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  • Saxomaphonium | sound-dust

    If life gives you saxophones (and pump organs) make Saxomaphoniums - a hybrid sample library for Kontakt VST. saxomaphonium £40 Saxophones + harmoniums = SAXOMAPHONIUM 55 snapshots 6 x articulations 2.6GB download for FULL version of Kontakt 5.8.1 or above. add to cart Look, I know everyone hates saxophones. And with good reason. Excluding Colin Stetsons amazing work, and Tom Waits of course, I also tend toward hating on saxophones myself. But is it really fair to judge an instrument by its past misdemeanours ? Can the sax be rehabilitated and made sexy again ? Here at Sound Dust we say HELL YES! So, SAXOMAPHONIUM is a hybrid Kontakt instrument hewn from layers of baritone and alto sax plus two ancient wind powered reed organs. It takes un-cool elements, records them nicely and then re-imagines them into something entirely new. SAXOMAPHONIUM Saxomaphonium GUI Saxomaphonium gubbins Velocity and Round Robin control harmonium insides Harmonium 2 SAXOMAPHONIUM Saxomaphonium GUI 1/8 mid THE COMPONENTS Looped baritone and alto long notes Tape treated, looped baritone and alto long notes Honking goose sax staccatos BPM synced looping harmonium hand pumped notes Deep wheezy foot pumped room organ With a deep but manageable Kontakt engine the SAXOMAPHONIUM creates a new reed/metal/wood based palette that can cover a surprisingly wide range of stunning possibilities. File under. Michael Nyman post-baroque maxi/minimalisms, undulating cinematic Zimmer beds, Goran Bregovic Balkan wedding/funeral knees-up, pseudo orchestral epic sweep-scapes. Definitely not Baker Street. What's Inside? Saxophone x 2 - 4 octaves of baritone and alto saxophone long looped notes - 6 velocity layers Tape Saxophone - 4 octaves of baritone and alto saxophone long looped notes - brutalized through Roland Chorus Echo RE501 for lots of wow and flutter - 6 velocity layers Honk - 4 octaves of baritone and alto saxophone staccato notes - 5 velocity layers Harmonium - binaurally recorded portable harmonium with looped BPM synced bellows pumping. Pump Organ - binaurally recorded church style pump organ. 1140 24bit samples = 2.46GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing , velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per articulation All controls fully automatable BPM synced pan and volume modulation per articulation BPM synced vibrato and chorus per articulation 24 custom convolution reverbs per articulation 4 insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 55 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. SAXOMAPHONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/46€ (inc VAT) for SAXOMAPHONIUM instant download add to cart down you might like these... PENDLEONIUM 4 ...more hybrid DULCITONIUM Haunted dulcitone infinity ORGONE2 Strange organ CLOUD VIOLA Very stringy

  • Hammr Growler | sound-dust

    Full tilt Hammond organ blasted through Leslie cabinet at ful speed. Not for the faint hearted. A sample library for Kontakt VST HAMMR Growler £30 Re-inventing the (tone)wheel II The best sounding LOUD multi sampled, multi round-robin Hammond B3 you will ever hear. 5 x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps for FULL version of Kontakt 4 or above. add to cart Mind your ears ! Hammr Growler is the filthy brother of the not particularly demure Hammr+ and a part of the Hammr Suite, a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. The Growler is a 3GB monster that captures from 4 mic positions the full tilt sound of Mikeys favourite 888000000 setting on his 1959 B3 through a cranked up Leslie cabinet, and frankly it is one heck of a sound ! mid Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library Hammr Growler for Kontakt by Sound D Hammr Growler for Kontakt by Sound Dust - a rumbustious Hammond Organ sample library 1/5 What's Inside ? x 15 second samples per note for a total of 3.2GB of samples compressed to a 2.7GB download. 4 mic positions using classic Neuman mics and Grace preamps Individual control of volume, pan, ADSR and vibrato per mic. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 24 presets. Master/slave control system for quick adjustment of group controls. Built in user manual. FULL version of Kontakt 4 or above needed. Hammr Growler will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr Growler instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Orgone 2 Re-inventing the (tone)wheel part 2 Flutter Dust Module Acoustic wavetable loopiness DULCITONIUM No ghosts were injured

  • CULTURAL BAGGAGE | sound-dust

    Daft ideas, movies, music thoughts and irrelevent musings on the hot topics of the age CULTURAL BAGGAGE Daft ideas, movies, music, thoughts and irrelevant musings on the hot topics of the age. Selected works from the regular Sound Dust CULTURAL BAGGAGE mail out - all pics have fascinating links #24 #23 #22 #21 #20 end

  • Modular Chaos Engine#4-SDPR | sound-dust

    A steel pan drum machine sample library for Kontakt by Sound Dust £25 Modular Chaos Engine#4 steel drum percussion room A drum machine for Tom Waits. 400+ original 24bit binaurally recorded samples for FULL version of Kontakt 5.5.1 or above. add to cart A kit of lovely, dusty, binaurally recorded acoustic drum samples and slightly prepared steel drums….a kind of Tom Waits percussion machine featuring drums in all shapes and sizes. There are huge flappy marching band bass drums, ripped and rattly snares and kicks, frame drums, congas, bongos, toms, hi-hats, cymbals, boxes, broken metal shelving… Plus the “prepared” steel drums. These are a neglected set of bass and cello steel pans played with fingers and soft mallets to avoid sounding like proper steel drums (more apocalypse than calypso), the tunings are a bit iffy, but there are plenty of velocity layers per hit for a rusty hang drum like effect. Great for making wonky, dusty beats, chunky acoustic EDM or even epic film scoring. Both kits were recorded binaurally in a great sounding room with long decays. mid Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST Modular Chaos Engine #4 - a steel drum machine for Kontakt VST 1/5 Whats Inside ? 400+ original 24bit binaurally recorded samples. Bang Engine page - 12 user programmable, key triggered sequencers with 12 tracks of drum hits per sequence - up to 30 sounds available per note. Klang Engine page - 12 user programmable, key triggered sequencers with 12 tracks of steel drums per sequence - up to15 sounds available per note. One Shot Kit page -4 octaves of programmable one shot kits with chaos and order parameter randomisation control. Sends and Master FX page - control of master levels , master EQ and transient designer. 10 instrument presets (.nki's) for Kontakt 5. Klang/Bang Engines - drawable, per note control of: sound selection, volume, reverb send, hold time, low pass/high pass filter, pan, sample start, tune, lo-fi & compression. Klang/Bang Engines - sound selection chaos control. Klang/Bang Engines - timing chaos control. Klang/Bang Engines - 'remix' control with 32 loop variations per engine. Klang/Bang Engines - 16 or 32 beats per track selection. Klang/Bang Engines - solo & mute per sound. Klang/Bang Engines - copy/paste of patterns & tracks. Swing amount control for extra hippity hoppity. One Shot Kits - individually editable note articulations with jitter, release, flam, drag, ruff, roll, muted, speed roll, geiger plus 16th, 8th and triplet repeats. One Shot Kits- 2 convolution reverb sends One Shot Kits - 24 custom reverb impulses made from hardware and real spaces. One Shot Kits - per note control of reverb send, pitch, high & low pass filters, volume attack & decay, volume & pan. Built in instruction manual in RTFM tab. Modular Chaos Engine#4- Steel Drum Percussion Room needs a FULL version of Kontakt 5. Please don't buy this if you are using Kontakt Player. £25/$40/35€ (inc VAT) for Modular Chaos Engine#4- Steel Drum Percussion Room add to cart end you might like these... MCE#1 Found A field recording drum machine MCE#2.1- Evolved Wonky blue analogue drum device MCE #3 OddHop Wonky chaotic drum box Tiny Binaural Harpsichord³ Don't forget the prepred harpsichord drum box

  • FRICTION for DIVA | sound-dust

    Menacing, funky, dystopian sounds to feed U-He Diva VST FRICTION for DIVA £25 FRICTION applies the Sound Dust sound design aesthetic to U-He's amazing analogue soft synth DIVA and brings you 170 presets that look for beauty and cinematic atmosphere in filth and wrongness. for U-HE DIVA VST add to cart FREE FRICTION -12 free patches Huge weeping pads, elastic beat sync noise, murky weathered leads, deviant one finger atmospherics, organic heartbreak keyboards, West coast style uber modulations, glowering low end throbbing and earworming sound effects are all in the mix. The starting point for FRICTION was early home-made 'industrial' synth pioneers such as Suicide, Vice Versa, Cabaret Voltaire, Fad Gadget - not forgetting the awesome and groundbreaking Throbbing Gristle. (see TG approved demo track United) FRICTION embraces the limitations and grist of the classic synths that DIVA emulates so well and melds them into something new and impossible, and impossibly lovely. Every patch has warping transformations assigned to mod-wheel and after-touch for dynamic expressive control. All patches pre tagged for DIVA and Komplete Kontrol '..these are sounds that are hard to find even with a room full of classic hardware synths.' Paul Hartnoll - Orbital mid Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust Friction for U-He DIVA by Sound Dust 1/4 What's Inside ? FRICTION sounds are loosely divided into 15 categories... ARP - melodic arpeggiated patches CHAOS - boisterous and complex DMX - arp driven drum machinery DUST - classic Sound Dust organica FX - textural earworms KEYS - keyboards...obvs LEAD - legato style solo instruments LOW - bottom feeding basses NOISE - bpm synced atonal beat shadows ORG - organic organish PAD - thick, wide and often filthy PERC - hits, thuds and snaps SLOW - take your time with these THROB - low rhythmic boomers WEST - moving the East coast over to the West coast FRICTION for U-HE DIVA VST £25 (inc VAT) for FRICTION instant download add to cart FREE FRICTION -12 free patches you might like these... Cluster for U-He Zebra 2 Flutter Dust Module Beautiful mangled acoustics. Infundibulum 2 Filthy and beautiful ODDular XY pad modulational extremes down

  • Infundibulum #2.1 | sound-dust

    A chaotic time funnel sample library for Kontakt VST - includes a 3 way arpeggiator, treated strings, guitars, horns, school recorder, whirly tubes and many more. INFUNDIBULUM#2.1 The second in the series of multi-arp workstations. A gloriously grimey playground of possibilities with an open door policy for unexpected artefacts and happenstance. An instrument with the audio patina of a life well lived. 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but INFUNDIBULUM is all about tweaking 3.8GB download for FULL version of Kontakt 5.8 or above add to cart INFUNDIBULUM#2.1 - takes the polyrhythmic cascades of sound, strange interlocking tremolos and beautiful warped loopings of her big sister into bigger bolder territories - great for organic and gorgeous pseudo orchestras, wibbly wobbly dust pads, muscular Michael Nyman swoon and epic thrusting cinematica. INFUNDIBULUM#2.1 is packed with 4GB of bowed, sung, spun, plucked, stretched, teased and blown things that have been squashed through tape, vinyl, springs and valves for the character and audio patina of a life well lived. 60 sound sources per channel = 216,000 glorious combinations New in #2.1 - 6 filter sequencers, updated sound sources, new convolution reverbs, user sample import, new FX and a snazzy new interface. "Infundibulum is unbelievably groovy… what an amazing untapped palette of timbres and rhythms, a real polyrhythmic wonderland.” - Chris Carter - Throbbing Gristle, Carter Tutti and Chris & Cosey middle THE INFUNDIBULUM family is not intended to authentically replicate any of the sounds included, some have been deeply multi sampled and others are deliberately stretched across a wider key span than is sensible. The samples all have very obvious loop points. The whole point of Infundibulum is to embrace and celebrate the artefacts that occur when sampling goes too far. Hold a chord, any chord, and you will hear the different notes start to cycle back on themselves in disjointed but glorious ways that you will never hear from a gazillion gigabyte hypersampled piano, crumhorn or orchestral calabash. Then add in the multi-arp and filter sequencers, 3 sounds repeating through different length cycles at different speeds, and you are halfway to an out-of-body experience. The SAMPLED INSTRUMENTS... Dust piano, Lowry organ, Winfield organ, many many electric guitars, household paint brush, violin played by a proper violinist, trumpet played by an improper trumpeter, concert whirly tubes, Jecklin disc, 4 track cassette recorder, taut wires, Sherman Filterbank, spring reverbs, Nord Modular, Space Echo, Roland SH101, Hammond Organ, a singing human, ribbon mics and broken electrics, guitar pedals set to 11, harmonica, recorders (school not tape this time), Moog theremin, many modular modules, Clouds, Strymon Big Sky and Deco, Roger Linn Adrenalinn 3, home-made guitars, electric milk whisk and home-made pickups... 'This is superb, I've never seen anything like it. I really, really love it !' - Mikey Rowe keyboard wiz to the stars (Sheryl Crowe, Noel Gallagher, Ed Sheeran, Dave Gilmour etc ) INFUNDIBULUM#2.1 multi-arps INFUNDIBULUM#2.1 multi-filter sequencers INFUNDIBULUM#2.1 INFUNDIBULUM#2.1 multi-arps 1/8 What's Inside? 1 Kontakt .nki instrument 3 x 60 sound sources = 216,000 combinations 270+ snapshots...but Infundibulum is all about tweaking really, these will just get you in the ballpark 1300+ samples 3.8GB download MULTI-ARP 3 independent multifunction arpeggiator contraptions with gate, chord and 10 arp modes Adjustable step lengths from 1 to 64 per multi-arp Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per multi-arp Swing, offset, decay and pitch control per multi-arp Filter sequencer... Independent multifunction sequencers for high pass and low pass filter control - 2 per oscillator lane Adjustable step lengths from 1 to 64 per sequencer Adjustable step rate from 1/128 to whole note with triplet variations plus modem, Geiger and meltdown modes per sequencer Swing and slew mode control per sequencer The ENGINE... 3 sample oscillators, each with 60 multi-sampled sample sets LOAD YOUR OWN SAMPLES Sample start, loop start and loop length control per oscillator Pan and auto-pan control per oscillator Volume attack, decay, sustain and release control per oscillator Distortion module with drive, damp, tube or transistor, bit and sample rate reduction per oscillator Low pass and high pass filters with resonance Vibrato rate and depth control per oscillator Chorus rate and depth control per oscillator Convolution reverb with 50 custom IRs per oscillator Delay send control per oscillator ARP Recorder... Drag & drop midi file recorder grabs single and multichannel output from the multi-arp that can be loaded back into a new DAW track INSERT effects Tape & saturation Solid G - 4 band equalizer Phaser Rotor speaker Algorithmic reverb SEND effects Tempo synced tape delay Algorithmic reverb FULL version of Kontakt 5.8.1 or above needed INFUNDIBULUM#2.1 will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player . £60/$80/70€ (inc VAT) add to cart you might like these TOO... INFUNDIBULUM#1.1 More funnel DRIFT001 Minimal maximalism SYNTHFUNDIBULUM#3 Sexy soviet synthesizers FLUTTER DUST Beautiful mangled acoustics. What the heck is an INFUNDIBULUM anyway ? Funny you should ask :- technically it's just a funnel, but in his excellent time leaping novel Sirens of Titan, Kurt Vonnegut invented the Chrono-synclastic Infundibulum , which is essentially a time funnel. Seemed an apt name for this instrument. bottom

  • Rubber Bass 2 | sound-dust

    Huge rubbery bottom - bass ukelele sample library for Kontakt RUBBER BASS £20 Kala Ukelele bass - robust, with a lovely rubbery bottom 8 randomised round robins per note 145MB download handy arpeggiator for FULL version of Kontakt 5.8 or above add to cart Rubber Bass 2 is sampled from a funny little Kala ukulele bass. It's about the size of a kid's guitar and has big fat rubber strings which are a nightmare to tune. It's not very loud acoustically but when DI'd it has a wonderful round, rubbery bottom end with a lovely hint of twang which belies its tiny stature. It's a little bit double bassy with a hint of P Bass, but essentially it has a character all of its own. mid Rubber Bass 2 Rubber Bass 2 1/1 down Whats Inside ? 8 randomised round robins per note 145MB download Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed RUBBER BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £20/$30/25€ (inc VAT) for RUBBER BASS instant download add to cart you might like these TOO... Sponge Bass Pure Hofner bass thud Sponge Piano Sponge + thumb + piano = Sponge Piano Ships Piano 3 Scott of the Antarctics piano, and some friends Orgone 2 Very low ebbings

  • Pendleonium | sound-dust

    Beautiful rusty pad device sample library for Kontakt VST Pendleonium4 £35 Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven 97 snapshots 6 x articulations 1.53GB download for FULL version of Kontakt 5.8.1 or above. add to cart It is a Pendleonium and as such, it sounds like only a Pendleonium can. After a period of evolutionary development, the new PENDLEONIUM4 is here. The control panel has undergone a complete re-think. The new look is sharp and purposeful and the layout of instruments and functions is intuitive and user-friendly. A total of 6 sampled source instruments are arranged left to right across the main panel - two baritone guitars, two infinity guitars, Spring Viola and an additional instrument based on samples created with a vintage Roland Space Echo. Each individual source instrument comes with greatly enhanced editing tools, offering wave shape, ADSR, effects, and volume. To the right of the instrument panel is a dedicated editing bay offering yet more capability. Here you will find reverb and delay sends, reverb, rotor, EQ and dirt for gnarly lo-fi effects. A second interface window can be opened for velocity and round-robin. The best thing about the P4 though, is playing it. With its unique sounds and easy editing, The P4 is an absolute pleasure to play and tweak as you go. It must be stated that this instrument is not attempting to sound like anything else or even to offer any faithful reproduction of its source instruments. This is great! Went right into a cue. Thank you so much, great work as always. And I’ve used a ton of “Lost and Found” on the score to “Collateral Beauty”. Thanks for all the great stuff. Theodore (Teddy) Shapiro - composer : Ghostbusters, Zoolander, Trumbo, St. Vincent. PENDLEONIUM4 PENDLEONIUM4_GUBBINS PENDLEONIUM4_INSTRUMENTS PENDLEONIUM4 - a sample library for Kontakt VST - Strange guitars, spring reverb, tape echo, vacuum tubes and a broken viola. Throbby pad heaven. PENDLEONIUM4 1/6 mid Each snapshot is like a composition, just sit back and listen to the mysterious and beautiful musical layers unfold. Jonathan Whitehead - composer : Brass Eye, Black Books, Nathan Barley, Mount Pleasant The P4 excels at creating complex sounds, pianos, strings, smooth synth-like pads, rumbles, and unfathomable noises. At lower registers the Pendleonium4 can produce seismic movement and deep rich textures. In high registers it can be configured to produce sounds like ripples passing through mercury. The P4 truly inspires. During an afternoon creating sounds with the PENDLEONIUM4, I found myself playing funky 70’s freak out soul and Victorian fairground music alongside electronica and environmental hardcore. The instrument’s ability to seamlessly merge organic and electronic elements in rhythmic time kept me playing for hours. The echo and sustain editing controls allow for some truly wonderful development when notes are held. Beside pitch and mod wheels, if your keyboard features aftertouch you are in for an additional treat. Set up to control tuning, the extra expression this allows while playing is superb. To sum up, the Pendleonium4 is a prime example of what makes the Sound Dust world a place of wonder and discovery. The instrument’s sound, versatility and editing capabilities should make it a first choice for those wishing to create highly original music and sound design. Dean- Quietland What's Inside? Baritone Guitar x 2 - amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - 4 velocity layers Tape Baritone Guitar - recorded wet through Roland Chorus Echo RE501 with lots of chorus Fernandes Sustainer Infinite Guitar x2 -amped through custom Laney VC15 valve amp - 2 articulations clean plucked and edgy plucked - endlessly looped Spring Viola -mic-ed and pushed completely wet through a noisy Vermona RetroVerb spring reverb. 700 24bit mono samples = 1.53GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument (except infinite guitars) BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and Round Robin modelling page 97 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5 or above needed. PENDLEONIUM4 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/40€ (inc VAT) for PENDLEONIUM4 instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds DULCITONIUM Haunted dulcitone device FLUTTER DUST Beautiful mangled acoustics LOOP POOL - Percussion An infinity of earthy percussion

  • Plastic Ghost Piano 2 | sound-dust

    A piano that is not made from plastic ghosts - but sounds like it is. Sample library for Kontakt VST £45 A wonderful sounding, one of a kind textural piano made by spurting bursts of controlled noise through unsuspecting piano samples 9 deeply multi sampled piano articulations 1.1GB of 24bit multi samples with up to 23 velocity levels per note. 100 gorgeous snapshots Mod wheel controlled reverse engine for FULL version of Kontakt 5.8.1 and 6 add to cart Plastic Ghost Piano#2 is a warm, richly sampled, hybrid piano made by using convolution technology in an unlikely way. There really is nothing else like her. Sounds range from warm, woody and expressive wonky piano to blissed out orchestral haze. Mod wheel expression opens up weird and gorgeous looping, glitching and reverse piano effects with real-time control. Effortlessly morph 'proper' piano sounds into ecstatic otherworldliness - and then back again... and back again etc etc. Boris the Liar K6 PLASTIC GHOST PIANO#2 PLASTIC GHOST PIANO#2_Drone Piano reverse PLASTIC GHOST PIANO#2 PLASTIC GHOST ICON Plastic Ghost Piano #2 Boris the Liar K6 PLASTIC GHOST PIANO#2 1/4 mid 'Each instrument that emerges from the Sound Dust curiosity shop adds extra layers of invention, and this revisit to the Plastic Ghost Piano is no exception. It's Pendle at his playful best, loading every button and wheel with the means to twist and turn piano sounds into something new. Chaos always hides round the corner, but the success is in somehow keeping things organic and beautiful, haunted and lovely." Mat Davidson - my favourite multi Emmy winning composer The sound components that make this possible.... White Ghost is made from recordings of a broken upright piano convolved in the same way as the Plastic piano. There are 23 layers of velocity, but using the Time Machine engine in Kontakt these layers are stretched over the entire keyboard range (co to c7) which adds strange and unexpected artifacts . Yellow Ghost works similarly to the White Ghost, but with a different set of broken piano samples and 2 sets of 10 velocity layers. White Piano is a 4 velocity multi sample of a Hohner Pianet T electric piano. Recorded dry, but with re-amping possibilities built into the interface. The Plastic Piano is a multi sampled piano patch made on a Technics WSA1 modelling keyboard . Each individual sampled note was then loaded into a convolution reverb plug in and blasted with varying levels of controlled white noise, and the output recorded and remapped as a 6 velocity layer multi sample. Rubber Piano is really a multi sampled palm muted Fender Stratocaster recorded through a valve combo. Its unlikely looping and hints of amp noise add a useful pluck and gritty texture. Pink Ghost is a looped, stretched and treated version of the plastic piano layer. Like the other ghost layers, instead of vibrato there is a formant filter which can be BPM modulated for full banshee effect. Reversed, edited and looped multi sample of a Hohner Pianet T electric piano. Reversed, edited and looped plastic piano. Reversed, looped, stretched and treated version of the rubber piano layer. What's Inside ? A piano sample library made by harnessing convolution technology and a plastic piano 9 deeply multi sampled sound articulations Versions for Kontakt 5 & Kontakt 6 Kontakt 6 version uses the lovely Replika tape delay 1GB of 24bit multi samples with up to 23 velocity levels per note Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Mod wheel control on all layers Mod wheel curve and keyboard velocity modelling Sample start and loop length control BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb 100 instrument snapshots Handy built in instructions in RTFM page FULL version of Kontakt 5 or Kontakt 6 needed Plastic Ghost Piano #2 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £45/$60/52€ (inc VAT) for Plastic Ghost Piano#2 instant download add to cart end you might like these... Ships Piano³ Crafty character piano Sponge Piano Sponge +thumb x piano DULCITONIUM A convolution dulcitone Prepared Pianet Your electric mistress

  • Lost and Found | sound-dust

    Sound Dust vs The Unfinished - new sounds to feed Spectrasonics Omnisphere 2 lost and found £25 Sound Dust vs The Unfinished 150 new sounds for Spectrasonics Omnisphere for Spectrasonics OMNISPHERE 1 & 2 add to cart Omnisphere Lost & Found 150 new sounds for Spectrasonics Omnisphere Lost & Found was put together in collaboration with über patch designer Matt Bowdler aka The Unfinished There are various themes for this collection, but all of them are seeded in a world of broken beauty. Lost & Found is aimed at the strange and wonderful atmospherics of neo-classical; the raw and dirty sonics of dark electronica; and the celestial and heart-thumping cinematics of modern scores. One minute it is a lo-fi, grainy and grungy slap around the face, the next it is a chaotic, soaring, widescreen embrace. Think, Olafur Arnalds, Ben Frost, Rhian Sheehan, Nils Frahm, Trent Reznor/Atticus Ross, Steven Price, John Murphy, Brian Eno plus many others. In this sound set you will find fragile pads, damaged pianos, dusty music boxes, grubby basses, electro-acoustic rhythms and dystopian soundscapes from the ether. All that is dusty, dark and dynamic can be discovered in Lost & Found. mid "Lost & Found is a wonderful new toolbox of sounds. Perfect for film and beyond, dark and evocative… I’ve used it since the day it arrived." Paul Haslinger, Composer (Underworld, Crank, Tangerine Dream) Whats Inside ? 150 new sounds for Spectrasonics Omnisphere. All patches will have something cunning mapped to both aftertouch and mod wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. end £25.00 for L & F instant download. Needs Spectrasonics Omnisphere 1 or 2 add to cart you might like these... UNTOPIA Beware filth ! PMC SQUARE 300 rounded Pre Modernist Collection... theres throbbing here BOOM & BUST Semi epic looping for Kontakt ORGONE 2 Uber synth/organ

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