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Sound Dust vs The Unfinished - new sounds to feed Spectrasonics Omnisphere 2 lost and found £25 Sound Dust vs The Unfinished 150 new sounds for Spectrasonics Omnisphere for Spectrasonics OMNISPHERE 1 & 2 add to cart Omnisphere Lost & Found 150 new sounds for Spectrasonics Omnisphere Lost & Found was put together in collaboration with über patch designer Matt Bowdler aka The Unfinished There are various themes for this collection, but all of them are seeded in a world of broken beauty. Lost & Found is aimed at the strange and wonderful atmospherics of neo-classical; the raw and dirty sonics of dark electronica; and the celestial and heart-thumping cinematics of modern scores. One minute it is a lo-fi, grainy and grungy slap around the face, the next it is a chaotic, soaring, widescreen embrace. Think, Olafur Arnalds, Ben Frost, Rhian Sheehan, Nils Frahm, Trent Reznor/Atticus Ross, Steven Price, John Murphy, Brian Eno plus many others. In this sound set you will find fragile pads, damaged pianos, dusty music boxes, grubby basses, electro-acoustic rhythms and dystopian soundscapes from the ether. All that is dusty, dark and dynamic can be discovered in Lost & Found. mid "Lost & Found is a wonderful new toolbox of sounds. Perfect for film and beyond, dark and evocative… I’ve used it since the day it arrived." Paul Haslinger, Composer (Underworld, Crank, Tangerine Dream) Whats Inside ? 150 new sounds for Spectrasonics Omnisphere. All patches will have something cunning mapped to both aftertouch and mod wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. end £25.00 for L & F instant download. Needs Spectrasonics Omnisphere 1 or 2 add to cart you might like these... UNTOPIA Beware filth ! PMC SQUARE 300 rounded Pre Modernist Collection... theres throbbing here BOOM & BUST Semi epic looping for Kontakt ORGONE 2 Uber synth/organ

What happens when a very special Wurlitzer Electric Piano is pushed in new directions. A sample library for Native Instruments Kontakt VST WURLITZER TOOLKIT immediately recognizable and slightly strange £30/$30/€30 inc VAT plus free version add to cart Bad Wurli Risin' Michael Oliva 00:00 / 01:12 Trailing Mr George Jean-Eric Bohdanowicz 00:00 / 01:50 It's at Percy 00:00 / 01:02 APOLLO 18 Nigel Turley 00:00 / 01:06 FLOW Pendle 00:00 / 00:51 WURLITZER TOOLKIT As you know the SOUND DUST ethos is always to try and push things beyond the norm, Wurlitzer Toolkit takes a beloved instrument* and lovingly does new and loving things to it...not always that loving! Yes, it's another electric piano, but this one is different (obvs), it sounds 'like' an electric piano, it carries the memory of electric piano-ness, but it also has its own unique sound that means it can function like an electric piano but without carrying the usual electric piano baggage. At the rougher, more 'organic' end of the electric piano spectrum, a real fully working Wurlitzer is a rare and wonderful beast. This Wurlitzer 200 is particularly special, it belongs to ex Sheryl Crowe, Oasis and current Noel G keyboard player Mikey Rowe, and it can be heard on records by all of the above. It also has the rare tremolo speed mod, so it does things that most Wurlis can only dream of. Wurlitzer Toolkit is recorded/misused in 4 different ways and then poured into 4 different instances of an expanded version of the DRIFT engine. It emanates beautiful organic textures and mellow cinematics with a subtle suggestion of a charming and melancholic nostalgia. This could be your new secret weapon for cool, edgy, cinematic, organic and otherworldly gorgeousness (that sounds a bit electric piano-ish.) *Marvin Gaye, Ray Charles, The Beatles, Beck, Queen, Supertramp, Steely Dan etc etc... mid the INSTRUMENTS FOUR WAYS OF MESSING UP A CLASSIC BAD WURLITZER Pushed through the terrible live pitch shifting algorithm of an AKAI MPC 100. Pitched down it sounds rather wonderful. 12 velocity layers ranging from one octave down to one semitone down CHAOTIC WURLITZER Trem speed knobs wiggled in real time. Chaotic Wurlitzer has 3 velocity layers where every note has differently evolving wobble speed - speeding up, slowing down - whatever took my fancy at that moment. FUZZY WURLITZER Each note is recorded through the Dust Cloud Drive pedal by SzCz. This is a gorgeous and brutal custom pedal made with salvaged original parts based on an Arbiter Fuzz Face. GOOD WURLITZER There has to be a proper version I suppose. 7 pristine velocity layers recorded straight into nice preamps with 'interesting' loops. terrible wurlitzer free terrible WURLITZER Upward MPC pitch shifting is even more GHASTLY than the classy downwards shifting. Free version has 1 velocity layer, no presets and much less of the snazzy controls the interface Some handy controls to build your universe FX SWITCHES each snapshot is wired differently - mod wheel controls movement - use GUI switches or key switches for live triggering MORPHING EQ 100 presets MORPHING ADSR 100 presets REVERB 70 custom impulses DRIFT unreliable tape like burble and flutter TREMOLO 2 trem engines in series for complex throb Wurlitzer insides OASIS WURLITZER WURLITZER TOOLKIT rack all the Wurlitzers Wurlitzer insides 1/4 end What's Inside ? 4 Kontakt instrument (for FULL 6.7.1 or above) 220 snapshots 1.4 GB uncompressed samples. LOTS of good stuff Requires a FULL version of Kontakt 6.7 or above. WURLITZER TOOLKIT instruments will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$30/€30 (inc VAT) add to cart terrible wurlitzer free you might like these... DRIFT001 Complex simplicity BAD VIOLINweb So bad it's fabulous PLANKTON SONAR Oceanic systems tinkle BAD PIANOS Really really bad

A re-imagined version of the Hammond B3 organ. Sample library for Kontakt VST HAMMR+ £30 Re-inventing the (tone)wheel Oasis keyboardist Mikey Rowe's Hammond B3 with some new additions. Goes where no Hammond has gone before. 1GB download 70 presets including 30 classic sounds for FULL version of Kontakt 4 or above. add to cart Hammr+ is one part of the Hammr Suite a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. You'd be right in thinking that the last thing the world needs is another Hammond clone, and I would be the first to agree, but the Hammr+ is a little different. Of course, she oozes classic character and has all the capabilities you'd expect of a tonewheel organ, but in true Sound Dust style this thing moves way past the limitations of the original. By taking advantage of sampling technology, bespoke Kontakt architecture and a little bit of imagination Hammr+ can do things that were inconceivable in the original 1959 instrument. mid Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST by Sound Dust Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST 1/3 What's Inside ? Every note of every drawbar of an unmentionable tonewheel organ sampled for 7 secs through a 1959 Leslie cabinet for around 1GB of uncompressed samples. Individual control of volume, pan, ADSR, vibrato, saturation (amount, bass and tone) and tremolo (speed, fade and depth ) for every drawbar. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 70 presets including 30 classic sounds. Chaos and reset controls for painless sound design. Master/slave control system for quick adjustment of group controls. Built in user manual. It sounds great ! FULL version of Kontakt 4 or above needed. Hammr+ will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr+ instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr Growler Angry full tilt Hammond B3 ORGONE 2 Analogue but organic ultra synth organ Prepared Pianet Mildly annoyed Hohner Pianet T DULCITONIUM A happy convolution dulcitone

Garden string plus garnular viola = Kontakt sample library CLOUD VIOLA 2 £40 Viola × green garden twine ÷ √ (granular oscillator³ × reverb) = CLOUD VIOLA² 1 Kontakt .nki instrument 60 snapshots 2.5GB download 3GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart The DNA of a viola, but not a viola anymore. CLOUD VIOLA² is a deeply multi sampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world. CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a 'proper' orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion. CLOUD VIOLA² is completely in her comfort zone in cutting-edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical. See also CLOUD BASS and CLOUD CELLO How? A Cloud Viola happens when you ditch the conventional viola bow and look for something else to stimulate the strings. After much experimentation I discovered that a ball of course green garden string sounded 'best', but stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried). After many experiments a retractable dog lead came to the rescue. It can hold long lengths of twine under tension and when fixed to one end of the studio it can allow the twine to be drawn evenly over the viola string. Another week perfecting the art of dogbowing and recording hundreds and hundreds of dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with different settings for 200% wetness. Voila the Cloud Viola ! mid Eight deeply sampled articulations through eight 'oscillators' Accent Bow: bowed with a real bow, five round robins per note - recorded with large diaphragm valve condenser mic Grain Bow: bowed with a real bow, five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Palm Mute: plucked and muted with palm of the hand - AKG C414 large diaphragm condenser mic- five round robins per note with up to 22 levels of velocity per note Grain Legno: Latin for 'gently thwacked with the back of the bow', five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Black Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - AKG C414 large diaphragm condenser mic White Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded AKG C411 contact mic Grain Cloud: Black Twine Bow recorded 100% wet through Strymon Big Sky hardware reverb - played through granular oscillator with XY pad control of playback speed and grain size White Cloud: six selectable multi-sampled and heavily processed viola sample sets - cloud, sad cloud, bit cloud, vox cloud, jitter cloud, pain cloud Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust. Granular Bowing for ythe win. Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust 1/3 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' Low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD VIOLA will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/50€ (inc VAT) for CLOUD VIOLA instant download add to cart you might like these TOO... CLOUD BASS Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! FLUTTER DUST Strings and other things String Pool Organic violin-ing down

Free Hammond Organ chords and bass for Kontakt Hammr Bass & Chords add to cart Developed as part of the HamMR suite with organ supremo Mikey Rowe , Bass & Chords is the 400mb cut down "home keyboard" version of the mighty HamMR+ and the HamMR Growler. This little monster features... The bottom octave of a Mikeys 1959 Hammond B3 played at full tilt through an overloaded full speed Leslie cabinet. 5 x 15 second round robin samples per note from two mic positions. One octave of major chords mapped per note One octave of minor chords mapped per note Adjustable volume, ADSR, pan and vibrato controls per articulation. Overall EQ. Leslie simulator and reverb on chord articulations. A hidden extra.... watch the video for details Works in FULL Kontakt 4 and 5.

Full tilt Hammond organ blasted through Leslie cabinet at ful speed. Not for the faint hearted. A sample library for Kontakt VST HAMMR Growler £30 Re-inventing the (tone)wheel II The best sounding LOUD multi sampled, multi round-robin Hammond B3 you will ever hear. 5 x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps for FULL version of Kontakt 4 or above. add to cart Mind your ears ! Hammr Growler is the filthy brother of the not particularly demure Hammr+ and a part of the Hammr Suite, a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. The Growler is a 3GB monster that captures from 4 mic positions the full tilt sound of Mikeys favourite 888000000 setting on his 1959 B3 through a cranked up Leslie cabinet, and frankly it is one heck of a sound ! mid Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library 1/5 What's Inside ? x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps Individual control of volume, pan, ADSR and vibrato per mic. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 24 presets. Master/slave control system for quick adjustment of group controls. Built in user manual. FULL version of Kontakt 4 or above needed. Hammr Growler will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr Growler instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Orgone 2 Re-inventing the (tone)wheel part 2 Flutter Dust Module Acoustic wavetable loopiness DULCITONIUM No ghosts were injured

Dirty dystopian sounds to feed Spectrasonics Omnisphere 2 UNTOPIA £35 Welcome to UNTOPIA 200 patches and 80 specially devised new sound sources for Omnisphere 2 for Spectrasonics OMNISPHERE 2 add to cart Untopia is born from a boisterous mix of influences. The darkly industrial but uplifting soundscapes created by Factory records producer Martin Hannett for Joy Division and A Certain Ratio are in there. So are the madly brilliant and brilliantly mad Christobal Tapia de Veer soundtracks for Utopia, National Treasure, the Girl with all the Gifts and Dirk Gently. All thrown around with a good measure of cosmic hippy wig out Terry Riley vibes, some Jon Hassell/Brian Eno Fourth World aesthetics and the grubby wonderment that makes Sound Dust, you know, Sound Dusty. Expect strange disjointed and alluring voices, grainy strings, finely sculpted noise scapes, organic grit and grime, slurring mellotrons, drunken string machines, bent synths, amped keys turned to 11, low ebbing throbs and a healthy selection of other beatific cathedral of sound oddities. "There comes a point on every production when you've done the basics and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! "I love it! Went straight into a soundtrack I'm working on" - Paul Hartnoll - Orbital "This is just what Omnisphere has been waiting for" - Phil Hartnoll - Orbital 1/2 mid Philosphy... Omnisphere is a lot like a sampler from the early days of sampling. She can happily loop around pre-written loop points, but for user samples* she can't do multi sampling. Instead of each note having its own sample to play back at several velocities, one sample is stretched over the whole keyboard. Higher notes are simply played back at faster rates, lower notes are slower. This means that looping samples move at different rates across the range of the instrument. This is terrible if you are looking for accurate renditions of real world instruments, but if you embrace it this can be a joyful playground of creative happenstance. Sound Dust is a big believer in creative happenstance. * do not fear, this doesn't apply to the core omnisphere library (although it does for some of it) £35.00 for Untopia instant download. Needs Spectrasonics Omnisphere 2 add to cart What's Inside ? 200 new patches, fully databased and for easy access prefixed with usefully untopian categories... ARCANA – generally vocal based sounds that refer specifically to the work of Cristobal Tapia de Veer BLOW – windy gems BOW – real strings, well they were real once BPM – use the arpegiator or envelopes for beat synced mayhem DMX – drum machines DST – noisy distortion based sounds GTR – yup, guitars HIT – single thuds and thumps KEY – things made into polyphonic keyboardy things LOW – big bottoms ODD – useful but unlikely and hard to categorise ORG – organs and organic organ like organs PAD – big pads SCAPE – interesting noise/soundscapes SLOW – long slooow builders SM – string machines THROB – beat synced throbbing TRON – mellotron style pseudo instruments VOX – human and other voices All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. 80 new sounds... Made from a variety of sources and fed into the Omnisphere core sound library - Roland Juno 60, Oberheim Xpander, Dsi Pro 2, Moog Voyager, Nord Wave, Yamaha TQ5, Technics WSA1, Nord Drum, Hofner Bass, Fender Stratocaster, Fender Mandolin, Plastic Trumpet, Recorder, Whirly Tubes, Modular System including Waldorf NW1, Mutable Instruments Braids and Music Thing Radio Music, two human lady voices, one male voice and uncontrollable robot chatter. you might like these... PMC Because Post Modernism is so last century Friction Just as dystopian - but for U-He Diva LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

Beautiful and brutalised bpm synced violin bowing. A sample library for Kontakt VST STRING POOL £40 A beautifully played clean and brutally textured violin bowing instrument with BPM synced mod wheel speed control - play a note and move the mod wheel to bow faster or slower, push down on your keyboard for aftertouch controlled volume swelling. Versions for Kontakt 5 & Kontakt 6 2.5GB download for FULL version of Kontakt 5.8 and/or 6.1.1 add to cart The design process of STRINGPOOL meant forcing virtuoso violinist Sophia Bartlette into many painful days of tortuous sampling (nobody really enjoys sampling - don't ever let them make you think otherwise). While I quietly slurped coffee Sophia teased hours of beautifully lyrical long bowed single notes from her 200-year-old instrument. For every note, four different bowing speeds with a hint of vibrato. She truly suffered for our art. From these hours of recordings I created hundreds of seamless, clean single note loops and an alternative set of 'treated' samples mangled through tape, valves and Sound Dust malarkey. Then it was all poured into a complex Kontakt engine with a simple interface and wealth of expressive possibilities. What I really love about String Pool is how naturally expressive it is in a way I haven't encountered before. Having volume swells on tap through aftertouch and being able to switch bowing speeds on the fly allows for really sensitive and reactive programming. Add the effects on the XY in to taste and get weird - Marcus Thorne Bagala - composer - This American Life, Conviction: American Panic, Dress Codes String Pool String Pool String Pool String Pool 1/5 mid The true joy of STRINGPOOL is that you can morph in real-time through the BPM synced bowing tempo divisions with the modwheel (or CC1) while also using your keyboard aftertouch (or a CC of your choice) for volume expression to create realistically human violining sounds. Also, every control can be automated in your DAW or midi learned for unrealistically human violining sounds. STRINGPOOL may never sound 'quite' as good as Sophia in full flow - but for MUCH less pain you can get a little of her magic and a little bit of Sound Dust magic on your tracks. FULL version of Kontakt 5.8 and/or 6.1.1 needed STRINGPOOL will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/46€ (inc VAT) for STRINGPOOL instant download add to cart What's Inside ? 2.44GB download - requires a healthy chunk of computer RAM Versions for Kontakt 5.8 and Kontakt 6.1.1 6 instruments (.nki) per Kontakt version BPM synced - Chorus, Filter and Grit Low CPU 100BPM - Chorus, Filter and Grit 75 starter snapshots (total) 2 sample sets - CLEAN and TREATED Classic Sound Dust RTFM instruction manual built into interface Waveform section Mod wheel hardwired to bowing speed control (or use CC1) - tempo synced Real-time waveform display Master volume control - cc map-able (handy instead of aftertouch for expression) Velocity to volume control Pitch bend depth - from 1 semitone to 12 Aftertouch to volume control - for handy expression control Volume attack, decay, sustain and release Clean or Treated sample set selection Note lock control - spreads last played note across whole keyboard for crazy old school sampling. Trem Chaos - randomises tremolo LFO shape (but still tempo synced) Legato - sets sample set to legato mode - new note play continues from last note position Precise readout of XY pad control values Convolution impulse select - 80 custom-made IRs - 8 categories- 10 impulses per category XY pad Tape saturation + distortion, chorus or low and high pass filter - depending on .nki Tremolo - frequency (tempo synced) X - depth Y Convolution - amount dry X - amount wet Y Solid G equaliser - 1 band = 600 hz to 7 khz- frequency X - amount Y Midi learn triangles - for external controllers to learn XY pucks Stereo width control - from mono to w i d e On/off and reset controls per effect (click effect icon) Kontakt 6 version Replika delay - 5 amazing sounding delay machine types 20 Replika delay presets you might like these... FLUTTER DUST Beautiful mangled acoustics. CHOIR POOL Choir bots ! BOOM & BUST Low and dirty BPM sync ODDular Uber modulation classic synth monster bottom

A brutalised Hohner Pianet T - recorded 3 ways. Sample libary for Kontakt VSt Prepared Pianet £30 A plebeian Pianet T : poked, prodded and pampered produces powerful, pleasing and pretty perverse powered pianic possibilities. 3 Kontakt instruments - Prepared Pianet, 3 X Muted Pianets and 3 X Acoustic Pianets 46 instrument snapshots 280mb download for FULL version of Kontakt 5.5.1 or above. add to cart Sounds like forgotten out-takes from Bitches Brew sessions discovered after 40 years under a damp blanket at the back of Joe Zawinul’s garage. This little marvel comprises three instrument sets – acoustic, muted and amped. Each set features a number of fully tweakable sounds which can be edited, blended together and given the full Sound Dust treatment to create your own unique Prepared Pianet. As with all Sound Dust instruments the Prepared Pianet is rich with possibility. The audible charms and eccentricities of classic tine and pickup electric pianos are utilised and brought under the control of the player as never before. mid Reminded me of my old Pianet T, which I played through an elderly Selmer 100 watt valve head (turned up to eleven, of course) and a 4x12 speaker cab with a couple of torn cones. The resulting overdrive and feedback blotted out three guitars and drums leaving just me and the bass in a body pummelling groove. I thought that sound was lost in time, but it’s possible once more and at much lower volumes with the Prepared Pianet. Dean- Quietland Prepared Pianet Prepared Pianet - a sample library for Kontakt VST The gubbins Prepared Pianet - a sample library for Kontakt VST- RTFM Prepared Pianet - a sample library for Kontakt VST Prepared Pianet Prepared Pianet - a sample library for Kontakt VST The gubbins 1/5 All sounds were carefully sampled from the source instrument, a Hohner Pianet T, using three techniques; Very close mic-ed for acoustic harmonics and dissonance, muted with a finger placed delicately on each tine for a thumb piano feel, and through high quality pre-amps. As with other Sound Dust instruments the results can be thought of as a self-contained orchestra of the surreal. The Prepared Pianet offers superb standard electric pianos and heavily processed tines. Stratospheric pads are under-laid with electronic tweets and chatter. Played lower down the scale, a muted piano becomes an unstable electro bass. Whacked out opportunities abound, from evolving electronics, snappy acoustics and indescribable musical tones and frequencies. The percussive blasts and tinkling subtleties which can be achieved inspire the imagination. Whats Inside ? Acoustic Pianet - very tricky to record because these things are very quiet - 6 velocity layers of close mic-ed tines Muted Pianet - a delicate finger laid expertly on each tine and recorded through a Warm Audio Tone Beast preamp - 6 velocity layers Amped Pianet - nice long resonant notes, clean or amped - 4 velocity layers Individual controls for octave, volume, sample start, pan, stereo width, attack curve, ADSR, vibrato and reverb send per pianet 960 24bit mono samples = 280mb with Native Instruments' propriety compression 24 custom convolution reverbs per piano 4 fully controllable instrument effects - chorus, rotor, phaser and master algorithmic reverb Master FX page - master EQ, tape and valve modelling plus transient designer Keyboard Velocity and Round Robin modelling page 3 Kontakt instruments - Prepared Pianet, 3 X Muted Pianets and 3 X Acoustic Pianets 46 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.5.1 or above needed. Prepared Pianet will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Prepared Pianet instant download add to cart end you might like these... Ships Piano Portable piano for a ship and some friends Sponge Piano Wonky and woody DULCITONIUM A convolution dulcitone. Flutter EP Wavetable-ish electric piano

Menacing, funky, dystopian sounds to feed U-He Diva VST FRICTION for DIVA £25 FRICTION applies the Sound Dust sound design aesthetic to U-He's amazing analogue soft synth DIVA and brings you 170 presets that look for beauty and cinematic atmosphere in filth and wrongness. for U-HE DIVA VST add to cart FREE FRICTION -12 free patches Huge weeping pads, elastic beat sync noise, murky weathered leads, deviant one finger atmospherics, organic heartbreak keyboards, West coast style uber modulations, glowering low end throbbing and earworming sound effects are all in the mix. The starting point for FRICTION was early home-made 'industrial' synth pioneers such as Suicide, Vice Versa, Cabaret Voltaire, Fad Gadget - not forgetting the awesome and groundbreaking Throbbing Gristle. (see TG approved demo track United) FRICTION embraces the limitations and grist of the classic synths that DIVA emulates so well and melds them into something new and impossible, and impossibly lovely. Every patch has warping transformations assigned to mod-wheel and after-touch for dynamic expressive control. All patches pre tagged for DIVA and Komplete Kontrol '..these are sounds that are hard to find even with a room full of classic hardware synths.' Paul Hartnoll - Orbital mid Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust 1/4 What's Inside ? FRICTION sounds are loosely divided into 15 categories... ARP - melodic arpeggiated patches CHAOS - boisterous and complex DMX - arp driven drum machinery DUST - classic Sound Dust organica FX - textural earworms KEYS - keyboards...obvs LEAD - legato style solo instruments LOW - bottom feeding basses NOISE - bpm synced atonal beat shadows ORG - organic organish PAD - thick, wide and often filthy PERC - hits, thuds and snaps SLOW - take your time with these THROB - low rhythmic boomers WEST - moving the East coast over to the West coast FRICTION for U-HE DIVA VST £25 (inc VAT) for FRICTION instant download add to cart FREE FRICTION -12 free patches you might like these... Cluster for U-He Zebra 2 Flutter Dust Module Beautiful mangled acoustics. Infundibulum 2 Filthy and beautiful ODDular XY pad modulational extremes down