clock here Click me!

Experimental drawbar organ device. A sample library for Kontakt VST Anchor 1 orgone 2 £35 An organic analogic synth beastie. What happens when you build an organ out of classic synth parts ? 11 classic synth oscillators 1.2GB of 24bit multi samples for FULL version of Kontakt 5.8 or above. add to cart Orgone began as an experiment around the idea of "what would a Hammond organ with sawtooth waves sound like ?" and slowly grew into a huge modular machine that combines multi sampled waveforms from several classic synths into a 1GB+ Kontakt sample instrument that goes way beyond the possibilities of any of the originals. THE SYNTHS Moog Voyager sawtooth and square waves - 24bit, 8 second samples of every note. Dsi Pro 2 narrow square waves - 24bit, 8 second samples of every note. Yamaha CS15 square waves - 24bit, 8 second samples of every note. Roland SH101 saw tooth + sub waves - 24bit, 8 second samples of every note. Moog unfiltered noise - 24bit, 8 second samples of every note (which is probably overkill - but hey) mid Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 - an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST 1/4 ORGONE 2 uses the basic additive architecture of the drawbar organ to create a deeply malleable instrument with huge polyphony and a complex but relatively simple operating system. It then adds the filters, envelopes, lfos etc of subtractive synthesis to each individual drawbar. It's like having 4 classic 11 oscillator synths in one modular box. Because the quirks and character of the original ageing synths (30 plus years in the case of the CS15) have been retained Orgone has a living organic sound that can go to places other electronic instruments can only dream of. This isn't another plastic EDM box...although it can do amazing thick creamy basses. Orgone is great for woozy string synth pads, throbby beat synced cinematic backdrops, gnarly "Frankie Teardrop" organs and 60s keyboards, ethereal theremins, evolving space drones and GREAT BIG ultra saw synth tones. What's Inside ? 11 classic synth oscillators 1.2GB of 24bit multi samples 134 snaphots Knob randomisation and reset system Drawbar presets based on Hammond B3 Pitch bend semi-tone amount selector per oscillator DAW automation control of everything Saturation control per oscillator Pan control per oscillator Reverb send per oscillator Volume envelope per oscillator Vibrato LFO with semi-tone depth, speed (sync & hertz), fade and chaos per oscillator Low pass or formant filter with envelope shape and LFO speed (sync & hertz) and shape modelling per oscillator Tremolo speed (sync & hertz), depth, LFO width, shape and chaos per oscillator Chorus depth and speed per oscillator Tape delay engine per oscillator Master convolution reverb with 80 custom IRs - categories : large, medium, device, reverse, tape, spring, pedal & real Master guitar cabinet modeller, EQ, Leslie, phaser, tone and distortion. Note off tune, volume, decay and reverb send Velocity amount. Aftertouch tune morphing bend amount. Built in RTFM ORGONE 2 needs a FULL version of Kontakt 5.8 or above to work properly £35/$47/42€ (inc VAT) for Orgone 2 instant download add to cart end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Hammr Growler Evil full tilt Hammond B3 Flutter EP Electrical piano wavetable loopiness ODDular Bonkers LFO mayhem

Complex wavetable based electric piano sample library for Kontakt VST Flutter EP electronic piano module £35 Pseudo electric piano w avetables, looping and beautiful chaos Steve Reich in a punch up with Trent Reznor 1.7GB (compressed) 24bit stereo samples 120 presets + 58 wavetable snapshots created from 12 imagined electric piano and organ multi sample sets for FULL version of Kontakt 5.5.1 or above. add to cart Flutter EP is an electric piano like you've never heard before. She is packed to the brim with specially devised samples made from a variety of slutty analogue hardware synths and keyboards. All sample sets morph and loop through various transitions for a mind-boggling selection of unique but Wurly-ish, Rhodes-y, organ-esque, DX like electric piano type sounds....but of course there is a twist which makes her very different. Think Radiohead, Jon Hopkins, Nils Frahm, Ólafur Arnalds or maybe Steve Reich in a fist fight with Trent Reznor. The main interface is divided into 12 parts which (if you look hard enough) show the octave of a keyboard starting at C on the left. Each column gives individual parameter control for each corresponding note of the six octave range, whatever you do to the C column affects all of the Cs and nothing else. mid Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust Flutter EP for Kontakt by Sound Dust 1/3 You get volume envelope, pan, low and high pass filter, filter lfo speed and shape, and 3 effects sends but in Flutter they can be different for every note of the octave. There is the same per note control of sample start, loop start and loop time, all controllable in real-time! Flutter has a special trigger mode for each individual note over 6 octaves which can set BPM synced note repeats from 64ths to bars (inc triplets). The wavetable version adds a master trigger mode that effects the whole keyboard with BPM synced note repeats going from granular to 1 bar. The modwheel-powered Flutter control unleashes the 'fluttering' effect that gives this beauty her name. Wiggle the wheel for instant live jitter/glitch/fluttering effects. Flutter EP may sound complicated, but she is really quite simple and a quick, intuitive and 'vibey' way of writing complex sounding music with just a few fingers. What's Inside? 1.7GB (compressed) 24bit stereo samples 120 presets + 58 wavetable snapshots created from 12 imagined electric piano and organ multi sample sets Sample sets made from cunning variations of Hohner Pianet T, Moog Voyager, Nord Modular, Nord Wave, Soulsby Atmegatron, Waldorf Wave XT and DSi Pro2. Recorded through a stereo pair of Warm Audio Tone Beast preamps Macro page -for quick access to master controls of volume envelope, filter, effect sends and tube/transistor distortion. Macro page -instant shape presets for volume envelope and filters Micro page -individual control on a per-note basis of volume envelope, pan, low and high-pass filters and effects sends Micro page (EP) -individual control on a per-note basis of sample start, loop position and loop length Micro/Macro page (Wavetable) -master control of all sample start, loop length, loop start and 5 flutter algorithms Micro page -individual per note trigger settings for BPM synced note repeats Micro page -chaos and order controls for instant parameter randomisation Flutter control - mod wheel hard-wired to unique 'flutter' effect -wiggle it, and you'll soon find out what it does 20 custom reverb convolution impulses RTFM tab -so you can't lose the manual Flutter EP needs a FULL version of Kontakt 5. Please don't buy this if you are using Kontakt Player. £35/$55/40€ (inc VAT) for Flutter EP instant download add to cart down you might like these... FLUTTER DUST Fluttering dust Prepared Pianet Hohner Pianet with extras ODDULAR Uber modulation and an EMS Putney UNTOPIA It's a tough old world.

Free granular Kontakt instrument - sculpted from noise and spring reverb feedback GHOST in the machine ghost me A dirty, beautiful Kontakt instrument hand sculpted from noise, analogue oscillators, spring reverb feedback...and ghosts of course. features include... 138mb download 26 glorious presets Granular and formant based variations XY pad happenstance control 2 x volume ADSR Lovely waveform display Hardwired modwheel and aftertouch fairy dust Built in manual Ghosts GHOST in the MACHINE will play nicely with FULL Kontakt 5 and above.

Hybrid Kontakt Instruments & Morphing Sample Libraries | Sound Dust HYBRIDs A selection of unstable, evolving intruments that breathe and shift. Designed for the composer who needs sounds that are half-remembered and half-imagined. Plankton Drummer harmonic rhythm device INFUNDIBULUM 2.1 the patina of a life well lived DUST ENGINE #2 a simple delight Plato everything goes everywhere

300 goregous guitar loops from the nimble fingers of super guitarist Andy Britton. A BPM synced sample library for Kontakt VST LOOP POOL: bliss machine £50 An infinity of gorgeous guitar texture 288 pitched and synced guitar loops 50 presets for Kontakt 5 + 6 1 GB total size Guitars from Mars + time funnel = Bliss for FULL version of Kontakt 5.8 and/or 6 ADD TO CART LOOP POOL : BLISS MACHINE is a gorgeous guitar texture device. Always synced to the BPM of your DAW, you can intuitively trigger, time slip and morph pitched samples with mod wheel and keyboard to create beautiful cathedrals of sound or raucous chunky riffery . mid Super composer/producer/guitarist Andrew Britton built a stunning set of guitar loops for major, minor and single notes in every key. Four version of each are pushed into the LOOP POOL engine that uses modwheel control to morph through synced variations with control of playback speed per layer. Sound Dust couldn't resist and mangled the original loops into the remix versions, which add extra flavour. Reverse control flips the loops while retaining sync and the notelock control spreads one set of samples across the whole keyboard for stranger mutations. XY pad has quick control of convolution reverb depth, EQ and tremolo. Pretty much everything can be automated for easy control of complex variations. 'Holy cow ! This is a Fripp/Eno machine, no pussyfooting about it! Most stunning Kontakt thing I've ever laid hands on...' 'Absolutely LOVELY - GENIUS, akin to every other instrument you masterfully create. This one sounds PARTICULARLY amazing to me however - I'm catching immense NIN - The Fragile vibes 😍❤' Some particularly nice YouTube comments LOOP POOL : BLISS MACHINE - pitch and BPM synced guitar texture sample library for Kontakt VST LOOP POOL : BLISS MACHINE - pitch and BPM synced guitar texture sample library for Kontakt VST LOOP POOL : Percussion - wonky organic percussiion sample library for Kontakt VST LOOP POOL : BLISS MACHINE - pitch and BPM synced guitar texture sample library for Kontakt VST 1/5 bottom FULL version of Kontakt 5.8 and/or 6 needed LOOP POOL : BLISS MACHINE will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$58/€70 (inc VAT) for LOOP POOL: BLISS MACHINE instant download ADD TO CART What's Inside ? LOOP POOL : BLISS MACHINE - the small print 1 GB download 288 guitar loops organized by key and chord type 50 Kontakt instrument (for Kontakt 5.8 and Kontakt 6) Classic Sound Dust RTFM instruction manual built into interface Waveform section Mod wheel hardwired to loop group morphing (or use CC1) - all tempo synced Time Funnel - set temp synced playback speed per morph group Offset - adjust start point of every single stem by up to 50% 4 loops per key Real-time waveform display Snap control 1/32 to Bar Master volume control - cc map-able (handy instead of aftertouch for expression) Velocity to volume control Pitch bend depth - from 1 semitone to 12 Aftertouch to volume control - for handy expression control Volume attack, decay, sustain and release Forward and reverse play direction Note lock control - spreads last played note across whole keyboard for crazy old school sampling. Remix - altered messed up versions of the original samples Precise readout of XY pad control values Convolution impulse selector - 80 custom-made IR reverbs - 8 categories - 10 impulses per category XY pad Low and high pass filter Tremolo Designer Convolution reverb - amount dry X - amount wet Y Solid G equalizer - 1 band = 200 Hz to 2.5 kHz- frequency X - gain Y Midi learn triangles - for external controllers to learn XY pucks Tape saturation gain On/off and reset controls per effect (click effect icon) all controls read and write DAW automation Kontakt 6 version Replika delay - 5 amazing sounding delay machine types 20 Replika delay presets you might like these... BOOM AND BUST The original pool of cinematic thumping CHOIR POOL Choir bots ! LOOP POOL PERCUSSION More time funnel - but different Cluster Earfruits 6GB pool of joy

The next generation granular sample recycler for Kontakt 6 REKOMBINATOR III 25% OFF = £27 inc VAT The next generation granular sample recycler for Kontakt expertly conjured by SOUND DUST friend SzCz for FULL version of KONTAKT 6 and above ADD TO CART A welcome return to a granular leviathan from the brilliant mind of SOUND DUST buddy SzCz. Back in the day, we helped release the original version of SzCz's very crafty granular gadget - and with the new version it just got even better ! ReKombinator III is an upgraded version with the same powerful playback engine and sample pool with the addition of advanced modulator, effects sections, and support for sample drag'n'drop. It may look daunting, but with a bit of effort ReKombinator III is capable of amazing results that defy gravity, and the time space continuum. SzCz himself explains all in the video talk through above. mid 1/5 bottom For FULL version of Kontakt 6 or above 25% OFF = £27/$34.50/€31.50 (inc VAT) for ReKombinator III instant download ADD TO CART Super powerful dual granular engine 190 Snapshots included 178 Waveforms to get you started Drag n Drop your own samples into each engine for unlimited sound design possibilities Created for the FULL version Kontakt 6.6.1 or above (not for Kontakt Player)* Dedicated pages for Waveforms, Filters, Effects, Space and Modulation Sample browser window Sample audition Speed, Position, Blur, Density, Shape, Size, Scanning Speed, Pitch and Volume controls for each grain Latch control Powerful modulation with step sequencer Dozens of filter types to choose from 4 Effects slots with 20 effects to choose from Effects presets section (load, save and edit presets) Convolution reverb section with 100+ reverbs to choose from and randomisation control you might also like these... GHOST DROP More granular malarkey PLANKTON Gorgeous wibble wobble FOUND A found sound drum machine INFUNDIBULUM #1.1 A time funnel

We follow the science. Elements and compounds for Spectrasonics Omnisphere. A Periodic Table of sound. TABLE of ELEMENTS £35 A Periodic Table of sound An evocative custom sound for every element - rich malleable pads for ecstatic drama and gorgeous tension 119 elemental patches 60 compound multis for SPECTRASONICS OMNISPHERE 2 add to cart We follow the science Table of Elements is an innovative approach to Omnisphere sound design. Every patch is a sonic re-creation of an element of the periodic table. Each a complex and unique texture with movement and rich sonic character that can evolve with modwheel and aftertouch manipulation. A palette of beautiful, undulating, chilling, ecstatic, lustrous, warm, squashed, diaphanous pads that go from inspirational minimal ambience to full-blown cinematic opulence. Long evolving notes move and swell with serpentine tempo synced motion that ebbs and flows with your music. Table of Elements is an (in)organic symphony of ear fruit - a catalyst for your creativity. And you might learn a bit about chemistry too. "There comes a point on every production when you've done the basics, and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! Fermium Fm Table of Elements for Spectrasonics Omnisphere Argon Ar Table of Elements for Spectrasonics Omnisphere Untopia review Fermium Fm Table of Elements for Spectrasonics Omnisphere 1/5 mid The periodic table of elements, is essentially an infographic that cleverly displays all the chemical elements , which are arranged by atomic number , electron configuration , and recurring chemical properties . Russian chemist Dmitri Mendeleev published the first recognizable table in 1869, developed mainly to illustrate periodic trends of the then-known elements. He also predicted some properties of unidentified elements that were expected to fill gaps within the table. Most of his forecasts soon proved to be correct, culminating with the discovery of gallium and germanium in 1875 and 1886 respectively. TABLE of ELEMENTS instant download £35 requires Spectrasonics Omnisphere 2 add to cart What's Inside ? 119 elemental patches, fully databased and for easy access prefixed with usefully Mendelevium categories... ACTINIDE – radioactive : beautiful, volatile and maybe a bit scary ALKALI METAL – reaction with water forms alkalies : mysterious and liquid ALKALINE EARTH METAL – second most reactive : cold, austere, unstable LANTHANIDE – silver-coloured metals : deep, complex, lustrous METALLOID – between metals and non-metal : quixotic, surprising NOBLE GAS – odourless, colourless, unreactive : light, amorphous, gassy NON-METAL – do not produce heat or electricity and are structurally brittle : pulsating, rich, frangible POST TRANSITIONAL METAL– AKA the poor metals : spiteful, agile, naive TRANSITIONAL METAL –the largest group in the table : a bit of everything 60 compound multis - a combination of elemental patches that create gorgeous and complex sounds - eg H2O (hydrogen and oxygen) All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made from zeros & ones can possibly be. you might like these... Untopia for Omnisphere Dank and delicious post punk synths PMC Because Post Modernism is so last century LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

Double bass and garden string sample library for Kontakt VST CLOUD BASS £35 Double bass × garden twine ÷ √ (sub bass + reverb) = CLOUD BASS 1 Kontakt .nki instrument 60 snapshots 1.2GB download - 2GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO ) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Expect amazing unheard sounds - low raspy rumbling, cinematic thuds and booms, delicate wispy swarms and CLOUD BASS can easily do a half decent LOVE CATS mid 'This is mad and I love it !' Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) Eight deeply sampled articulations through eight 'oscillators' Twine 1 : bowed with five meters of coarse brown garden string, five round robins per note - AKG C414 large diaphragm condenser mic Twine 2 : bowed with five meters of coarse brown garden string, five round robins per note - Barcus Berry Planar contact mic Twine 3 : bowed with five meters of coarse brown garden string, five velocity levels per note -AKG 411 contact mic Long Accent Bow : bowed with a real bow, five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic Short Accent Bow (high): bowed with a real bow, five round robins per note - AKG C414 large diaphragm condenser mic Beater - thumped lightly with drum beater, five round robins per note, five velocity layers per note - AKG C414 large diaphragm condenser mic Col legno : Latin for 'gently thwacked with the back of the bow', five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic Sub Bass : six selectable analogue multi sampled waveforms recorded from Moog Voyager and DSi Pro 02 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$55/50€ (inc VAT) for CLOUD BASS instant download add to cart you might like these TOO... CLOUD VIOLA 2 Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! DRIFT 004 A new low from SOUND DUST String Pool Organic violin-ing bottomAnchor 1

Cunning simplicity, rich, complex and beautiful sounds with a few knobs. A sample library for Kontakt VST £35/$45/€43 Achingly beautiful sounds from a cunningly simple interface. Hybrid electro acoustic bliss, mangled tape, crunch, ecstatic wooze. DRIFT part two 11 deeply sampled hybrid articulations 9GB of 24bit multi samples 180 glorious snapshots Wow, flutter & multi throb in abundance for FULL version of Kontakt 5.8.1and above add to cart DRIFT002 This is the second instalment of the DRIFT series of instruments. Simple at the front, complex behind the curtain. The business end is just 4 large knobs: Grist, ADSR, Morph and Space combine multiple functions for uncomplicated and intuitive sound design. A minimal interface beneath which lurks a maximalists desire to warp, bend and squash millions of new sounds into the aether. Whereas DRIFT001 was interested in impossible keyboard tones that could be warped into strange variations, DRIFT002 looks at things from the other end of the telescope. Starting with rich and complex hybrid instruments made from combinations of analogue, real world and purely digital sources, DRIFT002 oozes deep with undulating filigree and patina. Long, slow evolving patchscapes and gnarled polyrhythmic cinematica can easy by morphed into glistening keys, phosphorous leads or dark, dark basses. New to DRIFT002 is a three way BPM synced tremolo system which adds extra movement and throb. Control and automate three custom volume LFOs to run at different speeds and different depths to build intriguing rhythmic shimmy…and who wouldn't want that ? 'Morning Pendle, I am loving Drift 002 . Thanks for spending the time to keep putting these beautiful things out.' Adam Wiltzie - A Winged Victory for the Sullen, Stars of the Lid, Arrival, The Theory of Everything. the sounds 9Gb of complex hybrid sounds conjured from a wide variety of organic and electronic sources Long evolving samples of every note with interesting loops, multiple velocity layers and unlikely happenings. mid M**Gs through REALLY mangled tape robotic + human mmm and ahh mangled bass, baritone and electrical guitars beautiful, soft and warm analog synths everything, everywhere, all at once organic metallics, surprising loops ancient Lowry organ, plus mono hybrid piano split real violins and analog sines many R*LAND 101s many, many pseudo flutes mighty sax, reeds and troubled synths DRIFT002 DRIFT002 DRIFT002 DRIFT002 1/5 end What's Inside ? 11 deeply multi sampled complex sounds sources = 9GB 180 snapshots morph EQ knob with 100 settings morph ADSR knob with 100 settings grist knob for noisy filth 50 custom impulse response reverbs space knob adds IR reverb and goes to 100% wet BPM synced drift control for tape like chaotic wow and flutter 3 x BPM synced tremolo for complex throbbing custom modwheel settings per sound source full automation capability chaos page adds even more unpredictability Handy built in instructions in RTFM page FULL version of Kontakt 5.8 needed DRIFT002 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/€43 (inc VAT) for DRIFT002 instant download add to cart you might like these... DRIFT PREQUEL Badly behaved classics DRIFT001 Complex simplicity DRIFT 003 Voices from an uncertain future DRIFT 004 A new low