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We follow the science. Elements and compounds for Spectrasonics Omnisphere. A Periodic Table of sound. TABLE of ELEMENTS £35 A Periodic Table of sound An evocative custom sound for every element - rich malleable pads for ecstatic drama and gorgeous tension 119 elemental patches 60 compound multis for SPECTRASONICS OMNISPHERE 2 add to cart We follow the science Table of Elements is an innovative approach to Omnisphere sound design. Every patch is a sonic re-creation of an element of the periodic table. Each a complex and unique texture with movement and rich sonic character that can evolve with modwheel and aftertouch manipulation. A palette of beautiful, undulating, chilling, ecstatic, lustrous, warm, squashed, diaphanous pads that go from inspirational minimal ambience to full-blown cinematic opulence. Long evolving notes move and swell with serpentine tempo synced motion that ebbs and flows with your music. Table of Elements is an (in)organic symphony of ear fruit - a catalyst for your creativity. And you might learn a bit about chemistry too. "There comes a point on every production when you've done the basics, and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! Fermium Fm Table of Elements for Spectrasonics Omnisphere Argon Ar Table of Elements for Spectrasonics Omnisphere Untopia review Fermium Fm Table of Elements for Spectrasonics Omnisphere 1/5 mid The periodic table of elements, is essentially an infographic that cleverly displays all the chemical elements , which are arranged by atomic number , electron configuration , and recurring chemical properties . Russian chemist Dmitri Mendeleev published the first recognizable table in 1869, developed mainly to illustrate periodic trends of the then-known elements. He also predicted some properties of unidentified elements that were expected to fill gaps within the table. Most of his forecasts soon proved to be correct, culminating with the discovery of gallium and germanium in 1875 and 1886 respectively. TABLE of ELEMENTS instant download £35 requires Spectrasonics Omnisphere 2 add to cart What's Inside ? 119 elemental patches, fully databased and for easy access prefixed with usefully Mendelevium categories... ACTINIDE – radioactive : beautiful, volatile and maybe a bit scary ALKALI METAL – reaction with water forms alkalies : mysterious and liquid ALKALINE EARTH METAL – second most reactive : cold, austere, unstable LANTHANIDE – silver-coloured metals : deep, complex, lustrous METALLOID – between metals and non-metal : quixotic, surprising NOBLE GAS – odourless, colourless, unreactive : light, amorphous, gassy NON-METAL – do not produce heat or electricity and are structurally brittle : pulsating, rich, frangible POST TRANSITIONAL METAL– AKA the poor metals : spiteful, agile, naive TRANSITIONAL METAL –the largest group in the table : a bit of everything 60 compound multis - a combination of elemental patches that create gorgeous and complex sounds - eg H2O (hydrogen and oxygen) All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made from zeros & ones can possibly be. you might like these... Untopia for Omnisphere Dank and delicious post punk synths PMC Because Post Modernism is so last century LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

A steel pan drum machine sample library for Kontakt by Sound Dust £25 Modular Chaos Engine#4 steel drum percussion room A drum machine for Tom Waits. 400+ original 24bit binaurally recorded samples for FULL version of Kontakt 5.5.1 or above. add to cart A kit of lovely, dusty, binaurally recorded acoustic drum samples and slightly prepared steel drums….a kind of Tom Waits percussion machine featuring drums in all shapes and sizes. There are huge flappy marching band bass drums, ripped and rattly snares and kicks, frame drums, congas, bongos, toms, hi-hats, cymbals, boxes, broken metal shelving… Plus the “prepared” steel drums. These are a neglected set of bass and cello steel pans played with fingers and soft mallets to avoid sounding like proper steel drums (more apocalypse than calypso), the tunings are a bit iffy, but there are plenty of velocity layers per hit for a rusty hang drum like effect. Great for making wonky, dusty beats, chunky acoustic EDM or even epic film scoring. Both kits were recorded binaurally in a great sounding room with long decays. mid Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST 1/5 Whats Inside ? 400+ original 24bit binaurally recorded samples. Bang Engine page - 12 user programmable, key triggered sequencers with 12 tracks of drum hits per sequence - up to 30 sounds available per note. Klang Engine page - 12 user programmable, key triggered sequencers with 12 tracks of steel drums per sequence - up to15 sounds available per note. One Shot Kit page -4 octaves of programmable one shot kits with chaos and order parameter randomisation control. Sends and Master FX page - control of master levels , master EQ and transient designer. 10 instrument presets (.nki's) for Kontakt 5. Klang/Bang Engines - drawable, per note control of: sound selection, volume, reverb send, hold time, low pass/high pass filter, pan, sample start, tune, lo-fi & compression. Klang/Bang Engines - sound selection chaos control. Klang/Bang Engines - timing chaos control. Klang/Bang Engines - 'remix' control with 32 loop variations per engine. Klang/Bang Engines - 16 or 32 beats per track selection. Klang/Bang Engines - solo & mute per sound. Klang/Bang Engines - copy/paste of patterns & tracks. Swing amount control for extra hippity hoppity. One Shot Kits - individually editable note articulations with jitter, release, flam, drag, ruff, roll, muted, speed roll, geiger plus 16th, 8th and triplet repeats. One Shot Kits- 2 convolution reverb sends One Shot Kits - 24 custom reverb impulses made from hardware and real spaces. One Shot Kits - per note control of reverb send, pitch, high & low pass filters, volume attack & decay, volume & pan. Built in instruction manual in RTFM tab. Modular Chaos Engine#4- Steel Drum Percussion Room needs a FULL version of Kontakt 5. Please don't buy this if you are using Kontakt Player. £25/$40/35€ (inc VAT) for Modular Chaos Engine#4- Steel Drum Percussion Room add to cart end you might like these... MCE#1 Found A field recording drum machine MCE#2.1- Evolved Wonky blue analogue drum device MCE #3 OddHop Wonky chaotic drum box Tiny Binaural Harpsichord³ Don't forget the prepred harpsichord drum box

Garden string plus garnular viola = Kontakt sample library CLOUD VIOLA 2 £40 Viola × green garden twine ÷ √ (granular oscillator³ × reverb) = CLOUD VIOLA² 1 Kontakt .nki instrument 60 snapshots 2.5GB download 3GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart The DNA of a viola, but not a viola anymore. CLOUD VIOLA² is a deeply multi sampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world. CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a 'proper' orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion. CLOUD VIOLA² is completely in her comfort zone in cutting-edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical. See also CLOUD BASS and CLOUD CELLO How? A Cloud Viola happens when you ditch the conventional viola bow and look for something else to stimulate the strings. After much experimentation I discovered that a ball of course green garden string sounded 'best', but stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried). After many experiments a retractable dog lead came to the rescue. It can hold long lengths of twine under tension and when fixed to one end of the studio it can allow the twine to be drawn evenly over the viola string. Another week perfecting the art of dogbowing and recording hundreds and hundreds of dogbowed, accented and col legno notes it was all starting to make sense and fortunately sounding pretty good too. The final step was to push each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with different settings for 200% wetness. Voila the Cloud Viola ! mid Eight deeply sampled articulations through eight 'oscillators' Accent Bow: bowed with a real bow, five round robins per note - recorded with large diaphragm valve condenser mic Grain Bow: bowed with a real bow, five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Palm Mute: plucked and muted with palm of the hand - AKG C414 large diaphragm condenser mic- five round robins per note with up to 22 levels of velocity per note Grain Legno: Latin for 'gently thwacked with the back of the bow', five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size Black Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - AKG C414 large diaphragm condenser mic White Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded AKG C411 contact mic Grain Cloud: Black Twine Bow recorded 100% wet through Strymon Big Sky hardware reverb - played through granular oscillator with XY pad control of playback speed and grain size White Cloud: six selectable multi-sampled and heavily processed viola sample sets - cloud, sad cloud, bit cloud, vox cloud, jitter cloud, pain cloud Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust. Granular Bowing for ythe win. Cloud Viola 2 for Kontakt VST by Sou Cloud Viola 2 for Kontakt VST by Sound Dust 1/3 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' Low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD VIOLA will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/50€ (inc VAT) for CLOUD VIOLA instant download add to cart you might like these TOO... CLOUD BASS Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! FLUTTER DUST Strings and other things String Pool Organic violin-ing down

Beautiful ancient keyboard sample library for Native Instruments Kontakt Dulcitone 1884² £25 The worlds first multi-sampled rare and beautiful 150 (ish) year old DULCITONE, and one of the few ways you can hear what one actually sounds like. for FULL version of Kontakt 4 or above. add to cart These rare beauties have become deeply fashionable, especially amongst “with it” film composers looking for something with a bit of character in a Tom Waits or Bjorky kinda way. Jon Brion uses dulcitone extensively on his soundtracks of Magnolia, Punch Drunk Love and Eternal Sunshine of the Spotless mind. mid Originally designed and manufactured in Scotland in the 1800's, and with allegedly only 2000 in existence the DULCITONE is a portable keyboard that was made for missionaries to hump around remote African village churches to help perk up hymn services. It has a very basic piano action with spring-loaded felt covered hammers striking small magnet shaped tuning forks. A bit like a Fender Rhodes electric piano without the electric bits, and has a very lovely woody, clonky glockenspiel/celesta kind of sound. Dulcitone 1884 for Kontakt VST by So Dulcitone 1884 for Kontakt VST by Sound Dust Dulcitone 1884 for Kontakt VST by So Dulcitone 1884 for Kontakt VST by Sound Dust Dulcitone 1884 for Kontakt VST by So Dulcitone 1884 for Kontakt VST by Sound Dust Dulcitone 1884 for Kontakt VST by So Dulcitone 1884 for Kontakt VST by Sound Dust 1/5 What's Inside ? 24 dulcitone presets that take advantage of the 3 pages of scripting. 4 octave architecture with control of volume, pan, adsr and delay per octave group. Note on and note off "thump". 69 specially made convolution reverb impulses from real spaces, expensive hardware, and some less obvious sources. Round robin sample swapping for extra realism. Midi timing jitter for even more realism. Some lovely pictures of the instrument herself. Charming hand drawn instruction manual! down FULL version of Kontakt 4 or above needed. DULCITONE1884² will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25 (inc VAT) for DULCITONE1884² instant download add to cart you might like these... dULCITONE 1900² If Keira Knightly was a ancient keyboard instrument. SHIPS PIANO Three character pianos in one. DULCITONIUM Made of ghosts Prepared Pianet Like a Dulcitone, but with electricity.

What happens when you mate a tiny autoharp with a plucked grand piano. Sample library for Kontakt VST Grand Thrift auto harp² £20 This is what happens when you mate a tiny autoharp with mighty grand piano 4 articulations 16 Kontakt .nki presets 380mb download for FULL version of Kontakt 4 or above. add to cart GrandThrift autoHarp² is what happens when you mate a tiny autoharp with a full sized grand piano. She's an impossible hybrid instrument with four different string layers that create unique piano-ish, plucky, autoharpy sounds. mid 1/1 What's Inside ? 4 different sound articulations ; picked autoharp, palm muted autoharp, binaural autoharp and binaural plucked grand piano. Multi sampled with up to 4 velocity levels per note. Advanced architecture with automatable control of volume, octave tuning, pan, volume envelope, tremolo and delay per voice. 69 specially created convolution reverb impulses recorded from real spaces, expensive hardware, and some less obvious sources including a Roland Space Echo, Lexicon reverb and the stage of Glyndebourne Opera House. Leslie effect, cabinet modelling and morphing EQ. Selectable and adjustable release group. Round robin sample swapping for extra realism. Midi timing jitter for even more realism. 19 "starter" presets in Kontakt 4 and 5 formats. A charming hand drawn manual. FULL version of Kontakt 4 or above needed. GTaH² will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £20/$32/28€ (inc VAT) for Grand Thrift Auto Harp² instant download add to cart end you might like these... Dulcitone 1884² An electric electric piano without the electric TBHarpsichord³ It's tiny, and binaural. John Cage would like this Plastic Ghost Piano #2 A convolution piano Sponge Piano Sponge + thumb x piano

Beautiful rusty pad device sample library for Kontakt VST Pendleonium4 £35 Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven 97 snapshots 6 x articulations 1.53GB download for FULL version of Kontakt 5.8.1 or above. add to cart It is a Pendleonium and as such, it sounds like only a Pendleonium can. After a period of evolutionary development, the new PENDLEONIUM4 is here. The control panel has undergone a complete re-think. The new look is sharp and purposeful and the layout of instruments and functions is intuitive and user-friendly. A total of 6 sampled source instruments are arranged left to right across the main panel - two baritone guitars, two infinity guitars, Spring Viola and an additional instrument based on samples created with a vintage Roland Space Echo. Each individual source instrument comes with greatly enhanced editing tools, offering wave shape, ADSR, effects, and volume. To the right of the instrument panel is a dedicated editing bay offering yet more capability. Here you will find reverb and delay sends, reverb, rotor, EQ and dirt for gnarly lo-fi effects. A second interface window can be opened for velocity and round-robin. The best thing about the P4 though, is playing it. With its unique sounds and easy editing, The P4 is an absolute pleasure to play and tweak as you go. It must be stated that this instrument is not attempting to sound like anything else or even to offer any faithful reproduction of its source instruments. This is great! Went right into a cue. Thank you so much, great work as always. And I’ve used a ton of “Lost and Found” on the score to “Collateral Beauty”. Thanks for all the great stuff. Theodore (Teddy) Shapiro - composer : Ghostbusters, Zoolander, Trumbo, St. Vincent. PENDLEONIUM4 PENDLEONIUM4_GUBBINS PENDLEONIUM4_INSTRUMENTS PENDLEONIUM4 - a sample library for Kontakt VST - Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven. PENDLEONIUM4 1/6 mid Each snapshot is like a composition, just sit back and listen to the mysterious and beautiful musical layers unfold. Jonathan Whitehead - composer : Brass Eye, Black Books, Nathan Barley, Mount Pleasant The P4 excels at creating complex sounds, pianos, strings, smooth synth-like pads, rumbles, and unfathomable noises. At lower registers the Pendleonium4 can produce seismic movement and deep rich textures. In high registers it can be configured to produce sounds like ripples passing through mercury. The P4 truly inspires. During an afternoon creating sounds with the PENDLEONIUM4, I found myself playing funky 70’s freak out soul and Victorian fairground music alongside electronica and environmental hardcore. The instrument’s ability to seamlessly merge organic and electronic elements in rhythmic time kept me playing for hours. The echo and sustain editing controls allow for some truly wonderful development when notes are held. Beside pitch and mod wheels, if your keyboard features aftertouch you are in for an additional treat. Set up to control tuning, the extra expression this allows while playing is superb. To sum up, the Pendleonium4 is a prime example of what makes the Sound Dust world a place of wonder and discovery. The instrument’s sound, versatility and editing capabilities should make it a first choice for those wishing to create highly original music and sound design. Dean- Quietland What's Inside? Baritone Guitar x 2 - amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - 4 velocity layers Tape Baritone Guitar - recorded wet through Roland Chorus Echo RE501 with lots of chorus Fernandes Sustainer Infinite Guitar x2 -amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - endlessly looped Spring Viola -mic-ed and pushed completely wet through a noisy Vermona RetroVerb spring reverb. 700 24bit mono samples = 1.53GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument (except infinite guitars) BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 97 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5 or above needed. PENDLEONIUM4 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/40€ (inc VAT) for PENDLEONIUM4 instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds DULCITONIUM Haunted dulcitone device FLUTTER DUST Beautiful mangled acoustics LOOP POOL - Percussion An infinity of earthy percussion

The fading ghosts of ancient instruments. A sample library for Native Instruments Kontakt sampler. dulcitonium £40 The world's first and only convolution dulcitone.... An ancient and rare keyboard invigorated with nifty digital witchcraft - and ghosts. 70 snapshots 6 x articulations 2GB download for FULL version of Kontakt 5.8.1 or above. add to cart DULCITONIUM takes the gorgeous woody jingle of the dulcitone and transforms it into an extended dusty swoon that goes to infinity and beyond. It starts with ancient keyboards (see Dulcitone 1884 and dULCITONE1900 ) - with a Dulcitone 1884 through tape, a stretched Dulcitone 1900, and a Dulcitone 1900 clunk layer; but it doesn't stop there, that would be too easy. It's also about the ghosts... The ghosts are dragged into this spiritual plane by treating each dulcitone sample as an impulse response for a convolution reverb* Load a sample into a convolution reverb plug in, send in 20 second bursts of Moog Voyager white noise and record the result. Do that for every single note/sample and several weeks later you have a collection of dusty, metallic bowed sounding, infinite dulcitone-ness. * Basically, a convolution reverb takes an input signal (the sound to be reverberated) and processes it with the sound of an actual or virtual acoustic space to create the illusion that the input was recorded in that space. The sound of the acoustic space is captured in what is called an impulse response (IR). Wikipedia ...and there is still more (see below) Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments Olivia De Haviland_GUBBINS Dulcitonium - the fading ghosts of ancient instruments DULCITONE 1900 interior Dulcitonium - the fading ghosts of ancient instruments Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments 1/7 mid Here's what it takes to make a DULCITONIUM... Clunk Dulcitone : short and percussive - every note recorded binaurally directly from the simple dulcitone mechanism - 4 levels of velocity. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion insert. Reverse Ghost : reversed, stretched and mangled Dulcitone 1884 made by cunning convolution process (see above) Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. Forward Ghost : a different set of stretched, mangled and convolved Dulcitone 1884 samples with 7 layers of velocity Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. Tape Dulcitone 1900 : 7 velocity layers of binaural Dulcitone 1900 passed through cassette tape for extra artefacts and character. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion. Roomy Nord : a multi sampled nord modular electric piano style patch which is recorded binaurally using mics in a real room environment. Adds 3d depth and body, has its own adjustable octave control. Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. Stretch Dulcitone 1900 : 3 velocity layers of binaural Dulcitone 1900 stretched beyond the pain barrier. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. What's Inside? 6 articulations - see above for details 850 24bit stereo samples = 2GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and round-robin modelling page 70 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. DULCITONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/46€ (inc VAT) for DULCITONIUM instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds PENDLEONIUM 4 Rusty & dusty DRIFT001 4 knobs ! CLOUD VIOLA 2 Very stringy

Huge rubbery bottom - bass ukelele sample library for Kontakt RUBBER BASS £20 Kala Ukelele bass - robust, with a lovely rubbery bottom 8 randomised round robins per note 145MB download handy arpeggiator for FULL version of Kontakt 5.8 or above add to cart Rubber Bass 2 is sampled from a funny little Kala ukulele bass. It's about the size of a kid's guitar and has big fat rubber strings which are a nightmare to tune. It's not very loud acoustically but when DI'd it has a wonderful round, rubbery bottom end with a lovely hint of twang which belies its tiny stature. It's a little bit double bassy with a hint of P Bass, but essentially it has a character all of its own. mid Rubber Bass 2 Rubber Bass 2 1/1 down Whats Inside ? 8 randomised round robins per note 145MB download Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed RUBBER BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £20/$30/25€ (inc VAT) for RUBBER BASS instant download add to cart you might like these TOO... Sponge Bass Pure Hofner bass thud Sponge Piano Sponge + thumb + piano = Sponge Piano Ships Piano 3 Scott of the Antarctics piano, and some friends Orgone 2 Very low ebbings

A chaotic time funnel sample library for Kontakt VST - includes a 3 way arpeggiator, treated strings, guitars, horns, school recorder, whirly tubes and many more. INFUNDIBULUM#2.1 The second in the series of multi-arp workstations. A gloriously grimey playground of possibilities with an open door policy for unexpected artefacts and happenstance. An instrument with the audio patina of a life well lived. 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but INFUNDIBULUM is all about tweaking 3.8GB download for FULL version of Kontakt 5.8 or above add to cart INFUNDIBULUM#2.1 - takes the polyrhythmic cascades of sound, strange interlocking tremolos and beautiful warped loopings of her big sister into bigger bolder territories - great for organic and gorgeous pseudo orchestras, wibbly wobbly dust pads, muscular Michael Nyman swoon and epic thrusting cinematica. INFUNDIBULUM#2.1 is packed with 4GB of bowed, sung, spun, plucked, stretched, teased and blown things that have been squashed through tape, vinyl, springs and valves for the character and audio patina of a life well lived. 60 sound sources per channel = 216,000 glorious combinations New in #2.1 - 6 filter sequencers, updated sound sources, new convolution reverbs, user sample import, new FX and a snazzy new interface. "Infundibulum is unbelievably groovy… what an amazing untapped palette of timbres and rhythms, a real polyrhythmic wonderland.” - Chris Carter - Throbbing Gristle, Carter Tutti and Chris & Cosey middle THE INFUNDIBULUM family is not intended to authentically replicate any of the sounds included, some have been deeply multi sampled and others are deliberately stretched across a wider key span than is sensible. The samples all have very obvious loop points. The whole point of Infundibulum is to embrace and celebrate the artefacts that occur when sampling goes too far. Hold a chord, any chord, and you will hear the different notes start to cycle back on themselves in disjointed but glorious ways that you will never hear from a gazillion gigabyte hypersampled piano, crumhorn or orchestral calabash. Then add in the multi-arp and filter sequencers, 3 sounds repeating through different length cycles at different speeds, and you are halfway to an out-of-body experience. The SAMPLED INSTRUMENTS... Dust piano, Lowry organ, Winfield organ, many many electric guitars, household paint brush, violin played by a proper violinist, trumpet played by an improper trumpeter, concert whirly tubes, Jecklin disc, 4 track cassette recorder, taut wires, Sherman Filterbank, spring reverbs, Nord Modular, Space Echo, Roland SH101, Hammond Organ, a singing human, ribbon mics and broken electrics, guitar pedals set to 11, harmonica, recorders (school not tape this time), Moog theremin, many modular modules, Clouds, Strymon Big Sky and Deco, Roger Linn Adrenalinn 3, home-made guitars, electric milk whisk and home-made pickups... 'This is superb, I've never seen anything like it. I really, really love it !' - Mikey Rowe keyboard wiz to the stars (Sheryl Crowe, Noel Gallagher, Ed Sheeran, Dave Gilmour etc ) INFUNDIBULUM#2.1 multi-arps INFUNDIBULUM#2.1 multi-filter sequencers INFUNDIBULUM#2.1 INFUNDIBULUM#2.1 multi-arps 1/8 What's Inside? 1 Kontakt .nki instrument 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but Infundibulum is all about tweaking really, these will just get you in the ballpark 1300+ samples 3.8GB download MULTI-ARP 3 independent multifunction arpeggiator contraptions with gate, chord and 10 arp modes Adjustable step lengths from 1 to 64 per multi-arp Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per multi-arp Swing, offset, decay and pitch control per multi-arp Filter sequencer... Independent multifunction sequencers for high pass and low pass filter control - 2 per oscillator lane Adjustable step lengths from 1 to 64 per sequencer Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per sequencer Swing and slew mode control per sequencer The ENGINE... 3 sample oscillators, each with 60 multi-sampled sample sets LOAD YOUR OWN SAMPLES Sample start, loop start and loop length control per oscillator Pan and auto-pan control per oscillator Volume attack, decay, sustain and release control per oscillator Distortion module with drive, damp, tube or transistor, bit and sample rate reduction per oscillator Low pass and high pass filters with resonance Vibrato rate and depth control per oscillator Chorus rate and depth control per oscillator Convolution reverb with 50 custom IRs per oscillator Delay send control per oscillator ARP Recorder... Drag & drop midi file recorder grabs single and multichannel output from the multi-arp that can be loaded back into a new DAW track INSERT effects Tape & saturation Solid G - 4 band equalizer Phaser Rotor speaker Algorithmic reverb SEND effects Tempo synced tape delay Algorithmic reverb FULL version of Kontakt 5.8.1 or above needed INFUNDIBULUM#2.1 will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player . £60/$80/70€ (inc VAT) add to cart you might like these TOO... INFUNDIBULUM#1.1 More funnel DRIFT001 Minimal maximalism SYNTHFUNDIBULUM#3 Sexy soviet synthesizers FLUTTER DUST Beautiful mangled acoustics. What the heck is an INFUNDIBULUM anyway ? Funny you should ask :- technically it's just a funnel, but in his excellent time leaping novel Sirens of Titan, Kurt Vonnegut invented the Chrono-synclastic Infundibulum , which is essentially a time funnel. Seemed an apt name for this instrument. bottom

If life gives you saxophones (and pump organs) make Saxomaphoniums - a hybrid sample library for Kontakt VST. saxomaphonium £40 Saxophones + harmoniums = SAXOMAPHONIUM 55 snapshots 6 x articulations 2.6GB download for FULL version of Kontakt 5.8.1 or above. add to cart Look, I know everyone hates saxophones. And with good reason. Excluding Colin Stetsons amazing work, and Tom Waits of course, I also tend toward hating on saxophones myself. But is it really fair to judge an instrument by its past misdemeanours ? Can the sax be rehabilitated and made sexy again ? Here at Sound Dust we say HELL YES! So, SAXOMAPHONIUM is a hybrid Kontakt instrument hewn from layers of baritone and alto sax plus two ancient wind powered reed organs. It takes un-cool elements, records them nicely and then re-imagines them into something entirely new. SAXOMAPHONIUM Saxomaphonium GUI Saxomaphonium gubbins Velocity and Round Robin control harmonium insides Harmonium 2 SAXOMAPHONIUM Saxomaphonium GUI 1/8 mid THE COMPONENTS Looped baritone and alto long notes Tape treated, looped baritone and alto long notes Honking goose sax staccatos BPM synced looping harmonium hand pumped notes Deep wheezy foot pumped room organ With a deep but manageable Kontakt engine the SAXOMAPHONIUM creates a new reed/metal/wood based palette that can cover a surprisingly wide range of stunning possibilities. File under. Michael Nyman post-baroque maxi/minimalisms, undulating cinematic Zimmer beds, Goran Bregovic Balkan wedding/funeral knees-up, pseudo orchestral epic sweep-scapes. Definitely not Baker Street. What's Inside? Saxophone x 2 - 4 octaves of baritone and alto saxophone long looped notes - 6 velocity layers Tape Saxophone - 4 octaves of baritone and alto saxophone long looped notes - brutalized through Roland Chorus Echo RE501 for lots of wow and flutter - 6 velocity layers Honk - 4 octaves of baritone and alto saxophone staccato notes - 5 velocity layers Harmonium - binaurally recorded portable harmonium with looped BPM synced bellows pumping. Pump Organ - binaurally recorded church style pump organ. 1140 24bit samples = 2.46GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing , velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per articulation All controls fully automatable BPM synced pan and volume modulation per articulation BPM synced vibrato and chorus per articulation 24 custom convolution reverbs per articulation 4 insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 55 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. SAXOMAPHONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/46€ (inc VAT) for SAXOMAPHONIUM instant download add to cart down you might like these... PENDLEONIUM 4 ...more hybrid DULCITONIUM Haunted dulcitone infinity ORGONE2 Strange organ CLOUD VIOLA Very stringy