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Double bass and garden string sample library for Kontakt VST CLOUD BASS £35 Double bass × garden twine ÷ √ (sub bass + reverb) = CLOUD BASS 1 Kontakt .nki instrument 60 snapshots 1.2GB download - 2GB compressed sample pool for FULL version of Kontakt 5.6.8 or above add to cart Like the other members of the CLOUD family (see CLOUD VIOLA and CLOUD CELLO ) CLOUD BASS is made by ditching the conventional bow in favour of a ridiculous system of springs and pulleys that drag coarse industrial grade garden twine over the strings of the double bass to create a long, slowly distressed new bowing articulation. Recorded with different microphone techniques and mixed with more conventional double bass articulations and a selection of multi sampled analogue sub bass waveforms CLOUD BASS is a very different beast to the usual orchestral or jazz double bass sample libraries. Expect amazing unheard sounds - low raspy rumbling, cinematic thuds and booms, delicate wispy swarms and CLOUD BASS can easily do a half decent LOVE CATS mid 'This is mad and I love it !' Andy Britton - composer and producer (Baby Strange, Longfellow, Neon Waltz, Amy MacDonald) Eight deeply sampled articulations through eight 'oscillators' Twine 1 : bowed with five meters of coarse brown garden string, five round robins per note - AKG C414 large diaphragm condenser mic Twine 2 : bowed with five meters of coarse brown garden string, five round robins per note - Barcus Berry Planar contact mic Twine 3 : bowed with five meters of coarse brown garden string, five velocity levels per note -AKG 411 contact mic Long Accent Bow : bowed with a real bow, five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic Short Accent Bow (high): bowed with a real bow, five round robins per note - AKG C414 large diaphragm condenser mic Beater - thumped lightly with drum beater, five round robins per note, five velocity layers per note - AKG C414 large diaphragm condenser mic Col legno : Latin for 'gently thwacked with the back of the bow', five round robins per note, minimum three velocity layers per note - AKG C414 large diaphragm condenser mic Sub Bass : six selectable analogue multi sampled waveforms recorded from Moog Voyager and DSi Pro 02 What's Inside? One Kontakt .nki instrument 60 snapshots 2GB of 24bit samples (uncompressed) 1.2GB download Three octave key range - C1 to C4 requires FULL Kontakt 5.6.8 or above Effects per 'oscillator' low pass filter, high pass filter, tremolo, eq, tape, saturation, pitch selection, pan, reverb send and delay send. Send effects Tempo synced tape delay per group 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House. Master Effects High and Low pass filters with resonance Three band equaliser Rotary speaker emulator BPM synced tape delay Morphing EQ 11 Speaker cabinet emulators Filth control Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. Data readout window shows useful settings of each tweakable control Built in instruction manual in RTFM tab. FULL version of Kontakt 5.6.8 or above needed CLOUD BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$55/50€ (inc VAT) for CLOUD BASS instant download add to cart you might like these TOO... CLOUD VIOLA 2 Just plain wrong CLOUD CELLO You shouldn't really do that to a cello ! DRIFT 004 A new low from SOUND DUST String Pool Organic violin-ing bottomAnchor 1

Daft ideas, movies, music thoughts and irrelevent musings on the hot topics of the age CULTURAL BAGGAGE Daft ideas, movies, music, thoughts and irrelevant musings on the hot topics of the age. Selected works from the regular Sound Dust CULTURAL BAGGAGE mail out - all pics have fascinating links #24 #23 #22 #21 #20 end

Free granular malarky for Kontakt sample GRAINSTRUMENT LITE add to cart Granular malarky for all. An empty vessel for all the funny noise your heart desires. XY pad control of playback speed and grain size XY pad control of reverb size and mix Use inbuilt samples or load your own That's it ! Grainstrument LITE will play nicely with FULL Kontakt 5.6.8 and above.

DRIFT 005 A plucky hybrid made from deep sampled Hohner D6 Clavinet, Arnold Dolmetsch Harpsichord, Siel Orchestra 3 and some cunning deep fakes. Essentially a 60 stringed electric guitar A sample library for Kontakt VST DRIFT005 clavotron £35/$45/€43 A hybrid hammered & plucked string instrument like no other 10 deeply sampled articulations Hohner Clavinet D6 in 5 flavours, Dolmetsh Harpsichord, Siel Orchestra2 - and more 3GB of 24bit multi samples Wow, flutter & multi throb in abundance for FULL version of Kontakt 6.7.1and above add to cart A brief history of clav Long before Stevie Wonder was around, the clavichord, dating back to the 14th century, was one of the most expressive (and only) keyboard instruments available. Unlike the harpsichord, which plucked, the clavichord hammered its strings with small metal blades called tangents. This gave the player exceptional control over dynamics and expression, making it pretty special - but not very loud. In the 1960s Ernst Zacharias borrowed the clavichord's basic string-striking mechanics, added built-in pickups similar to an electric guitar, and invented the Clavinet - the electric clavichord. Hohner, at the time famous for harmonicas and accordions, introduced The Clavinet D6 in 1971 - and then all hell broke loose. drift005 - clavotron Anchor 1 Let's be straight, you could play Superstition with DRIFT005, but you can do better. It is much more interesting to think of the clavinet as a 60-string electric guitar ! DRIFT005 is packed with deep sampled articulations of real D6, and intriguing variations on the clav sound. It can do an authentic recreation of cool 70s clav, but you'll also find amped and feedbacked D6 alongside the bright, soft and muted variations. There's a real harpsichord (plucked, not hammered strings), analogue clavichord via the gorgeous Siel Orchestra2, and deeply faked, modeled, FM'd and bad clavichords made with hybrid software/hardware combinations. The unique stacking system of the DRIFT universe means obtuse impossible instruments are no longer impossible, just stack them together and sculpt the sound in your head...or use one of the many pre rolled variations. The classic Stevie setting - brash and bright. Just the soft button - gentle bumptiousness. There is a mechanical slider that engages a fake palm mute - deep and clacky. Played through the Digitech Freqout pedal - endless and slightly unfeasible harmonic sustain. Played through a small valve combo - fruity and massive. A Frankensteined version of the original Tiny Binaural Harpsichord - dusty and plucky. A cunning Karplus Strong hammered string - light but with hints of mild clangorous ness . Analogue blap with envelope following filter sweep - dare I say 'funky' FM , analogue and a hint of acoustic - surprisingly organic Gorgeous Italian string synth with a clavichord preset - which I didn't use. THE SOUNDS This is the fifth instalment of the DRIFT series of instruments. Simple at the front, complex behind the curtain. The business end is just 4 large knobs: Grist, ADSR, Morph and Space combine multiple functions for uncomplicated and intuitive sound design. A minimal interface beneath which lurks a maximalists desire to warp, bend and squash millions of new sounds into the aether. Stack together instruments from across the DRIFT range for monstrous modular hybrid sounds. mid What's Inside ? 10 deeply multi sampled complex sounds sources = 3GB 40 modular instrument stacks 50 snapshots play delay in ms for stacked mode joy morph EQ knob with 100 presets morph ADSR knob with 100 presets grist knob for noisy filth 50 custom impulse response reverbs space knob adds IR reverb and goes to 100% wet BPM synced drift control for tape like chaotic wow and flutter 2 x BPM synced bipolar ducking modulators for complex throbbing polyphonic, monophonic, legato and offset play modes portamento up to 8 voices of detuned girth custom modwheel settings per sound source full automation capability fake round robin for extra spice chaos page adds even more unpredictability Handy built in instructions in RTFM page FULL version of Kontakt 6.7.1 needed DRIFT 005 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/€43 (inc VAT) for DRIFT005 instant download add to cart you might like these... end DRIFT001 Complex simplicity DRIFT 002 Ecstatic wooze DRIFT 003 Dubious voices from the post apocalypse DRIFT 004 A new low

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Bathroom sponge plus Hofner President bass = Kontakt sample library SPONGE BASS £25 Hofner President Bass + flat wound strings x bathroom sponge = Sponge Bass 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations for FULL version of Kontakt 5.8 or above add to cart Back in the day the original Fender Precision bass came with a plate over the bridge with a dampener built in. Leo Fender patented the bridge mute in 1966 with the idea of mimicking the deadened thud of a double bass. But those crazy rock n roll kids weren’t so keen and tended to remove the cover for more sustain. But the woofy, woolly thud of damped bass strings was embraced by some visionaries. The Motown players, Paul McCartney (early on) and Carol Kaye (bass player on all the great Beach Boys recordings) used the sponge technique with wild abandon. SPONGE BASS re-creates that classic rounded thud with 1,296 glorious recordings of individually sponged bass notes. mid Sponge Bass - a sample library for Kontakt VST - gubbins Sponge Bass - a sample library for Kontakt VST Sponge Bass - a sample library for Kontakt VST - gubbins 1/2 Whats Inside ? 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Fade (note length) control pre-mapped to Modwheel (changeable by right-clicking) Mono/poly mode operates per string, so two notes can't/can be played on same string Voice stack mode for up to eight notes at once Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed SPONGE BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$33/30€ (inc VAT) for SPONGE BASS instant download add to cart you might like these TOO... Rubber Bass 2 wubby DRIFT001 Minimal maximalism Prepared Pianet Messed up electric piano Ships piano 3 Scott of the Antarctics piano, and some friends down

Amazing over modulated synth device with rare sampled EMS Putney for Kontakt VST ODDULAR £50 A beautiful throb monster, a one of a kind modulation leviathan. Pulsational rapture is only ever a few mouse clicks away. 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty 210 themed snapshots. 1.5GB download Contains rare multi-sampled EMS Putney for FULL version of Kontakt 5.8 or above add to cart ODDular is a hybrid sample instrument based around 3 specially coded BPM synced super LFOs, a complex but very simple to use modulation matrix and an innovative user interface. ODDular borrows some of the more useful concepts of modular synthesis to create otherworldly and impossible sounds that are actually musically useful and don’t require a complex nest of cables to produce. "F**king cool and really f**king amazing ! " - James & Pablo - ToyDrum mid The sample engine is loaded with 1.5GB of multi samples from rare and sought after classic synths - EMS VCS3 Putney, Oberheim Xpander 6, Siel Orchestra and great sounding synth wildcards - Moog Dfam, Moog Voyager, Technics WSA1, Make Noise O-Coast and Nord Wave. If you ever dreamed of owning a polyphonic BPM syncable VCS3 (who wouldn't) or need to quickly create a complex rhythmic underscore for ‘John Carpenter meets the Berlin Minimalists’ ODDular is definitely for you. 1/4 down What's Inside? 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty instrument for loading your own samples 210 snapshots...but ODDular is all about tweaking really, these are just to get you started 1.5GB download LFOs (Low frequency oscillators - the coloured ones) 3 super dooper flexible LFOs Adjustable beat-synced time units (32nd to whole note, with triplets) plus free running 8 select-able basic shapes + remix function to combine with other shapes for really complex LFO shapes Shift and offset for shape adjustment LFOs can modulate each other's speed ENVELOPE FOLLOWER (the pink one) Tracks overall volume of the instrument Controls for attack, fade, boost and follow ARPEGGIATOR Chord and 10 other arp modes Adjustable step lengths from 1 to 64 Adjustable step rate from 1/128 to whole note with triplet variations. Swing, decay, octave and mode control MASTER CLOCK On, off and reset controls Clock divider - effects speed of all LFOs LFO overload mode select - 3 modes to choose how modulation behaves when maximum value is reached ODDulation - choose to reset or randomise modulation destinations ODD LFO - reset or randomise LFO speed and shapes SAMPLE ENGINE Volume attack, decay, sustain and release control Low pass and high pass filters EQ - low, mid and high bands Amp simulator - tone, drive and bottom controls Tape drive Device - a selection of esoteric impulse responses (includes speakers, amps, vinyl and of course the EMS) Room - 17 bespoke convolution reverbs, clouds, rooms, springs, plates and ghosts Delay send FULL version of Kontakt 5.8.1 or above needed ODDULAR will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$64/60€ (inc VAT) for ODDULAR instant download add to cart you might like these TOO... Infundibulum#1.1 The originial multi arp Infundibulum#2.1 more time funnel Flutter Dust Module Beautiful mangled acoustics. Modular Chaos Engine #2.1 Chaotic Dave Smith Evolver drum machine MODULATION DESTINATIONS... Low pass cut-off and resonance High pass cut-off EQ - low, mid and high bands Amp simulator - tone control Tape drive Device - mix Room - mix from ENVELOPE FOLLOWER. Low pass resonance Amp simulator - drive XY PAD Controls all modulations for filters and EQ Separate midi learn-able X and Y controls AFTERTOUCH Pitch +/- 1 octave Bit reduction Sample rate

DRIFT 004 is all about the undertow, endless low and dirty bass throb hybridized from many sexy analogue, digital and acoustic sources.Rich, deep and beautiful sounds with a few knobs. A sample library for Kontakt VST £35/$45/€43 Deep undertow, endless low and dirty bass throb hybridized from many sexy analogue, digital and acoustic sources. DRIFT part four - a NEW LOW 11 deeply sampled hybrid articulations 6GB of 24bit multi samples 110 snapshots 42 modular stacks Wow, flutter & multi throb in abundance for FULL version of Kontakt 5.8.1and above add to cart DRIFT004 Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Now Playing OPERATOR 00:10 Play Video Now Playing ULTRADUCT 00:10 Play Video Now Playing SYNTHI 00:10 Play Video Now Playing GHOST SEAM 00:10 Play Video This is the FOURTH instalment of the DRIFT series of instruments. Simple at the front, complex behind the curtain. The business end is just 4 large knobs: Grist, ADSR, Morph and Space combine multiple functions for uncomplicated and intuitive sound design. A minimal interface beneath which lurks a maximalists desire to warp, bend and squash millions of new sounds into the aether. New features for DRIFT 004... POLYPHONIC/MONO/LEGATO mode - with portamento and super detuned girth. Two bipolar ducking modulators that wrangle a single low note into a swelling, writhing behemoth of filthy beat-synced undertow. Tiny changes in depth and pulse width make subtle organic changes, and tempo automation brings pulses to life. DRIFT 004 is a monstrous splurge of the low sloppy pulse of Haxan Cloak/Bobby Krlic , Ben Frost and Jóhann Jóhannsson , but it also a fantastic source of exotic leads, organic pads and weird keyboards like no other. the sounds 6Gb of deep hybrid sounds teased from analogue, digital and acoustic source s EMS VC3, Moog Voyager + Dfam, Waldorf XT, Novation Summit, lots of modu lar kit inc RY K Vector Wave , Nord G2, lots of pedals, a broken double bass, Hohner Bass, Hammond B3 organ + Leslie, 303 Devil fish clone... Long evolving samples of every note, multiple velocity layers and unlikely happenings - mod wheel always does something interesting. mid What's Inside ? 11 deeply multi sampled complex sounds sources = 6GB 42 modular instrument stacks 110 snapshots polyphonic, monophonic, legato and offset play modes portamento up to 8 voices of detuned girth morph EQ knob with 100 settings morph ADSR knob with 100 settings grist knob for noisy filth 50 custom impulse response reverbs space knob adds IR reverb and goes to 100% wet BPM synced drift control for tape like chaotic wow and flutter 2 x BPM synced bipolar ducking modulators for complex throbbing custom modwheel settings per sound source full automation capability chaos page adds even more unpredictability Handy built in instructions in RTFM page FULL version of Kontakt 5.8.1 needed DRIFT 004 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$45/€43 (inc VAT) for DRIFT004 instant download add to cart you might like these... end DRIFT001 Complex simplicity DRIFT 002 Ecstatic wooze DRIFT 003 Dubious voices from the post apocalypse DRIFT005 Hammered and plucked

A piano that is not made from plastic ghosts - but sounds like it is. Sample library for Kontakt VST £45 A wonderful sounding, one of a kind textural piano made by spurting bursts of controlled noise through unsuspecting piano samples 9 deeply multi sampled piano articulations 1.1GB of 24bit multi samples with up to 23 velocity levels per note. 100 gorgeous snapshots Mod wheel controlled reverse engine for FULL version of Kontakt 5.8.1 and 6 add to cart Plastic Ghost Piano#2 is a warm, richly sampled, hybrid piano made by using convolution technology in an unlikely way. There really is nothing else like her. Sounds range from warm, woody and expressive wonky piano to blissed out orchestral haze. Mod wheel expression opens up weird and gorgeous looping, glitching and reverse piano effects with real-time control. Effortlessly morph 'proper' piano sounds into ecstatic otherworldliness - and then back again... and back again etc etc. Boris the Liar K6 PLASTIC GHOST PIANO#2 PLASTIC GHOST PIANO#2_Drone Piano reverse PLASTIC GHOST PIANO#2 PLASTIC GHOST ICON Plastic Ghost Piano #2 Boris the Liar K6 PLASTIC GHOST PIANO#2 1/4 mid 'Each instrument that emerges from the Sound Dust curiosity shop adds extra layers of invention, and this revisit to the Plastic Ghost Piano is no exception. It's Pendle at his playful best, loading every button and wheel with the means to twist and turn piano sounds into something new. Chaos always hides round the corner, but the success is in somehow keeping things organic and beautiful, haunted and lovely." Mat Davidson - my favourite multi Emmy winning composer The sound components that make this possible.... White Ghost is made from recordings of a broken upright piano convolved in the same way as the Plastic piano. There are 23 layers of velocity, but using the Time Machine engine in Kontakt these layers are stretched over the entire keyboard range (co to c7) which adds strange and unexpected artifacts . Yellow Ghost works similarly to the White Ghost, but with a different set of broken piano samples and 2 sets of 10 velocity layers. White Piano is a 4 velocity multi sample of a Hohner Pianet T electric piano. Recorded dry, but with re-amping possibilities built into the interface. The Plastic Piano is a multi sampled piano patch made on a Technics WSA1 modelling keyboard . Each individual sampled note was then loaded into a convolution reverb plug in and blasted with varying levels of controlled white noise, and the output recorded and remapped as a 6 velocity layer multi sample. Rubber Piano is really a multi sampled palm muted Fender Stratocaster recorded through a valve combo. Its unlikely looping and hints of amp noise add a useful pluck and gritty texture. Pink Ghost is a looped, stretched and treated version of the plastic piano layer. Like the other ghost layers, instead of vibrato there is a formant filter which can be BPM modulated for full banshee effect. Reversed, edited and looped multi sample of a Hohner Pianet T electric piano. Reversed, edited and looped plastic piano. Reversed, looped, stretched and treated version of the rubber piano layer. What's Inside ? A piano sample library made by harnessing convolution technology and a plastic piano 9 deeply multi sampled sound articulations Versions for Kontakt 5 & Kontakt 6 Kontakt 6 version uses the lovely Replika tape delay 1GB of 24bit multi samples with up to 23 velocity levels per note Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Mod wheel control on all layers Mod wheel curve and keyboard velocity modelling Sample start and loop length control BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb 100 instrument snapshots Handy built in instructions in RTFM page FULL version of Kontakt 5 or Kontakt 6 needed Plastic Ghost Piano #2 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £45/$60/52€ (inc VAT) for Plastic Ghost Piano#2 instant download add to cart end you might like these... Ships Piano³ Crafty character piano Sponge Piano Sponge +thumb x piano DULCITONIUM A convolution dulcitone Prepared Pianet Your electric mistress

Hybrid electro acoustic glimmer instrument made from weird hardware synths, pianos, trumpet and guitar. A sample library for Kontakt VST £25/$35/€30 Naive and guileless lo-fi for shimmering underscore and underdog beauty Who needs presets ? An experiment in chao s for FULL version of Kontakt 6.7.1 and above add to cart DUST ENGINE #2 DUST ENGINE #2 is a uniquely quirky combination of odd chaotic synths and sparkling acoustic haze. It doesn't even play the same sound every time ! 4 articulations knitted from rare & weird hardware synths, glistening piano loops, maudlin trumpet and looped guitar, all mangled together with unlikely sampling to create a gorgeous gossamer haze or deep low miasma. Inside the easy-to-use interface are 4 cunningly curated, interlocking articulations plus handy FX to quickly build the perfect sound for your sonic universe. DUST ENGINE #2 is a liberation from preset hell that just wants to be explored - use the patch randomizers to get you started. mid the sounds A curated selection of electro & acoustic that SIT TOGETHER BEAUTIFULLY Long evolving samples of every note with interesting loops, multiple ve locity l ayers and unlikely happenings. ARTICULATION 1 Hammond 102200 + Dave Smith Evolver 4 chaotic round robins with 2 x Evolver patches and 2 x Hammond Synth patches. Each note could be one of the four sounds, and you never know which you'll get . All recorded through a C hase Bliss Generation Loss MKII for organic burbl e. ARTICULATION 2 A BPM synced murmuration of multiple pi ano loops and plastic trumpet . ARTICULATION 3 A freeform gauze of pian o and Gretsch guitar loops. ARTICULATION 4 Deep deep analogue or gritty digital sub bass from DSi Evolver . the interface Some handy controls to build your universe ARTICULATIONS 1 to 3 Sample start control + 3 volume faders, one for each articulation. ARTICULATION 4 - SUB BASS click the dot for analogue or crispy digital . TAPE and GLUE controls These controls beautifully int eract to squash and breathe an organic, filthy wholeness into everything . ''Sound Dust makes one of the strongest arguments for the sampler as a true, expressive instrument. The care, creativity, quirkiness & MUSICALITY found in all their instruments has led to many inspiring moments for me. Highly recommended.' ' TRENT REZNOR - Nine Inch Nails, The Social Network, Gone Girl, Soul,The Killer DUST ENGINE #2 DUST ENGINE #2 DUST ENGINE#2_rtfm_controls Read the flippin manual Generation Loss 1 DUST ENGINE #2 DUST ENGINE #2 1/9 end What's Inside ? One Kontakt.nki instrument(Kontakt 6) NO SNAPSHOTS - you don't need them - YOU REALLY DON'T 5 electronic and acoustic hybrid articulations mix randomizer 600MB download (NCW compressed) Multimode humanized ARP/sequencer - 16 TYPES Sample start fader Keyboard velocity sensitivity adjustment patch randomizers for articulations and vol envelope Note attack speed control Note release control volume envelope randomizer Multimode glue control Transient, tape, delay and distortion effect Three band EQ Thump control for beefy bottom A hint of room reverb Replika delay and high quality algorithmic reverb All controls will show up in DAW automation requires FULL Kontakt 6.7.1 or above Requires a FULL version of Kontakt 6.7 or above. DUST ENGINE #2 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$35/€30 (inc VAT) for DUST ENGINE #2 add to cart you might like these... DUSTENGINE#1 Wonky hybrids DRIFT001 Complex simplicity PLANKTON SONAR Oceanic systems tinkle FELT DULCITONE One of a kind