through the Dust Cloud Drive pedal by SzCz. This is a gorgeous and brutal custom pedal made with salvaged original parts based on an Arbiter Fuzz Face. GOOD WURLITZER There has to be a proper version I suppose. 7 pristine velocity layers recorded straight into nice preamps with 'interesting' loops. terrible wurlitzer free terrible WURLITZER Upward MPC pitch shifting is even more GHASTLY than the classy downwards shifting. Free version has 1 velocity layer, no presets and much less of the snazzy controls the interface Some handy controls to build your universe FX SWITCHES each snapshot is wired differently - mod wheel controls movement - use GUI switches or key switches for live triggering MORPHING EQ 100 presets MORPHING ADSR 100 presets REVERB 70 custom impulses DRIFT unreliable tape like burble and flutter TREMOLO 2 trem engines in series for complex throb Wurlitzer insides OASIS WURLITZER WURLITZER TOOLKIT rack all the Wurlitzers Wurlitzer insides 1/4 end What's Inside ? 4 Kontakt instrument (for FULL 6.7.1 or above) 220 snapshots 1.4 GB uncompressed samples. LOTS of good stuff Requires a FULL version of Kontakt 6.7 or above. WURLITZER TOOLKIT instruments will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$30/€30 (inc VAT) add to cart terrible wurlitzer free you might like these... DRIFT001 Complex simplicity BAD VIOLINweb So bad it's fabulous PLANKTON SONAR Oceanic systems tinkle BAD PIANOS Really really bad
- DUST ENGINE #2 | sound-dust
Hybrid electro acoustic glimmer instrument made from weird hardware synths, pianos, trumpet and guitar. A sample library for Kontakt VST £25/$35/€30 Naive and guileless lo-fi for shimmering underscore and underdog beauty Who needs presets ? An experiment in chao s for FULL version of Kontakt 6.7.1 and above add to cart DUST ENGINE #2 DUST ENGINE #2 is a uniquely quirky combination of odd chaotic synths and sparkling acoustic haze. It doesn't even play the same sound every time ! 4 articulations knitted from rare & weird hardware synths, glistening piano loops, maudlin trumpet and looped guitar, all mangled together with unlikely sampling to create a gorgeous gossamer haze or deep low miasma. Inside the easy-to-use interface are 4 cunningly curated, interlocking articulations plus handy FX to quickly build the perfect sound for your sonic universe. DUST ENGINE #2 is a liberation from preset hell that just wants to be explored - use the patch randomizers to get you started. mid the sounds A curated selection of electro & acoustic that SIT TOGETHER BEAUTIFULLY Long evolving samples of every note with interesting loops, multiple ve locity l ayers and unlikely happenings. ARTICULATION 1 Hammond 102200 + Dave Smith Evolver 4 chaotic round robins with 2 x Evolver patches and 2 x Hammond Synth patches. Each note could be one of the four sounds, and you never know which you'll get . All recorded through a C hase Bliss Generation Loss MKII for organic burbl e. ARTICULATION 2 A BPM synced murmuration of multiple pi ano loops and plastic trumpet . ARTICULATION 3 A freeform gauze of pian o and Gretsch guitar loops. ARTICULATION 4 Deep deep analogue or gritty digital sub bass from DSi Evolver . the interface Some handy controls to build your universe ARTICULATIONS 1 to 3 Sample start control + 3 volume faders, one for each articulation. ARTICULATION 4 - SUB BASS click the dot for analogue or crispy digital . TAPE and GLUE controls These controls beautifully int eract to squash and breathe an organic, filthy wholeness into everything . ''Sound Dust makes one of the strongest arguments for the sampler as a true, expressive instrument. The care, creativity, quirkiness & MUSICALITY found in all their instruments has led to many inspiring moments for me. Highly recommended.' ' TRENT REZNOR - Nine Inch Nails, The Social Network, Gone Girl, Soul,The Killer DUST ENGINE #2 DUST ENGINE #2 DUST ENGINE#2_rtfm_controls Read the flippin manual Generation Loss 1 DUST ENGINE #2 DUST ENGINE #2 1/9 end What's Inside ? One Kontakt.nki instrument(Kontakt 6) NO SNAPSHOTS - you don't need them - YOU REALLY DON'T 5 electronic and acoustic hybrid articulations mix randomizer 600MB download (NCW compressed) Multimode humanized ARP/sequencer - 16 TYPES Sample start fader Keyboard velocity sensitivity adjustment patch randomizers for articulations and vol envelope Note attack speed control Note release control volume envelope randomizer Multimode glue control Transient, tape, delay and distortion effect Three band EQ Thump control for beefy bottom A hint of room reverb Replika delay and high quality algorithmic reverb All controls will show up in DAW automation requires FULL Kontakt 6.7.1 or above Requires a FULL version of Kontakt 6.7 or above. DUST ENGINE #2 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$35/€30 (inc VAT) for DUST ENGINE #2 add to cart you might like these... DUSTENGINE#1 Wonky hybrids DRIFT001 Complex simplicity PLANKTON SONAR Oceanic systems tinkle FELT DULCITONE One of a kind
- Sound-dust | Handcrafted Sample Libraries and Virtual Instruments
Sound Dust specialises in experimental Kontakt instruments and unusual sample libraries for composers, producers and sound designers. Our tools are widely used for ambient music, film scoring, game audio and creative sound design. SOUND DUST Strange & Beautiful instruments for composers, producers and sound designers who don't want to sound like the others Listen & Explore Digital ghosts captured from analog wreckage. Hybrids 00:00 / 00:22 Idiophonic 00:00 / 00:30 Mangled 00:00 / 00:24 Clouds 00:00 / 00:29 Boom clatter 00:00 / 00:22 New to SOUND DUST ? We dismantle the pristine, sample the wreckage, and rebuild it into something hauntingly human. Explore the Sound Dust collection of beautiful wrongness. Featured Instruments Embrace character, instability and surprise. hybrid Badly behaved classics inspiration Sonic microscope for exploring sound drift Harmonic drum machine Drift Prequel Plankton Drummer seeker Sound Dust exists because the world doesn't need another clean sample library. We are audio archaeologists excavating the weird, the messed up, and the gloriously unstable. Every instrument is a collision of history, happenstance and hope, designed to be pushed until it breaks. If you want pristine, look elsewhere. If you want digital ghosts with analog soul, this is your place. Pendle Poucher end TRENT REZNOR 'Sound Dust makes one of the strongest arguments for the sampler as a true, expressive instrument. The care, creativity, quirkiness & MUSICALITY found in all their instruments has led to many inspiring moments for me. Highly recommended.' BARRY ADAMSON 'Sound Dust instruments are truly innovative & original. They are what every composer and songwriter needs as a first call for creative inspiration, which brings ideas to fruition in ways that could only be dreamed of previously. I just love them.' Gary barlow 'There comes a point in every production when you've done the basics and now you need something new, interesting, unique & inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find.' toydrum 'F**king cool & really f**king amazing !' Chris Carter 'INFUNDIBULUM #1 is unbelievably groovy… what an amazing untapped palette of timbres and rhythms, a real polyrhythmic wonderland.' Kind words from cool people SEE MORE
- Cloud Viola 2 | sound-dust
Garden string plus garnular viola = Kontakt sample library CLOUD VIOLA 2 £40 Viola × green garden twine ÷ √ (granular oscillator³ × reverb) = CLOUD VIOLA² 1 Kontakt .nki instrument 60 snapshots 2.5GB download 3GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart The DNA of a viola, but not a viola anymore. CLOUD VIOLA² is a deeply multi sampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world. CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a 'proper' orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion. CLOUD VIOLA² is completely in her comfort zone in cutting-edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical. See also CLOUD BASS and CLOUD CELLO How? A Cloud Viola happens when you ditch the conventional viola bow and look for something else to stimulate the strings. After much experimentation I discovered that a ball of course green garden string sounded 'best', but stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried). After many experiments a retractable dog lead came to the rescue. It can hold long lengths of twine under tension and when fixed to one end of the studio it can allow the twine to be drawn evenly over the viola string. Another week perfecting the art of dogbowing and recording hundreds and hundreds of dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with different settings for 200% wetness. Voila the Cloud Viola ! mid Eight deeply sampled articulations through eight 'oscillators' Accent Bow: bowed with a real bow, five round robins per note - recorded with large diaphragm valve condenser mic Grain Bow: bowed with a real bow, five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Palm Mute: plucked and muted with palm of the hand - AKG C414 large diaphragm condenser mic- five round robins per note with up to 22 levels of velocity per note Grain Legno: Latin for 'gently thwacked with the back of the bow', five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Black Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - AKG C414 large diaphragm condenser mic White Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded AKG C411 contact mic Grain Cloud: Black Twine Bow recorded 100% wet through Strymon Big Sky hardware reverb - played through granular oscillator with XY pad control of playback speed and grain size White Cloud: six selectable multi-sampled and heavily processed viola sample sets - cloud, sad cloud, bit cloud, vox cloud, jitter cloud, pain cloud Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust. Granular Bowing for ythe win. Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust 1/3 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' Low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD VIOLA will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/50€ (inc VAT) for CLOUD VIOLA instant download add to cart you might like these TOO... CLOUD BASS Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! FLUTTER DUST Strings and other things String Pool Organic violin-ing down
- Tiny Chaos Engine #2 | sound-dust
Tiny Chaos Engine #2 - Evolved add to cart A tiny but perfectly formed free version of the Modular Chaos Engine #2 . Instead of 1106 samples you get 24, but it still sounds pretty good features include.. the Chaos button for instant randomisation the Order button for an instant return to normality comprehensive editing with quick edit system 12 sample engines with individual articulation control 12 sequence engines with algorithmic looping controller the hybrid analog sounds of a beautiful blue synth built in manual Tiny Chaos Engine will play nicely with FULL Kontakt 4 and 5.
- Pre Modernist Collection | sound-dust
Dirty throbbing sounds to feed Spectrasonics Omnisphere 2 PRE MODERNIST COLLECTION £25 158 chunky, organic electronic patches for Omnisphere with a strong emphasis on rhythm and texture for Spectrasonics OMNISPHERE 1 + 2 add to cart Inspirations and touchstones have been the 70s punk electronics of synth pioneers Suicide, the glitchy dub experiments of Pole, the tape/synth/sampler explorations of Laurie Anderson, Glenn Branca's wall of guitars, and more recent sound design experimentalists Ben Frost, Tim Hecker, Oval plus the film scores of John Carpenter and movie soundtracks like Gone Girl, and It Follows Essentially, I've tried to take Omnisphere to places it wouldn't normally dare go. All patches will have something interesting mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. Pre Modernist Collection for Spectrsonics Omnisphere 2 Nice ! Pre Modernist Collection for Spectrsonics Omnisphere 2 1/2 mid £25.00 for PMC instant download. Needs Spectrasonics Omnisphere 1 or 2 add to cart What's Inside ? 158 new patches, fully databased and for easy access All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. bottom you might like these... UNTOPIA Definitely not utopian Lost and Found I know it's here somewhere INFUNDIBULUM #2 Dirty bonkers arpeggiation ODDular Modulation plus EMS Putney
- Synthfundibulum #3 | sound-dust
A time funnel sample library for Native Instruments Kontakt made from rare soviet synths and cunning multi sequencers. soviet SYNTHFUNDIBULUM #3 £60 Bend and twist arcane analogue synthesis into new & unexpected shapes. The third in the devious Sound Dust series of time/mind-bending Kontakt instruments, hand sculpted from 7 rare & idiosyncratic soviet synthesizers. Character and wonk are our friends - synths can be organic! 1 Kontakt .nki instrument 250 snapshots 2.6GB download for FULL version of Kontakt 5.8 or above add to cart Soviet SYNTHFUNDIBULUM#3 - is a new member of the INFUNDIBULUM family, the range of instruments built for polyrhythmic time funnelling, happenstance and above all fun. This time we have a sound set created in a collaboration with Armenian composer Art Tadevosyan and based on his collection of ageing soviet synth beauties. SSf3 offers 3 independent oscillator channels, each with a choice of 33 multi sampled sound sets made from 7 strange keyboards. A redesigned INFUNDIBULUM engine plays to the character of these synths. In addition to the original cunning multi-arp system Soviet SYNTHFUNDIBULUM#3 has new filter sequencing, 10 new soviet reverb impulses and new insert effects. Packed with character and possibility with an organic plastic flavour Soviet SYNTHFUNDIBULUM#3 is an infinity of analogue that frankly you will never hear anywhere else. ART TADEVOSYAN - the ex shredder with amazing synths Art Tadevosyan was born in the former Soviet Union country Armenia. By the age of 10 he was playing guitar with the intention to become the fastest guitar player on the planet. But things radically changed when at 15 he moved to Germany and was introduced to the music/art of John Cage, Stockhausen, Xenakis, Schaeffer and the cutting edge electronic music coming from mainland Europe. Art's sampling journey began with his first sampler the Akai S2000 and an Atari 1040 ST as sequencer. Since then, Art has played in a lot of bands, composed a huge amount of music for TV and Film, and recently released his new album under artist name Art Tendency. https://arttendency.bandcamp.com www.instagram.com/art_tadevosyanmusic INFUNDIBULUM and Soviet SYNTHFUNDIBULUM are not intended to authentically replicate any existing instruments - not even the instruments that they are made from. The many many sound combinations and sculpting permutations cry out for deep experimentation and sonic exploration. Sampling should be a playground and Soviet SYNTHFUNDIBULUM is a deep synthesis merry-go-round for fun and inspiration. mid sovietSYNTHFUNDIBULUM#3_1 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_2 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_RTFM_2 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_1 soviet SYNTHFUNDIBULUM#3 - SOUND DUST 1/5 What's Inside? 1 Kontakt .nki instrument 250 themed snapshots...but Infundibulum is all about tweaking really, these will just get you in the ballpark 2.6GB download (from 3GB compressed files) MULTI-ARP 3 independent multifunction arp contraptions with gate, chord and 10 other arp modes Adjustable step lengths from 1 to 64 per multi-arp Adjustable step rate from 1/128 to whole note with triplet variations plus modem, geiger and meltdown modes per multi-arp Swing, offset, decay and pitch control per multi-arp Filter sequencer... Independent multifunction sequencers for high pass and low pass filter control - 2 per oscillator lane Adjustable step lengths from 1 to 64 per sequencer Adjustable step rate from 1/128 to whole note with triplet variations plus modem, geiger and meltdown modes per sequencer Swing and soft mode control per sequencer The ENGINE... 3 sample oscillators, each with 33 multi-sampled sample sets Sample start, loop start and loop length control per oscillator Pan and autopan control per oscillator Volume attack, decay, sustain and release control per oscillator Distortion module with drive, damp, tube or transistor, bit and sample rate reduction per oscillator Low pass and high pass filters with resonance Vibrato rate and depth control per oscillator Chorus rate and depth control per oscillator Convolution reverb with 34 custom IRs per oscillator Delay send control per oscillator ARP Recorder... Drag & drop midi file recorder grabs single and multichannel output from the multi-arp that can be loaded back into a new DAW track INSERT effects Tape & saturation Solid G - 4 band equalizer Phaser Rotor speaker Algorithmic reverb SEND effects Tempo synced tape delay Algorithmic reverb FULL version of Kontakt 5.8.1 or above needed SYNTHFUNDIBULUM#3 will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player . £60/$80/70€ (inc VAT) for SYNTHFUNDIBULUM#3 instant download add to cart you might like these TOO... INFUNDIBULUM#1.1 The originial - more jingle jangle less filth INFUNDIBULUM#2.1 Bonkers multi-arped time funnel ODDular Odd by name, odd by nature DRIFT001 Minimal maximalism What the heck is an INFUNDIBULUM anyway ? Funny you should ask :- technically it's just a funnel, but in his excellent time leaping novel Sirens of Titan, Kurt Vonnegut invented the Chrono-synclastic Infundibulum , which is essentially a time funnel. Seemed an apt name for this instrument. down








