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  • Synthfundibulum #3 | sound-dust

    A time funnel sample library for Native Instruments Kontakt made from rare soviet synths and cunning multi sequencers. soviet SYNTHFUNDIBULUM #3 £60 Bend and twist arcane analogue synthesis into new & unexpected shapes. The third in the devious Sound Dust series of time/mind-bending Kontakt instruments, hand sculpted from 7 rare & idiosyncratic soviet synthesizers. Character and wonk are our friends - synths can be organic! 1 Kontakt .nki instrument 250 snapshots 2.6GB download for FULL version of Kontakt 5.8 or above add to cart Soviet SYNTHFUNDIBULUM#3 - is a new member of the INFUNDIBULUM family, the range of instruments built for polyrhythmic time funnelling, happenstance and above all fun. This time we have a sound set created in a collaboration with Armenian composer Art Tadevosyan and based on his collection of ageing soviet synth beauties. SSf3 offers 3 independent oscillator channels, each with a choice of 33 multi sampled sound sets made from 7 strange keyboards. A redesigned INFUNDIBULUM engine plays to the character of these synths. In addition to the original cunning multi-arp system Soviet SYNTHFUNDIBULUM#3 has new filter sequencing, 10 new soviet reverb impulses and new insert effects. Packed with character and possibility with an organic plastic flavour Soviet SYNTHFUNDIBULUM#3 is an infinity of analogue that frankly you will never hear anywhere else. ART TADEVOSYAN - the ex shredder with amazing synths Art Tadevosyan was born in the former Soviet Union country Armenia. By the age of 10 he was playing guitar with the intention to become the fastest guitar player on the planet. But things radically changed when at 15 he moved to Germany and was introduced to the music/art of John Cage, Stockhausen, Xenakis, Schaeffer and the cutting edge electronic music coming from mainland Europe. Art's sampling journey began with his first sampler the Akai S2000 and an Atari 1040 ST as sequencer. Since then, Art has played in a lot of bands, composed a huge amount of music for TV and Film, and recently released his new album under artist name Art Tendency. https://arttendency.bandcamp.com www.instagram.com/art_tadevosyanmusic INFUNDIBULUM and Soviet SYNTHFUNDIBULUM are not intended to authentically replicate any existing instruments - not even the instruments that they are made from. The many many sound combinations and sculpting permutations cry out for deep experimentation and sonic exploration. Sampling should be a playground and Soviet SYNTHFUNDIBULUM is a deep synthesis merry-go-round for fun and inspiration. mid sovietSYNTHFUNDIBULUM#3_1 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_2 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_RTFM_2 soviet SYNTHFUNDIBULUM#3 - SOUND DUST sovietSYNTHFUNDIBULUM#3_1 soviet SYNTHFUNDIBULUM#3 - SOUND DUST 1/5 What's Inside? 1 Kontakt .nki instrument 250 themed snapshots...but Infundibulum is all about tweaking really, these will just get you in the ballpark 2.6GB download (from 3GB compressed files) MULTI-ARP 3 independent multifunction arp contraptions with gate, chord and 10 other arp modes Adjustable step lengths from 1 to 64 per multi-arp Adjustable step rate from 1/128 to whole note with triplet variations plus modem, geiger and meltdown modes per multi-arp Swing, offset, decay and pitch control per multi-arp Filter sequencer... Independent multifunction sequencers for high pass and low pass filter control - 2 per oscillator lane Adjustable step lengths from 1 to 64 per sequencer Adjustable step rate from 1/128 to whole note with triplet variations plus modem, geiger and meltdown modes per sequencer Swing and soft mode control per sequencer The ENGINE... 3 sample oscillators, each with 33 multi-sampled sample sets Sample start, loop start and loop length control per oscillator Pan and autopan control per oscillator Volume attack, decay, sustain and release control per oscillator Distortion module with drive, damp, tube or transistor, bit and sample rate reduction per oscillator Low pass and high pass filters with resonance Vibrato rate and depth control per oscillator Chorus rate and depth control per oscillator Convolution reverb with 34 custom IRs per oscillator Delay send control per oscillator ARP Recorder... Drag & drop midi file recorder grabs single and multichannel output from the multi-arp that can be loaded back into a new DAW track INSERT effects Tape & saturation Solid G - 4 band equalizer Phaser Rotor speaker Algorithmic reverb SEND effects Tempo synced tape delay Algorithmic reverb FULL version of Kontakt 5.8.1 or above needed SYNTHFUNDIBULUM#3 will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player . £60/$80/70€ (inc VAT) for SYNTHFUNDIBULUM#3 instant download add to cart you might like these TOO... INFUNDIBULUM#1.1 The originial - more jingle jangle less filth INFUNDIBULUM#2.1 Bonkers multi-arped time funnel ODDular Odd by name, odd by nature DRIFT001 Minimal maximalism What the heck is an INFUNDIBULUM anyway ? Funny you should ask :- technically it's just a funnel, but in his excellent time leaping novel Sirens of Titan, Kurt Vonnegut invented the Chrono-synclastic Infundibulum , which is essentially a time funnel. Seemed an apt name for this instrument. down

  • Orgone 2 | sound-dust

    Experimental drawbar organ device. A sample library for Kontakt VST Anchor 1 orgone 2 £35 An organic analogic synth beastie. What happens when you build an organ out of classic synth parts ? 11 classic synth oscillators 1.2GB of 24bit multi samples for FULL version of Kontakt 5.8 or above. add to cart Orgone began as an experiment around the idea of "what would a Hammond organ with sawtooth waves sound like ?" and slowly grew into a huge modular machine that combines multi sampled waveforms from several classic synths into a 1GB+ Kontakt sample instrument that goes way beyond the possibilities of any of the originals. THE SYNTHS Moog Voyager sawtooth and square waves - 24bit, 8 second samples of every note. Dsi Pro 2 narrow square waves - 24bit, 8 second samples of every note. Yamaha CS15 square waves - 24bit, 8 second samples of every note. Roland SH101 saw tooth + sub waves - 24bit, 8 second samples of every note. Moog unfiltered noise - 24bit, 8 second samples of every note (which is probably overkill - but hey) mid Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 - an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST 1/4 ORGONE 2 uses the basic additive architecture of the drawbar organ to create a deeply malleable instrument with huge polyphony and a complex but relatively simple operating system. It then adds the filters, envelopes, lfos etc of subtractive synthesis to each individual drawbar. It's like having 4 classic 11 oscillator synths in one modular box. Because the quirks and character of the original ageing synths (30 plus years in the case of the CS15) have been retained Orgone has a living organic sound that can go to places other electronic instruments can only dream of. This isn't another plastic EDM box...although it can do amazing thick creamy basses. Orgone is great for woozy string synth pads, throbby beat synced cinematic backdrops, gnarly "Frankie Teardrop" organs and 60s keyboards, ethereal theremins, evolving space drones and GREAT BIG ultra saw synth tones. What's Inside ? 11 classic synth oscillators 1.2GB of 24bit multi samples 134 snaphots Knob randomisation and reset system Drawbar presets based on Hammond B3 Pitch bend semi-tone amount selector per oscillator DAW automation control of everything Saturation control per oscillator Pan control per oscillator Reverb send per oscillator Volume envelope per oscillator Vibrato LFO with semi-tone depth, speed (sync & hertz), fade and chaos per oscillator Low pass or formant filter with envelope shape and LFO speed (sync & hertz) and shape modelling per oscillator Tremolo speed (sync & hertz), depth, LFO width, shape and chaos per oscillator Chorus depth and speed per oscillator Tape delay engine per oscillator Master convolution reverb with 80 custom IRs - categories : large, medium, device, reverse, tape, spring, pedal & real Master guitar cabinet modeller, EQ, Leslie, phaser, tone and distortion. Note off tune, volume, decay and reverb send Velocity amount. Aftertouch tune morphing bend amount. Built in RTFM ORGONE 2 needs a FULL version of Kontakt 5.8 or above to work properly £35/$47/42€ (inc VAT) for Orgone 2 instant download add to cart end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Hammr Growler Evil full tilt Hammond B3 Flutter EP Electrical piano wavetable loopiness ODDular Bonkers LFO mayhem

  • OMNI Cello_beware | sound-dust

    Cloud Cello pushed through Spectrasonics Omnisphere 2 Cloud Cello Omni 2 edition £5 38 brand-new Omni patches made from 12 sound sources from CLOUD CELLO Kontakt version. 25MB download Orchestral-ish, cinematic tones, textures and deep organic basses that sound both familiar and alien. for Spectrasonics OMNISPHERE 2 add to cart mid Cloud Cello is a deeply multi sampled hybrid Kontakt sample library created from an ordinary 17th century classical stringed instrument, but played and recorded in an extra-ordinary way using classy analogue outboard, multi mics and coarse twine instead of a conventional bow. The Omnisphere 2 edition takes some of the 2GB original sample content and pours it into the powerful sample engine of Spectrasonics Omnisphere 2 for some amazing results. Free to Cloud Cello Kontakt edition owners Whats Inside ? 38 brand new Omni patches made from 12 sound sources from CLOUD CELLO Kontakt version. 25MB download £5.00 for Omni Cloud Cello instant download. Needs Spectrasonics Omnisphere 2 add to cart you might like these... UNTOPIA Beware filth ! PMC There's throbbing here LOST & FOUND It's there somewhere BOOM & BUST Semi epic looping for Kontakt end

  • Sponge Bass | sound-dust

    Bathroom sponge plus Hofner President bass = Kontakt sample library SPONGE BASS £25 Hofner President Bass + flat wound strings x bathroom sponge = Sponge Bass 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations for FULL version of Kontakt 5.8 or above add to cart Back in the day the original Fender Precision bass came with a plate over the bridge with a dampener built in. Leo Fender patented the bridge mute in 1966 with the idea of mimicking the deadened thud of a double bass. But those crazy rock n roll kids weren’t so keen and tended to remove the cover for more sustain. But the woofy, woolly thud of damped bass strings was embraced by some visionaries. The Motown players, Paul McCartney (early on) and Carol Kaye (bass player on all the great Beach Boys recordings) used the sponge technique with wild abandon. SPONGE BASS re-creates that classic rounded thud with 1,296 glorious recordings of individually sponged bass notes. mid Sponge Bass - a sample library for Kontakt VST - gubbins Sponge Bass - a sample library for Kontakt VST Sponge Bass - a sample library for Kontakt VST - gubbins 1/2 Whats Inside ? 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Fade (note length) control pre-mapped to Modwheel (changeable by right-clicking) Mono/poly mode operates per string, so two notes can't/can be played on same string Voice stack mode for up to eight notes at once Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed SPONGE BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$33/30€ (inc VAT) for SPONGE BASS instant download add to cart you might like these TOO... Rubber Bass 2 wubby DRIFT001 Minimal maximalism Prepared Pianet Messed up electric piano Ships piano 3 Scott of the Antarctics piano, and some friends down

  • Tiny Binaural Harpsichord³ | sound-dust

    A portable harpsichord recorded binaurally and also made into a prepared drum machine. Sample library for Kontakt VST Tiny Binaural Harpsichord³ £30 A portable Arnold Dolmetsch Harpsichord - plucked, damped and brutally prepared then recorded binaurally with OKM in ear mics and a human head 2 x instruments types - harpsichord and prepared harpsichord drum machine 150MB download for FULL version of Kontakt 5.5.1 or above. add to cart The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). As always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing - it offers a completely unique and incredibly versatile ‘must have’ instrument for the modern player, sound designer or composer. mid Although the TBH³ has evolved from its predecessor, the TBH², there are some significant differences to hand. A spanking new edit suite and effects bank each come with an expanded set of features and editing controls for superior detailed manipulation of sound. Tweaking almost any of the controls will result in the transformation of familiar harpsichord characteristics, delivering subtle new textures or completely altered states. Experimentation rewards with never before heard wonders. Altering volume envelope, attack shape and heaping on the sustain can result in something that sounds like a treated harpsichord played with an E-Bow. Drop an octave or two, add a little something from the Sound Dust wildcards of dirt and rotor and discover the fizzing twang of short metal wires stretched over a jar. The TBH³ encourages and rewards with each edit. Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ 1/4 What's Inside ? Harpsichord 3 articulations with selectable release sound Sample start control per articulation Stereo width and pan control per articulation ADSR volume envelope control per articulation Parametric notch/bump EQ per articulation Transient designer per articulation 24 custom convolution reverbs per articulation 4 controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 controllable send effects - delay and algorithmic reverb Keyboard Velocity modelling page 25 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 4 or above needed. Tiny Binaural Harpsichord³ will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Tiny Binaural Harpsichord³ instant download add to cart Prepared Harpsichord BOINK ENGINE PAGE 215 prepared harpsichord sounds 12 triggered 12 track sequencers 8 FX sequencing lanes per sequence track - reverb level, volume, filter cut off, hold, sample start, pan, transient modeller and tuning Remix control with 32 algorithms Sound and timing ramdomisation controls ONE SHOT PAGE 5 octaves of one shot kits 13 per note articulations - inc flam, drag, roll, Geiger, 16th repeat, 8th repeat, triplet 2 custom convolution reverb engines with 24 custom impulse responses Chaos and Order controls for instant ramdomisation and reset Filter, tuning and reverb send amount controls Handy build in instructions in RTFM page you might like these... FLUTTER DUST Beautiful mangled acoustics Ships Piano² Three character pianos in one. GrandThriftautoHarp² A tiny autoharp makes love to a grand piano MCE #1 : Found A found sound drum machine down

  • Cloud Cello | sound-dust

    Cloud Cello a sample library for Kontakt by Sound Dust Cloud cello £35 Cello+ twine × reverb = Cloud Cello Two instrument variations - solo & ensemble versions 1.6GB download 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation 38 extra patches for Omnisphere 2 using Cloud Cello samples for FULL version of Kontakt 5.5.1 or above. add to cart Cloud Cello? Cloud Cello is the big brother (or sister, if you like) of the Cloud Viola . She's a deeply multi sampled hybrid Kontakt sample library created from an ordinary 17th century classical stringed instrument, but played and recorded in an extra-ordinary way. Cloud Cello opens up new orchestral-ish, cinematic tones and textures that sound both familiar and alien....in a good way. There are also 38 free Cloud Cello patches for Spectrasonics Omnisphere 2 included with the Kontakt version. mid Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST How to make a Cloud Cello Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust 1/6 How? So, you take an unsuspecting cello, remove all the strings except one and place it in a stand. Instead of a conventional bow, use something with a bit more texture and bite - in this case, a ball of coarse garden string sounded best. Stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried to make one!). After many experiments and cups of coffee, a retractable dog lead, an elaborate pulley system and a classic vintage fishing reel came to the rescue. This system can hold long lengths of string under tension and be drawn evenly over the cello string to produce a usable tone. Next step is to rig up some suitable mics. A contact mic near the bridge gave good body, and a large diaphragm condenser near the string picked up the 'grist'. Then using a capo for accurate tuning, thousands of passes were recorded to get enough samples for 5 x round robins per note plus conventionally bowed accents and col legno notes for extra flavour. The final step is to form the Clouds by pushing each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with a different setting for 200% wetness. What's Inside? Two instrument variations - solo & ensemble versions. 2GB of 24bit samples (uncompressed). 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation. 38 extra patches for Omnisphere 2 using Cloud Cello samples. Three octave key range - C1 to C4 Seven deeply sampled articulations through eight 'oscillators'. Accented bow: short bowed note with conventional bow. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Col legno: Latin for 'gently thwacked with the back of the bow'. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Twine: bowed with 5 meters of green garden string. 5 x round-robin per note, minimum 20 seconds per sample. Two mic positions- valve condenser and contact mic. Hard-wired to CC11 for expression pedal or midi controllers. Dark Cloud: Twine recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb. Playback through Kontakt grain oscillator. Pale Cloud: the Dark Cloud recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb unit, so basically 200% wet! Sub Bass: (ensemble only) Moog Voyager sine bass. Effects per oscillator: tremolo, vibrato, saturation, pitch selection, pan, low-pass filter, high pass filter, reverb and delay. Master output effects: low pass filter, high-pass filter, rotor effect, delay, cabinet modelling and EQ. Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware, and some less obvious sources including a Roland Space Echo, Strymon Big Sky and the stage of Glyndebourne Opera House. Built in instruction manual in RTFM tab. FULL version of Kontakt 4 or above needed. Cloud Cello will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$53/50€ (inc VAT) for Cloud Cello instant download add to cart Cloud Bundle Cloud Cello + Cloud Viola + Cloud Bass (full price £110) £90 (inc VAT) for Cloud Bundle instant download cloud bundle end you might like these... String Pool Beautiful string syncs CLOUD VIOLA 2 Viola+twine x reverb DULCITONIUM A ghostly convolution dulcitone CLOUD BASS Badly abused double bass

  • REKOMBINATOR3 | sound-dust

    The next generation granular sample recycler for Kontakt 6 REKOMBINATOR III 25% OFF = £27 inc VAT The next generation granular sample recycler for Kontakt expertly conjured by SOUND DUST friend SzCz for FULL version of KONTAKT 6 and above ADD TO CART A welcome return to a granular leviathan from the brilliant mind of SOUND DUST buddy SzCz. Back in the day, we helped release the original version of SzCz's very crafty granular gadget - and with the new version it just got even better ! ReKombinator III is an upgraded version with the same powerful playback engine and sample pool with the addition of advanced modulator, effects sections, and support for sample drag'n'drop. It may look daunting, but with a bit of effort ReKombinator III is capable of amazing results that defy gravity, and the time space continuum. SzCz himself explains all in the video talk through above. mid 1/5 bottom For FULL version of Kontakt 6 or above 25% OFF = £27/$34.50/€31.50 (inc VAT) for ReKombinator III instant download ADD TO CART Super powerful dual granular engine 190 Snapshots included 178 Waveforms to get you started Drag n Drop your own samples into each engine for unlimited sound design possibilities Created for the FULL version Kontakt 6.6.1 or above (not for Kontakt Player)* Dedicated pages for Waveforms, Filters, Effects, Space and Modulation Sample browser window Sample audition Speed, Position, Blur, Density, Shape, Size, Scanning Speed, Pitch and Volume controls for each grain Latch control Powerful modulation with step sequencer Dozens of filter types to choose from 4 Effects slots with 20 effects to choose from Effects presets section (load, save and edit presets) Convolution reverb section with 100+ reverbs to choose from and randomisation control you might also like these... GHOST DROP More granular malarkey PLANKTON Gorgeous wibble wobble FOUND A found sound drum machine INFUNDIBULUM #1.1 A time funnel

  • DUST ENGINE #1 | sound-dust

    Simple hybrid sound pallete made from classic hardware synths for roll your own gorgeousness. A sample library for Kontakt VST £25/$35/€30 Waldorf Microwave XT + Oberheim Xpander + Korg MS20 + Arturia Microphreak + Chase Bliss Who needs presets ? Hybrid gorgeousness to get your creative juices flowing for FULL version of Kontakt 6.7.1 and above add to cart DUST ENGINE #1 DUST ENGINE #1 is a delicious selection of hand-knitted sounds from classic hardware synths and modern gadgets for hybrid do-it-yourself gorgeousness. It's great for rich, lush and grubby pads, deep, really deep unctuous subs and bright gnarled keys and plucks. Inside the easy-to-use interface are 3 cunningly curated, interlocking articulations (4 including the crackle generator) plus 2 randomizers for instant gratification and handy FX to quickly build the perfect sound for your sonic universe. DUST ENGINE #1 is a liberation from preset hell that just wants to be played. mid the sounds A curated selection of different synthesis styles that SIT TOGETHER BEAUTIFULLY Long evolving samples of every note with interesting loops, multiple velocity l ayers and unlikely happenings. Waldorf Microwave XT - articulation 1 A chunky glassy patch from this classic wavetable synth known fo r its early digital grittiness - this a synth that can cut through anything. 4 round robins with each iteration passed through a C hase Bliss Generation Loss MKII for organic burbl e. Arturia Microphreak - articulation 2 An octave up dirty ping from the Noise Engineering algorithm of this small but mighty digital/analogue hybrid . KORG MS20 + OBERHEIM XPANDER - articulation 3 A hybrid multi sample made from these two analogue beasties. Higher velocity gives you straight crusty MS20 tones ( through Chase Bliss Generation Loss MKII ), lower vel ocity adds a wired , spluttering fuzz halo from the Xpander . the interface Some handy controls to build your universe ARTICULATIONS Sample start control + 3 volume faders, one for each articulation. BACKGROUND NOISE Two styles of noise to bleed into the signal - click icon to change from record crackle to grubby tape churn. TAPE and GLUE controls These controls beautifully int eract to squash and breathe an organic, filthy wholeness into everything . 'Morning Pendle, I am loving Drift 002 . Thanks for spending the time to keep putting these beautiful things out.' Adam Wiltzie - A Winged Victory for the Sullen, Stars of the Lid, Arrival, The Theory of Everything. DUST ENGINE#1.1 DUST ENGINE #1 KONTAKT gui DUST ENGINE#1.1rtfm DUST ENGINE #1 KONTAKT rtfm gui DUST ENGINE#1 DUST ENGINE #1 DUST ENGINE#1.1 DUST ENGINE #1 KONTAKT gui 1/3 end What's Inside ? One Kontakt.nki instrument(Kontakt 6) NO SNAPSHOTS - you don't need them - YOU REALLY DON'T 2 randomizers for instant gratis faction 4 classic synth sound articulations 700MB download (NCW compressed) Multimode humanized ARP/sequencer Sample start fader Record crackle or tape noise articulation Keyboard velocity sensitivity adjustment Note attack speed control Note release control Multimode glue control Transient, tape, delay and distortion effect Three band EQ Thump control for beefy bottom A hint of room reverb Replika delay and high quality algorithmic reverb - Kontakt 6 version All controls will show up in DAW automation requires FULL Kontakt 6.8.1 or above Requires a FULL version of Kontakt 6.7 or above. DUST ENGINE #1 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$35/€30 (inc VAT) for DUST ENGINE #1 add to cart you might like these... DRIFT PREQUEL Badly behaved classics DRIFT001 Complex simplicity PLANKTON SONAR Oceanic systems tinkle FELT DULCITONE One of a kind

  • Hammr+ | sound-dust

    A re-imagined version of the Hammond B3 organ. Sample library for Kontakt VST HAMMR+ £30 Re-inventing the (tone)wheel Oasis keyboardist Mikey Rowe's Hammond B3 with some new additions. Goes where no Hammond has gone before. 1GB download 70 presets including 30 classic sounds for FULL version of Kontakt 4 or above. add to cart Hammr+ is one part of the Hammr Suite a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. You'd be right in thinking that the last thing the world needs is another Hammond clone, and I would be the first to agree, but the Hammr+ is a little different. Of course, she oozes classic character and has all the capabilities you'd expect of a tonewheel organ, but in true Sound Dust style this thing moves way past the limitations of the original. By taking advantage of sampling technology, bespoke Kontakt architecture and a little bit of imagination Hammr+ can do things that were inconceivable in the original 1959 instrument. mid Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST by Sound Dust Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST 1/3 What's Inside ? Every note of every drawbar of an unmentionable tonewheel organ sampled for 7 secs through a 1959 Leslie cabinet for around 1GB of uncompressed samples. Individual control of volume, pan, ADSR, vibrato, saturation (amount, bass and tone) and tremolo (speed, fade and depth ) for every drawbar. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 70 presets including 30 classic sounds. Chaos and reset controls for painless sound design. Master/slave control system for quick adjustment of group controls. Built in user manual. It sounds great ! FULL version of Kontakt 4 or above needed. Hammr+ will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr+ instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr Growler Angry full tilt Hammond B3 ORGONE 2 Analogue but organic ultra synth organ Prepared Pianet Mildly annoyed Hohner Pianet T DULCITONIUM A happy convolution dulcitone

  • ELECTRO IDIOPHONE | sound-dust

    An otherworldly melodic surprise generator, shimmer machine, drone engine and all round lovely instrument. A sample library for NATIVE INSTRUMENTS Kontakt. “The madness of love is the greatest of heaven's blessings.” PLATO ELECTRO IDIOPHONE £50/€58/ $70 An idiophonic 'piano' that has seen too many David Cronenberg movies. 4 HYBRID ARTICULATIONS : 2 Rhodes Eps, Dulcitone 1884 + Dulcitone 1900 Everything interacts with everything else, often in unexpected ways. Every note/sound has its own sequencer, with 9 sub- divisions per note midi drag & drop per sequencer OOOF: sequenced multi effect tape effects: 128 morphable presets WOOF: sequenced EQ in 3 flavours: 128 x 3morphable presets DOOF: sequenced dynamics multi effects in 3 flavours: 128 x 3 morphable presets EBB: sequenced master ducking PLATO-tudinator : handy Platonic words of wisdom for every note. for FULL version of Kontakt 6.7.1 and above ADD TO CART Pensive Credits_ELECTRO IDIOPHONE demo_Kirke Godfrey 00:00 / 01:15 Barn Owl_ELECTRO IDIOPHONE demo_ Johnny Tex Fernandes 00:00 / 01:38 Idiophonic_ELECTRO IDIOPHONE demo_Pendle 00:00 / 00:30 Luminoscity_ELECTRO IDIOPHONE demo_Nigel Turley 00:00 / 01:05 'Plato is amazingly useful( once we got the hang of it ), it's all over several shows we are working on. Loving the dark clankiness of the new one' - James & Pablo - TOYDRUM - emmy nominated for SLOW HORSES mid PLATO is built around two principles... 1. every note has its own pattern sequencer - you can hold a chord and trigger a different rhythm sequence for each note - great for surprising polyrhythms. Each note can also play a different selection of articulations. See video below for an easy explanation. 2. a network of subtle to dramatic interactions; sounds, frequencies, transients, levels and effects can all interact with each other in surprising ways. It is an instrument you try and steer. Fortunately the complex stuff is under the hood, you use the intuitive GUi to wrangle new ideas and bend new sounds without getting bogged down with details. Merge and melt the unexpected into ravishing new music with a daft grin on your face.... ELECTRO IDIOPHONE Same PLATO engine but loaded with a different kettle of fish (!) Two instruments from different centuries that share DNA. Both are fake 'pianos' that make a noise using a keyboard and a piece of tuned metal. THE ARTICULATIONS Fender Rhodes MK 1 - only 50 or so years old, so the youngster here - bright and beautiful Dulcitone 1884 - an early model of Thomas Machels 'portable' piano - crude and gorgeous Dulcitone 1900 - range lowered by an octave - dank bell like vibes Nord Modular G2 Rhodes - Ok, this is a faked fake piano but it adds a lovely warmth and depth that complements the 'authentic' fake pianos. WHATS GREAT The joy of the PLATO engine is that like it's namesake (or Norman Bates, Walter White, The Incredible Hulk etc) it has at least two sides. Yes, it can be a fantastic 'normal' Dulcitone or EP, but you can also take those haunting bell like tones on the journey of a life time. PLATO Electro Idiophone Dulcitones and Fender Rhodes RHODES MK1 the real deal PLATO EBB 'Music gives a soul to the universe, wings to the mind, flight to the imagination' PLATO Electro Idiophone Dulcitones and Fender Rhodes 1/12 REFILLS Philosopher instruments are an ecosystem based around an amazingly deep engine. Once you own one PLATO or HOBBES instrument all future PLATO or HOBBES instruments become refills and you are eligible for an 80% discount. 'The price good men pay for indifference to public affairs is to be ruled by evil men' P LATO bottom For FULL version of Kontakt 6.7 and above only. ELECTRO IDIOPHONE will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$70/€58 (inc VAT) ADD TO CART What's Inside ? PLATO - the small print 1 Kontakt instrument 100 themed snapshots 200 single track and sequencer presets 1GB download 4 articulations per instrument Classic Sound Dust RTFM instruction manual built into the interface MICRO SEQUENCERS (on every note) multiple play rates 1 to 32 steps Swing, note length and humanize controls 9 note divisions per note midi drag & drop selectable on or off per articulation FX SEQUENCERS multiple play rates 1 to 32 steps Swing-able control for OOOF, WOOF, DOOF and EBB effects OOOF 128 levels of tape saturation and general nastiness WOOF 128 presets of 3 band EQ 3 flavours : FLAT, SHARP & FILTER DOOF 128 presets of multi-bus dynamic effects, doubling and saturation 3 flavours : GLUE, MULCH & SMASH EBB sequenced volume ducking CUSTOM IMPULSE RESPONSE 122 custom IRs - pre & post FX 11 Categories - EPIC - POLITE-DEVICE-REVERSE-SPRING-FX-LOW DRONE-MID DRONE-HIGH DRONE-SUB DRONE DRONE sections add tuned drone sounds you might also like these... PLATO The mother of invention DRIFT PREQUEL Badly behaved classics ##HOBBES## Nasty, brutish and a great drum device PLANKTON SONAR More plink with a bit of plonk

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