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  • YKA | sound-dust

    33 YORK AVENUE ROOF SURVEY, DAMP PICS and QUOTES MAY 24

  • Beautiful noises for Kontakt and beyond | Sound Dust

    STRANGE & BEAUTIFUL SOUNDS FOR YOUR STRANGE & BEAUTIFUL MUSIC Impossible instruments handcrafted from unlikely sources... RECENT inVENTIONS DRIFT 004 A new low from SOUND DUST DUST ENGINE #2 electro acoustic sonic playroom DRIFT 003 Human - but only just ! DUST ENGINE #1 Liberation from preset scroll hell PLANKTON SONAR It's good to float PLANKTON DRUMMER a harmonic drum machine SPONGE PIANO 2 sponge + thumb x piano FELT dULCITONE glorious thonk and clunk PLANKTON SEQUENCER a sequencer you can play like an instrument DRIFT002 maximal minimalism GHOSTDROP What no samples ?! DRIFT001 Minimal but maximal SEE MORE end KIND WORDS FROM COOL PEOPLE 'Sound Dust makes one of the strongest arguments for the sampler as a true, expressive instrument. The care, creativity, quirkiness & MUSICALITY found in all their instruments has led to many inspiring moments for me. Highly recommended.' TRENT REZNOR - Nine Inch Nails, The Social Network, Gone Girl, Mid90s, Watchmen

  • Saxomaphonium | sound-dust

    saxomaphonium £40 Saxophones + harmoniums = SAXOMAPHONIUM ​ 55 snapshots 6 x articulations 2.6GB download for FULL version of Kontakt 5.8.1 or above. add to cart Look, I know everyone hates saxophones. And with good reason. Excluding Colin Stetsons amazing work, and Tom Waits of course, I also tend toward hating on saxophones myself. ​But is it really fair to judge an instrument by its past misdemeanours ? Can the sax be rehabilitated and made sexy again ? Here at Sound Dust we say HELL YES! So, SAXOMAPHONIUM is a hybrid Kontakt instrument hewn from layers of baritone and alto sax plus two ancient wind powered reed organs. It takes un-cool elements, records them nicely and then re-imagines them into something entirely new. SAXOMAPHONIUM Saxomaphonium GUI Saxomaphonium gubbins Velocity and Round Robin control harmonium insides Harmonium 2 SAXOMAPHONIUM Saxomaphonium GUI 1/8 mid THE COMPONENTS Looped baritone and alto long notes Tape treated, looped baritone and alto long notes Honking goose sax staccatos BPM synced looping harmonium hand pumped notes Deep wheezy foot pumped room organ With a deep but manageable Kontakt engine the SAXOMAPHONIUM creates a new reed/metal/wood based palette that can cover a surprisingly wide range of stunning possibilities. ​ File under. Michael Nyman post-baroque maxi/minimalisms, undulating cinematic Zimmer beds, Goran Bregovic Balkan wedding/funeral knees-up, pseudo orchestral epic sweep-scapes. Definitely not Baker Street. What's Inside? Saxophone x 2 - 4 octaves of baritone and alto saxophone long looped notes - 6 velocity layers Tape Saxophone - 4 octaves of baritone and alto saxophone long looped notes - brutalized through Roland Chorus Echo RE501 for lots of wow and flutter - 6 velocity layers Honk - 4 octaves of baritone and alto saxophone staccato notes - 5 velocity layers Harmonium - binaurally recorded portable harmonium with looped BPM synced bellows pumping. Pump Organ - binaurally recorded church style pump organ. 1140 24bit samples = 2.46GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing , velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per articulation All controls fully automatable BPM synced pan and volume modulation per articulation BPM synced vibrato and chorus per articulation 24 custom convolution reverbs per articulation 4 insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 55 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. SAXOMAPHONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. ​ £40/$56/46€ (inc VAT) for SAXOMAPHONIUM instant download add to cart down you might like these... PENDLEONIUM 4 ...more hybrid DULCITONIUM Haunted dulcitone infinity ORGONE2 Strange organ CLOUD VIOLA Very stringy

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  • Dulcitonium | sound-dust

    dulcitonium £40 The world's first and only convolution dulcitone.... An ancient and rare keyboard invigorated with nifty digital witchcraft - and ghosts. ​ 70 snapshots 6 x articulations 2GB download for FULL version of Kontakt 5.8.1 or above. add to cart DULCITONIUM takes the gorgeous woody jingle of the dulcitone and transforms it into an extended dusty swoon that goes to infinity and beyond. ​ ​It starts with ancient keyboards (see Dulcitone 1884 and dULCITONE1900 ) - with a Dulcitone 1884 through tape, a stretched Dulcitone 1900, and a Dulcitone 1900 clunk layer; but it doesn't stop there, that would be too easy. It's also about the ghosts... ​ The ghosts are dragged into this spiritual plane by treating each dulcitone sample as an impulse response for a convolution reverb* Load a sample into a convolution reverb plug in, send in 20 second bursts of Moog Voyager white noise and record the result. Do that for every single note/sample and several weeks later you have a collection of dusty, metallic bowed sounding, infinite dulcitone-ness. ​ ​ * Basically, a convolution reverb takes an input signal (the sound to be reverberated) and processes it with the sound of an actual or virtual acoustic space to create the illusion that the input was recorded in that space. The sound of the acoustic space is captured in what is called an impulse response (IR). Wikipedia ​ ​ ...and there is still more (see below) Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments Olivia De Haviland_GUBBINS Dulcitonium - the fading ghosts of ancient instruments DULCITONE 1900 interior Dulcitonium - the fading ghosts of ancient instruments Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments 1/7 mid Here's what it takes to make a DULCITONIUM... ​ Clunk Dulcitone : short and percussive - every note recorded binaurally directly from the simple dulcitone mechanism - 4 levels of velocity. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion insert. ​ Reverse Ghost : reversed, stretched and mangled Dulcitone 1884 made by cunning convolution process (see above) Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. ​ Forward Ghost : a different set of stretched, mangled and convolved Dulcitone 1884 samples with 7 layers of velocity Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. ​ Tape Dulcitone 1900 : 7 velocity layers of binaural Dulcitone 1900 passed through cassette tape for extra artefacts and character. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion. Roomy Nord : a multi sampled nord modular electric piano style patch which is recorded binaurally using mics in a real room environment. Adds 3d depth and body, has its own adjustable octave control. Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. Stretch Dulcitone 1900 : 3 velocity layers of binaural Dulcitone 1900 stretched beyond the pain barrier. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. ​ ​ What's Inside? ​ 6 articulations - see above for details 850 24bit stereo samples = 2GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and round-robin modelling page 70 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. DULCITONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. ​ £40/$56/46€ (inc VAT) for DULCITONIUM instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds PENDLEONIUM 4 Rusty & dusty DRIFT001 4 knobs ! CLOUD VIOLA 2 Very stringy

  • Flutter Electronic Piano Module | sound-dust

    Flutter EP electronic piano module £35 Pseudo electric piano w avetables, looping and beautiful chaos Steve Reich in a punch up with Trent Reznor ​ 1.7GB (compressed) 24bit stereo samples 120 presets + 58 wavetable snapshots created from 12 imagined electric piano and organ multi sample sets for FULL version of Kontakt 5.5.1 or above. add to cart Flutter EP is an electric piano like you've never heard before. ​ She is packed to the brim with specially devised samples made from a variety of slutty analogue hardware synths and keyboards. All sample sets morph and loop through various transitions for a mind-boggling selection of unique but Wurly-ish, Rhodes-y, organ-esque, DX like electric piano type sounds....but of course there is a twist which makes her very different. ​ Think Radiohead, Jon Hopkins, Nils Frahm, Ólafur Arnalds or maybe Steve Reich in a fist fight with Trent Reznor. The main interface is divided into 12 parts which (if you look hard enough) show the octave of a keyboard starting at C on the left. Each column gives individual parameter control for each corresponding note of the six octave range, whatever you do to the C column affects all of the Cs and nothing else. mid Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust 1/3 You get volume envelope, pan, low and high pass filter, filter lfo speed and shape, and 3 effects sends but in Flutter they can be different for every note of the octave. There is the same per note control of sample start, loop start and loop time, all controllable in real-time! Flutter has a special trigger mode for each individual note over 6 octaves which can set BPM synced note repeats from 64ths to bars (inc triplets). The wavetable version adds a master trigger mode that effects the whole keyboard with BPM synced note repeats going from granular to 1 bar. The modwheel-powered Flutter control unleashes the 'fluttering' effect that gives this beauty her name. Wiggle the wheel for instant live jitter/glitch/fluttering effects. ​ Flutter EP may sound complicated, but she is really quite simple and a quick, intuitive and 'vibey' way of writing complex sounding music with just a few fingers. What's Inside? 1.7GB (compressed) 24bit stereo samples 120 presets + 58 wavetable snapshots created from 12 imagined electric piano and organ multi sample sets Sample sets made from cunning variations of Hohner Pianet T, Moog Voyager, Nord Modular, Nord Wave, Soulsby Atmegatron, Waldorf Wave XT and DSi Pro2. Recorded through a stereo pair of Warm Audio Tone Beast preamps Macro page -for quick access to master controls of volume envelope, filter, effect sends and tube/transistor distortion. Macro page -instant shape presets for volume envelope and filters Micro page -individual control on a per-note basis of volume envelope, pan, low and high-pass filters and effects sends Micro page (EP) -individual control on a per-note basis of sample start, loop position and loop length Micro/Macro page (Wavetable) -master control of all sample start, loop length, loop start and 5 flutter algorithms Micro page -individual per note trigger settings for BPM synced note repeats Micro page -chaos and order controls for instant parameter randomisation Flutter control - mod wheel hard-wired to unique 'flutter' effect -wiggle it, and you'll soon find out what it does 20 custom reverb convolution impulses RTFM tab -so you can't lose the manual Flutter EP needs a FULL version of Kontakt 5. Please don't buy this if you are using Kontakt Player. ​ £35/$55/40€ (inc VAT) for Flutter EP instant download add to cart down you might like these... FLUTTER DUST Fluttering dust Prepared Pianet Hohner Pianet with extras ODDULAR Uber modulation and an EMS Putney UNTOPIA It's a tough old world.

  • KICKTOM | sound-dust

    kicktom £40 Building back better from the bottom end 100s of Kicks and Floor Toms 15 drum articulations 15 sequencers 15 algorithm engines 1500+ samples 1GB download for FULL version of Kontakt 5.8 and above ADD TO CART EXCELLENT thump AT YOUR FINGERTIPS KICKTOM is based around the simple concept of doing one thing really, really well. Low end beats, percussive rumble, punch, thump and a bit of thwack. All quickly available at your fingertips with an easy to use but complex BPM synced sequencer engine and 11 algorithmic playback engines for every single note. Use KICKTOM to start tracks with a chunky bottom end, or add it to existing pieces for rumbustious low frequencies and clatter. ​ ​From delicate to epic, subtle to stomping, wild to wonky. Build a BPM synced, chunky Funky Drummer or dirty glitter stomp in moments and play it live with a few keys. mid building from the bottom Each articulation has its own GUI, sequencer and algorithmic playback engine, with a suite of effects for individual sound sculpting. 83 Custom IMPULSE RESPONSES per articulation to create natural and impossible spaces. Hybrid IR's can transform a kick into a cowbell, high hat or tuned piano note. SUB IR's adds tuned sub-bass for extra low end rumble. 'Well, this is worryingly useful. Fortunately, you can do weird stuff as well! Great programming, and it really is very nice to be able to shape the sounds inside the instrument like this. ' a YOUTUBE comment too good not to share DOUBLE BRUSH SPRING MIC DOUBLE BRUSH 1/6 articulations KICK SINE - 808 style kicks - 21 velocity layers KICKS ELECTRO - 98 FM kicks - 98 velocity layers ROOM KICK - HARD MALLET - acoustic kick -74 velocity layers ROOM KICK - SOFT BEATER - the wrong side of an acoustic kick - 94 velocity layers FLOOR TOM - MALLET - 105 velocity layers FLOOR TOM - TEA TOWEL - 128 velocity layers FLOOR TOM - FINGERS - 122 velocity layers FLOOR TOM - SOFT MALLET - 104 velocity layers FLOOR TOM - SHAKER - small wooden shaker balanced on drum skin - 106 velocity layers FLOOR TOM - TAMBOURINE - metal tambourine balanced on drum skin - 86 velocity layers FLOOR TOM - SPRING MIC - kids toy mic balanced on drum - 88 velocity layers FLOOR TOM - BRUSH - one metal jazz brush - 128 velocity layers FLOOR TOM - DOUBLE BRUSH - two metal jazz brushes - 100 velocity layers FLOOR TOM - BROOMSTICK - hard wooden 'brush' - 128 velocity layers FLOOR TOM - HARD BRUSH - hard plastic 'brush' - 120 velocity layers bottom FULL version of Kontakt 5.8 and/or 6.4.2 needed KICKTOM will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. ​ £40/$55/€48 (inc VAT) for KICKTOM instant download ADD TO CART What's Inside ? KICKTOM - the small print 1 GB total size - 900 MB download 15 articulations 15 sequencers 15 articulator engines with 11 algorithms 1500 hits 85 snapshots 1 Kontakt instrument Huge, non-fiddly GUi Classic Sound Dust RTFM instruction manual built into interface ​ ​sequencers 1 sequencer per note Sequence lanes for velocity, pitch and decay Multiple play rates 1 to 64 steps Swing, drag and humanize controls ARTICULATORS 1 algorithmic articulator engine per note 11 algorithms Flam, Drag, Ruff, Roll, Buzz, 16ths, 8ths, ALGO 1 to 4 EDIT section PER note Volume Snap Sample start Pan Transient Designer Tape saturation Solid G equalizer - 4 bands Delay Convolution reverb CUSTOM IMPULSE RESPONSE 83 custom IRs per note Categories - Epic, Polite, Device, Reverse, Plate, Spring, FX, SUB FX section can turn a drum into a piano, Rhodes or musical saw SUB section to add tuned sub frequencies mixer Controls for every articulation Volume, Pan, IR mix and Snap Master low and high pass filters Master IR reverb unit you might also like these... FOUND A found sound drum machine BOOM AND BUST The original pool of cinematic thumping INFUNDIBULUM #1.1 More time funnel - but different LOOP POOL - Percussion_square Plenty of Bam & Tschak

  • Cloud Cello | sound-dust

    Cloud cello £35 Cello+ twine × reverb = Cloud Cello ​ Two instrument variations - solo & ensemble versions 1.6GB download 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation 38 extra patches for Omnisphere 2 using Cloud Cello samples for FULL version of Kontakt 5.5.1 or above. add to cart Cloud Cello? Cloud Cello is the big brother (or sister, if you like) of the Cloud Viola . She's a deeply multi sampled hybrid Kontakt sample library created from an ordinary 17th century classical stringed instrument, but played and recorded in an extra-ordinary way. Cloud Cello opens up new orchestral-ish, cinematic tones and textures that sound both familiar and alien....in a good way. There are also 38 free Cloud Cello patches for Spectrasonics Omnisphere 2 included with the Kontakt version. mid Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST How to make a Cloud Cello Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust 1/6 How? So, you take an unsuspecting cello, remove all the strings except one and place it in a stand. Instead of a conventional bow, use something with a bit more texture and bite - in this case, a ball of coarse garden string sounded best. Stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried to make one!). After many experiments and cups of coffee, a retractable dog lead, an elaborate pulley system and a classic vintage fishing reel came to the rescue. This system can hold long lengths of string under tension and be drawn evenly over the cello string to produce a usable tone. Next step is to rig up some suitable mics. A contact mic near the bridge gave good body, and a large diaphragm condenser near the string picked up the 'grist'. Then using a capo for accurate tuning, thousands of passes were recorded to get enough samples for 5 x round robins per note plus conventionally bowed accents and col legno notes for extra flavour. The final step is to form the Clouds by pushing each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with a different setting for 200% wetness. What's Inside? Two instrument variations - solo & ensemble versions. 2GB of 24bit samples (uncompressed). 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation. 38 extra patches for Omnisphere 2 using Cloud Cello samples. Three octave key range - C1 to C4 Seven deeply sampled articulations through eight 'oscillators'. Accented bow: short bowed note with conventional bow. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Col legno: Latin for 'gently thwacked with the back of the bow'. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Twine: bowed with 5 meters of green garden string. 5 x round-robin per note, minimum 20 seconds per sample. Two mic positions- valve condenser and contact mic. Hard-wired to CC11 for expression pedal or midi controllers. Dark Cloud: Twine recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb. Playback through Kontakt grain oscillator. Pale Cloud: the Dark Cloud recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb unit, so basically 200% wet! Sub Bass: (ensemble only) Moog Voyager sine bass. Effects per oscillator: tremolo, vibrato, saturation, pitch selection, pan, low-pass filter, high pass filter, reverb and delay. Master output effects: low pass filter, high-pass filter, rotor effect, delay, cabinet modelling and EQ. Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware, and some less obvious sources including a Roland Space Echo, Strymon Big Sky and the stage of Glyndebourne Opera House. Built in instruction manual in RTFM tab. FULL version of Kontakt 4 or above needed. Cloud Cello will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. ​ £35/$53/50€ (inc VAT) for Cloud Cello instant download add to cart Cloud Bundle Cloud Cello + Cloud Viola + Cloud Bass (full price £110) ​ £90 (inc VAT) for Cloud Bundle instant download cloud bundle end you might like these... String Pool Beautiful string syncs CLOUD VIOLA 2 Viola+twine x reverb DULCITONIUM A ghostly convolution dulcitone CLOUD BASS Badly abused double bass

  • Cloud Bass | sound-dust

    CLOUD BASS £35 Double bass × garden twine ÷ √ (sub bass + reverb) = CLOUD BASS 1 Kontakt .nki instrument 60 snapshots 1.2GB download - 2GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO ) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Expect amazing unheard sounds - low raspy rumbling, cinematic thuds and booms, delicate wispy swarms and CLOUD BASS can easily do a half decent LOVE CATS mid 'This is mad and I love it !' Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) Eight deeply sampled articulations through eight 'oscillators' ​ Twine 1 : bowed with five meters of coarse brown garden string, five round robins per note - AKG C414 large diaphragm condenser mic ​ Twine 2 : bowed with five meters of coarse brown garden string, five round robins per note - Barcus Berry Planar contact mic ​ Twine 3 : bowed with five meters of coarse brown garden string, five velocity levels per note -AKG 411 contact mic ​ Long Accent Bow : bowed with a real bow, five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic ​ Short Accent Bow (high): bowed with a real bow, five round robins per note - AKG C414 large diaphragm condenser mic ​ Beater - thumped lightly with drum beater, five round robins per note, five velocity layers per note - AKG C414 large diaphragm condenser mic ​ Col legno : Latin for 'gently thwacked with the back of the bow', five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic Sub Bass : six selectable analogue multi sampled waveforms recorded from Moog Voyager and DSi Pro 02 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. ​ £35/$55/50€ (inc VAT) for CLOUD BASS instant download add to cart you might like these TOO... CLOUD VIOLA 2 Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! DRIFT 004 A new low from SOUND DUST String Pool Organic violin-ing bottomAnchor 1

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