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- Sponge Bass | sound-dust
Bathroom sponge plus Hofner President bass = Kontakt sample library SPONGE BASS £25 Hofner President Bass + flat wound strings x bathroom sponge = Sponge Bass 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations for FULL version of Kontakt 5.8 or above add to cart Back in the day the original Fender Precision bass came with a plate over the bridge with a dampener built in. Leo Fender patented the bridge mute in 1966 with the idea of mimicking the deadened thud of a double bass. But those crazy rock n roll kids weren’t so keen and tended to remove the cover for more sustain. But the woofy, woolly thud of damped bass strings was embraced by some visionaries. The Motown players, Paul McCartney (early on) and Carol Kaye (bass player on all the great Beach Boys recordings) used the sponge technique with wild abandon. SPONGE BASS re-creates that classic rounded thud with 1,296 glorious recordings of individually sponged bass notes. mid Sponge Bass - a sample library for Kontakt VST - gubbins Sponge Bass - a sample library for Kontakt VST Sponge Bass - a sample library for Kontakt VST - gubbins 1/2 Whats Inside ? 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Fade (note length) control pre-mapped to Modwheel (changeable by right-clicking) Mono/poly mode operates per string, so two notes can't/can be played on same string Voice stack mode for up to eight notes at once Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed SPONGE BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$33/30€ (inc VAT) for SPONGE BASS instant download add to cart you might like these TOO... Rubber Bass 2 wubby DRIFT001 Minimal maximalism Prepared Pianet Messed up electric piano Ships piano 3 Scott of the Antarctics piano, and some friends down
- Tiny Binaural Harpsichord³ | sound-dust
A portable harpsichord recorded binaurally and also made into a prepared drum machine. Sample library for Kontakt VST Tiny Binaural Harpsichord³ £30 A portable Arnold Dolmetsch Harpsichord - plucked, damped and brutally prepared then recorded binaurally with OKM in ear mics and a human head 2 x instruments types - harpsichord and prepared harpsichord drum machine 150MB download for FULL version of Kontakt 5.5.1 or above. add to cart The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). As always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing - it offers a completely unique and incredibly versatile ‘must have’ instrument for the modern player, sound designer or composer. mid Although the TBH³ has evolved from its predecessor, the TBH², there are some significant differences to hand. A spanking new edit suite and effects bank each come with an expanded set of features and editing controls for superior detailed manipulation of sound. Tweaking almost any of the controls will result in the transformation of familiar harpsichord characteristics, delivering subtle new textures or completely altered states. Experimentation rewards with never before heard wonders. Altering volume envelope, attack shape and heaping on the sustain can result in something that sounds like a treated harpsichord played with an E-Bow. Drop an octave or two, add a little something from the Sound Dust wildcards of dirt and rotor and discover the fizzing twang of short metal wires stretched over a jar. The TBH³ encourages and rewards with each edit. Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ 1/4 What's Inside ? Harpsichord 3 articulations with selectable release sound Sample start control per articulation Stereo width and pan control per articulation ADSR volume envelope control per articulation Parametric notch/bump EQ per articulation Transient designer per articulation 24 custom convolution reverbs per articulation 4 controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 controllable send effects - delay and algorithmic reverb Keyboard Velocity modelling page 25 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 4 or above needed. Tiny Binaural Harpsichord³ will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Tiny Binaural Harpsichord³ instant download add to cart Prepared Harpsichord BOINK ENGINE PAGE 215 prepared harpsichord sounds 12 triggered 12 track sequencers 8 FX sequencing lanes per sequence track - reverb level, volume, filter cut off, hold, sample start, pan, transient modeller and tuning Remix control with 32 algorithms Sound and timing ramdomisation controls ONE SHOT PAGE 5 octaves of one shot kits 13 per note articulations - inc flam, drag, roll, Geiger, 16th repeat, 8th repeat, triplet 2 custom convolution reverb engines with 24 custom impulse responses Chaos and Order controls for instant ramdomisation and reset Filter, tuning and reverb send amount controls Handy build in instructions in RTFM page you might like these... FLUTTER DUST Beautiful mangled acoustics Ships Piano² Three character pianos in one. GrandThriftautoHarp² A tiny autoharp makes love to a grand piano MCE #1 : Found A found sound drum machine down
- Cloud Cello | sound-dust
Cloud Cello a sample library for Kontakt by Sound Dust Cloud cello £35 Cello+ twine × reverb = Cloud Cello Two instrument variations - solo & ensemble versions 1.6GB download 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation 38 extra patches for Omnisphere 2 using Cloud Cello samples for FULL version of Kontakt 5.5.1 or above. add to cart Cloud Cello? Cloud Cello is the big brother (or sister, if you like) of the Cloud Viola . She's a deeply multi sampled hybrid Kontakt sample library created from an ordinary 17th century classical stringed instrument, but played and recorded in an extra-ordinary way. Cloud Cello opens up new orchestral-ish, cinematic tones and textures that sound both familiar and alien....in a good way. There are also 38 free Cloud Cello patches for Spectrasonics Omnisphere 2 included with the Kontakt version. mid Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST How to make a Cloud Cello Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust Cloud Cello for Kontakt VST Cloud Cello for Kontakt VST by Sound Dust 1/6 How? So, you take an unsuspecting cello, remove all the strings except one and place it in a stand. Instead of a conventional bow, use something with a bit more texture and bite - in this case, a ball of coarse garden string sounded best. Stringing a standard bow with garden twine doesn't work, you'd need an impossible 10-metre bow to play a smooth note (I know it's impossible because I tried to make one!). After many experiments and cups of coffee, a retractable dog lead, an elaborate pulley system and a classic vintage fishing reel came to the rescue. This system can hold long lengths of string under tension and be drawn evenly over the cello string to produce a usable tone. Next step is to rig up some suitable mics. A contact mic near the bridge gave good body, and a large diaphragm condenser near the string picked up the 'grist'. Then using a capo for accurate tuning, thousands of passes were recorded to get enough samples for 5 x round robins per note plus conventionally bowed accents and col legno notes for extra flavour. The final step is to form the Clouds by pushing each note 100% wet through a bespoke swirly setting on my Strymon Big Sky reverb pedal, and then do the same thing all over again with a different setting for 200% wetness. What's Inside? Two instrument variations - solo & ensemble versions. 2GB of 24bit samples (uncompressed). 50 themed instrument presets (.nki's) each with mod wheel patch morphing for variation. 38 extra patches for Omnisphere 2 using Cloud Cello samples. Three octave key range - C1 to C4 Seven deeply sampled articulations through eight 'oscillators'. Accented bow: short bowed note with conventional bow. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Col legno: Latin for 'gently thwacked with the back of the bow'. 5 x round-robin per note. Two mic positions- valve condenser and contact mic. Twine: bowed with 5 meters of green garden string. 5 x round-robin per note, minimum 20 seconds per sample. Two mic positions- valve condenser and contact mic. Hard-wired to CC11 for expression pedal or midi controllers. Dark Cloud: Twine recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb. Playback through Kontakt grain oscillator. Pale Cloud: the Dark Cloud recorded 100% wet reverb-ed through Strymon Big Sky hardware reverb unit, so basically 200% wet! Sub Bass: (ensemble only) Moog Voyager sine bass. Effects per oscillator: tremolo, vibrato, saturation, pitch selection, pan, low-pass filter, high pass filter, reverb and delay. Master output effects: low pass filter, high-pass filter, rotor effect, delay, cabinet modelling and EQ. Master unison control for up to eight voices per note. Velocity to volume amount control. Aftertouch to pitch bend amount control. Aftertouch to filter light/dark control. Advanced architecture with automatable midi control of everything on the interface. 74 specially created convolution reverb impulses recorded from real spaces, expensive hardware, and some less obvious sources including a Roland Space Echo, Strymon Big Sky and the stage of Glyndebourne Opera House. Built in instruction manual in RTFM tab. FULL version of Kontakt 4 or above needed. Cloud Cello will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £35/$53/50€ (inc VAT) for Cloud Cello instant download add to cart Cloud Bundle Cloud Cello + Cloud Viola + Cloud Bass (full price £110) £90 (inc VAT) for Cloud Bundle instant download cloud bundle end you might like these... String Pool Beautiful string syncs CLOUD VIOLA 2 Viola+twine x reverb DULCITONIUM A ghostly convolution dulcitone CLOUD BASS Badly abused double bass
- REKOMBINATOR3 | sound-dust
The next generation granular sample recycler for Kontakt 6 REKOMBINATOR III 25% OFF = £27 inc VAT The next generation granular sample recycler for Kontakt expertly conjured by SOUND DUST friend SzCz for FULL version of KONTAKT 6 and above ADD TO CART A welcome return to a granular leviathan from the brilliant mind of SOUND DUST buddy SzCz. Back in the day, we helped release the original version of SzCz's very crafty granular gadget - and with the new version it just got even better ! ReKombinator III is an upgraded version with the same powerful playback engine and sample pool with the addition of advanced modulator, effects sections, and support for sample drag'n'drop. It may look daunting, but with a bit of effort ReKombinator III is capable of amazing results that defy gravity, and the time space continuum. SzCz himself explains all in the video talk through above. mid 1/5 bottom For FULL version of Kontakt 6 or above 25% OFF = £27/$34.50/€31.50 (inc VAT) for ReKombinator III instant download ADD TO CART Super powerful dual granular engine 190 Snapshots included 178 Waveforms to get you started Drag n Drop your own samples into each engine for unlimited sound design possibilities Created for the FULL version Kontakt 6.6.1 or above (not for Kontakt Player)* Dedicated pages for Waveforms, Filters, Effects, Space and Modulation Sample browser window Sample audition Speed, Position, Blur, Density, Shape, Size, Scanning Speed, Pitch and Volume controls for each grain Latch control Powerful modulation with step sequencer Dozens of filter types to choose from 4 Effects slots with 20 effects to choose from Effects presets section (load, save and edit presets) Convolution reverb section with 100+ reverbs to choose from and randomisation control you might also like these... GHOST DROP More granular malarkey PLANKTON Gorgeous wibble wobble FOUND A found sound drum machine INFUNDIBULUM #1.1 A time funnel
- DUST ENGINE #1 | sound-dust
Simple hybrid sound pallete made from classic hardware synths for roll your own gorgeousness. A sample library for Kontakt VST £25/$35/€30 Waldorf Microwave XT + Oberheim Xpander + Korg MS20 + Arturia Microphreak + Chase Bliss Who needs presets ? Hybrid gorgeousness to get your creative juices flowing for FULL version of Kontakt 6.7.1 and above add to cart DUST ENGINE #1 DUST ENGINE #1 is a delicious selection of hand-knitted sounds from classic hardware synths and modern gadgets for hybrid do-it-yourself gorgeousness. It's great for rich, lush and grubby pads, deep, really deep unctuous subs and bright gnarled keys and plucks. Inside the easy-to-use interface are 3 cunningly curated, interlocking articulations (4 including the crackle generator) plus 2 randomizers for instant gratification and handy FX to quickly build the perfect sound for your sonic universe. DUST ENGINE #1 is a liberation from preset hell that just wants to be played. mid the sounds A curated selection of different synthesis styles that SIT TOGETHER BEAUTIFULLY Long evolving samples of every note with interesting loops, multiple velocity l ayers and unlikely happenings. Waldorf Microwave XT - articulation 1 A chunky glassy patch from this classic wavetable synth known fo r its early digital grittiness - this a synth that can cut through anything. 4 round robins with each iteration passed through a C hase Bliss Generation Loss MKII for organic burbl e. Arturia Microphreak - articulation 2 An octave up dirty ping from the Noise Engineering algorithm of this small but mighty digital/analogue hybrid . KORG MS20 + OBERHEIM XPANDER - articulation 3 A hybrid multi sample made from these two analogue beasties. Higher velocity gives you straight crusty MS20 tones ( through Chase Bliss Generation Loss MKII ), lower vel ocity adds a wired , spluttering fuzz halo from the Xpander . the interface Some handy controls to build your universe ARTICULATIONS Sample start control + 3 volume faders, one for each articulation. BACKGROUND NOISE Two styles of noise to bleed into the signal - click icon to change from record crackle to grubby tape churn. TAPE and GLUE controls These controls beautifully int eract to squash and breathe an organic, filthy wholeness into everything . 'Morning Pendle, I am loving Drift 002 . Thanks for spending the time to keep putting these beautiful things out.' Adam Wiltzie - A Winged Victory for the Sullen, Stars of the Lid, Arrival, The Theory of Everything. DUST ENGINE#1.1 DUST ENGINE #1 KONTAKT gui DUST ENGINE#1.1rtfm DUST ENGINE #1 KONTAKT rtfm gui DUST ENGINE#1 DUST ENGINE #1 DUST ENGINE#1.1 DUST ENGINE #1 KONTAKT gui 1/3 end What's Inside ? One Kontakt.nki instrument(Kontakt 6) NO SNAPSHOTS - you don't need them - YOU REALLY DON'T 2 randomizers for instant gratis faction 4 classic synth sound articulations 700MB download (NCW compressed) Multimode humanized ARP/sequencer Sample start fader Record crackle or tape noise articulation Keyboard velocity sensitivity adjustment Note attack speed control Note release control Multimode glue control Transient, tape, delay and distortion effect Three band EQ Thump control for beefy bottom A hint of room reverb Replika delay and high quality algorithmic reverb - Kontakt 6 version All controls will show up in DAW automation requires FULL Kontakt 6.8.1 or above Requires a FULL version of Kontakt 6.7 or above. DUST ENGINE #1 will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$35/€30 (inc VAT) for DUST ENGINE #1 add to cart you might like these... DRIFT PREQUEL Badly behaved classics DRIFT001 Complex simplicity PLANKTON SONAR Oceanic systems tinkle FELT DULCITONE One of a kind
- Hammr+ | sound-dust
A re-imagined version of the Hammond B3 organ. Sample library for Kontakt VST HAMMR+ £30 Re-inventing the (tone)wheel Oasis keyboardist Mikey Rowe's Hammond B3 with some new additions. Goes where no Hammond has gone before. 1GB download 70 presets including 30 classic sounds for FULL version of Kontakt 4 or above. add to cart Hammr+ is one part of the Hammr Suite a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. You'd be right in thinking that the last thing the world needs is another Hammond clone, and I would be the first to agree, but the Hammr+ is a little different. Of course, she oozes classic character and has all the capabilities you'd expect of a tonewheel organ, but in true Sound Dust style this thing moves way past the limitations of the original. By taking advantage of sampling technology, bespoke Kontakt architecture and a little bit of imagination Hammr+ can do things that were inconceivable in the original 1959 instrument. mid Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST by Sound Dust Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST 1/3 What's Inside ? Every note of every drawbar of an unmentionable tonewheel organ sampled for 7 secs through a 1959 Leslie cabinet for around 1GB of uncompressed samples. Individual control of volume, pan, ADSR, vibrato, saturation (amount, bass and tone) and tremolo (speed, fade and depth ) for every drawbar. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 70 presets including 30 classic sounds. Chaos and reset controls for painless sound design. Master/slave control system for quick adjustment of group controls. Built in user manual. It sounds great ! FULL version of Kontakt 4 or above needed. Hammr+ will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr+ instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr Growler Angry full tilt Hammond B3 ORGONE 2 Analogue but organic ultra synth organ Prepared Pianet Mildly annoyed Hohner Pianet T DULCITONIUM A happy convolution dulcitone
- ELECTRO IDIOPHONE | sound-dust
An otherworldly melodic surprise generator, shimmer machine, drone engine and all round lovely instrument. A sample library for NATIVE INSTRUMENTS Kontakt. “The madness of love is the greatest of heaven's blessings.” PLATO ELECTRO IDIOPHONE £50/€58/ $70 An idiophonic 'piano' that has seen too many David Cronenberg movies. 4 HYBRID ARTICULATIONS : 2 Rhodes Eps, Dulcitone 1884 + Dulcitone 1900 Everything interacts with everything else, often in unexpected ways. Every note/sound has its own sequencer, with 9 sub- divisions per note midi drag & drop per sequencer OOOF: sequenced multi effect tape effects: 128 morphable presets WOOF: sequenced EQ in 3 flavours: 128 x 3morphable presets DOOF: sequenced dynamics multi effects in 3 flavours: 128 x 3 morphable presets EBB: sequenced master ducking PLATO-tudinator : handy Platonic words of wisdom for every note. for FULL version of Kontakt 6.7.1 and above ADD TO CART Pensive Credits_ELECTRO IDIOPHONE demo_Kirke Godfrey 00:00 / 01:15 Barn Owl_ELECTRO IDIOPHONE demo_ Johnny Tex Fernandes 00:00 / 01:38 Idiophonic_ELECTRO IDIOPHONE demo_Pendle 00:00 / 00:30 Luminoscity_ELECTRO IDIOPHONE demo_Nigel Turley 00:00 / 01:05 'Plato is amazingly useful( once we got the hang of it ), it's all over several shows we are working on. Loving the dark clankiness of the new one' - James & Pablo - TOYDRUM - emmy nominated for SLOW HORSES mid PLATO is built around two principles... 1. every note has its own pattern sequencer - you can hold a chord and trigger a different rhythm sequence for each note - great for surprising polyrhythms. Each note can also play a different selection of articulations. See video below for an easy explanation. 2. a network of subtle to dramatic interactions; sounds, frequencies, transients, levels and effects can all interact with each other in surprising ways. It is an instrument you try and steer. Fortunately the complex stuff is under the hood, you use the intuitive GUi to wrangle new ideas and bend new sounds without getting bogged down with details. Merge and melt the unexpected into ravishing new music with a daft grin on your face.... ELECTRO IDIOPHONE Same PLATO engine but loaded with a different kettle of fish (!) Two instruments from different centuries that share DNA. Both are fake 'pianos' that make a noise using a keyboard and a piece of tuned metal. THE ARTICULATIONS Fender Rhodes MK 1 - only 50 or so years old, so the youngster here - bright and beautiful Dulcitone 1884 - an early model of Thomas Machels 'portable' piano - crude and gorgeous Dulcitone 1900 - range lowered by an octave - dank bell like vibes Nord Modular G2 Rhodes - Ok, this is a faked fake piano but it adds a lovely warmth and depth that complements the 'authentic' fake pianos. WHATS GREAT The joy of the PLATO engine is that like it's namesake (or Norman Bates, Walter White, The Incredible Hulk etc) it has at least two sides. Yes, it can be a fantastic 'normal' Dulcitone or EP, but you can also take those haunting bell like tones on the journey of a life time. PLATO Electro Idiophone Dulcitones and Fender Rhodes RHODES MK1 the real deal PLATO EBB 'Music gives a soul to the universe, wings to the mind, flight to the imagination' PLATO Electro Idiophone Dulcitones and Fender Rhodes 1/12 REFILLS Philosopher instruments are an ecosystem based around an amazingly deep engine. Once you own one PLATO or HOBBES instrument all future PLATO or HOBBES instruments become refills and you are eligible for an 80% discount. 'The price good men pay for indifference to public affairs is to be ruled by evil men' P LATO bottom For FULL version of Kontakt 6.7 and above only. ELECTRO IDIOPHONE will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$70/€58 (inc VAT) ADD TO CART What's Inside ? PLATO - the small print 1 Kontakt instrument 100 themed snapshots 200 single track and sequencer presets 1GB download 4 articulations per instrument Classic Sound Dust RTFM instruction manual built into the interface MICRO SEQUENCERS (on every note) multiple play rates 1 to 32 steps Swing, note length and humanize controls 9 note divisions per note midi drag & drop selectable on or off per articulation FX SEQUENCERS multiple play rates 1 to 32 steps Swing-able control for OOOF, WOOF, DOOF and EBB effects OOOF 128 levels of tape saturation and general nastiness WOOF 128 presets of 3 band EQ 3 flavours : FLAT, SHARP & FILTER DOOF 128 presets of multi-bus dynamic effects, doubling and saturation 3 flavours : GLUE, MULCH & SMASH EBB sequenced volume ducking CUSTOM IMPULSE RESPONSE 122 custom IRs - pre & post FX 11 Categories - EPIC - POLITE-DEVICE-REVERSE-SPRING-FX-LOW DRONE-MID DRONE-HIGH DRONE-SUB DRONE DRONE sections add tuned drone sounds you might also like these... PLATO The mother of invention DRIFT PREQUEL Badly behaved classics ##HOBBES## Nasty, brutish and a great drum device PLANKTON SONAR More plink with a bit of plonk
- UNTOPIA | sound-dust
Dirty dystopian sounds to feed Spectrasonics Omnisphere 2 UNTOPIA £35 Welcome to UNTOPIA 200 patches and 80 specially devised new sound sources for Omnisphere 2 for Spectrasonics OMNISPHERE 2 add to cart Untopia is born from a boisterous mix of influences. The darkly industrial but uplifting soundscapes created by Factory records producer Martin Hannett for Joy Division and A Certain Ratio are in there. So are the madly brilliant and brilliantly mad Christobal Tapia de Veer soundtracks for Utopia, National Treasure, the Girl with all the Gifts and Dirk Gently. All thrown around with a good measure of cosmic hippy wig out Terry Riley vibes, some Jon Hassell/Brian Eno Fourth World aesthetics and the grubby wonderment that makes Sound Dust, you know, Sound Dusty. Expect strange disjointed and alluring voices, grainy strings, finely sculpted noise scapes, organic grit and grime, slurring mellotrons, drunken string machines, bent synths, amped keys turned to 11, low ebbing throbs and a healthy selection of other beatific cathedral of sound oddities. "There comes a point on every production when you've done the basics and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! "I love it! Went straight into a soundtrack I'm working on" - Paul Hartnoll - Orbital "This is just what Omnisphere has been waiting for" - Phil Hartnoll - Orbital 1/2 mid Philosphy... Omnisphere is a lot like a sampler from the early days of sampling. She can happily loop around pre-written loop points, but for user samples* she can't do multi sampling. Instead of each note having its own sample to play back at several velocities, one sample is stretched over the whole keyboard. Higher notes are simply played back at faster rates, lower notes are slower. This means that looping samples move at different rates across the range of the instrument. This is terrible if you are looking for accurate renditions of real world instruments, but if you embrace it this can be a joyful playground of creative happenstance. Sound Dust is a big believer in creative happenstance. * do not fear, this doesn't apply to the core omnisphere library (although it does for some of it) £35.00 for Untopia instant download. Needs Spectrasonics Omnisphere 2 add to cart What's Inside ? 200 new patches, fully databased and for easy access prefixed with usefully untopian categories... ARCANA – generally vocal based sounds that refer specifically to the work of Cristobal Tapia de Veer BLOW – windy gems BOW – real strings, well they were real once BPM – use the arpegiator or envelopes for beat synced mayhem DMX – drum machines DST – noisy distortion based sounds GTR – yup, guitars HIT – single thuds and thumps KEY – things made into polyphonic keyboardy things LOW – big bottoms ODD – useful but unlikely and hard to categorise ORG – organs and organic organ like organs PAD – big pads SCAPE – interesting noise/soundscapes SLOW – long slooow builders SM – string machines THROB – beat synced throbbing TRON – mellotron style pseudo instruments VOX – human and other voices All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made out of zeros & ones can possibly be. 80 new sounds... Made from a variety of sources and fed into the Omnisphere core sound library - Roland Juno 60, Oberheim Xpander, Dsi Pro 2, Moog Voyager, Nord Wave, Yamaha TQ5, Technics WSA1, Nord Drum, Hofner Bass, Fender Stratocaster, Fender Mandolin, Plastic Trumpet, Recorder, Whirly Tubes, Modular System including Waldorf NW1, Mutable Instruments Braids and Music Thing Radio Music, two human lady voices, one male voice and uncontrollable robot chatter. you might like these... PMC Because Post Modernism is so last century Friction Just as dystopian - but for U-He Diva LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom
- ##HOBBES## | sound-dust
Chaotic, sound sculpting, micro- beat designer. A multi sequencing, multi sampled surprise generator for Kontakt. ##HOBBES## £50/$70 sound design drum machine and surprise generator 48 INSTRUMENTS: noises, acoustic drums, electronic drums & 12 basses 48 SEQUENCERS: every note/sound has its own micro sequencer, with 9 available divisions per note midi drag & drop per sequencer key/scale quantise OOOF: sequenced multi effect grime WOOF: sequenced resonant eq in 3 flavours DOOF: sequenced dynamics, saturation and doubling in 3 flavours EBB: sequenced master ducking for FULL version of Kontakt 6.7.1 and above ADD TO CART LOOPS of HOBBES - FREE 'I'm Loving Hobbes, excellent work as always!!' - Leopold Ross - Shōgun, Black mirror, Love and Mercy mid This is peak SOUND DUST - ##HOBBES## isn't your ordinary KONTAKT instrument. It is a precision tool and a wild ride. ##HOBBES## is part micro-beat drummer and part commotion-sculpting agent of chaos. A groundbreaking device for inventing your own genres. Deep cinematica, skittering micro ratcheting, crunchy new skool breakbeats, raunchy hyper pop, austere rhythm shadows and beautifully brutalized grind is in there along with the more expected drum machine stuff. Each key is a space for a tiny/vast cosmos of organic sound for you to wrangle into music Four interlocking sound sections : NOISE - ACOUSTIC DRUMS - ELECTRONIC DRUMS - BASS Every note can be externally triggered or use its own built in microsequencer All sounds can be mangled through a complex mulching matrix that is controlled with big knobs and 4 FX sequencers. The more sound you send in, the more unpredictable the sound coming out is. Feed it lots off low end and things can get scary. The large knobs OOOF/DOOF/WOOF and EBB are the alchemy for a quick and organic way to build unexpected beat textures . ##HOBBES## baisc controls ##HOBBES## signal flow THOMAS HOBBES not a nice chap ##HOBBES## baisc controls 1/4 'Curiosity is the lust of the mind' - Thomas Hobbes - nasty piece of work : ) bottom For FULL version of Kontakt 6.7 and above ##HOBBES## will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$70/€58 (inc VAT) for ##HOBBES## instant download ADD TO CART What's Inside ? ##HOBBES## - the small print 1 Kontakt instrument 50 snapshots 250 single track and sequencer presets over 2000 samples 700MB download 48 instruments 48 note micro sequencers 4 FX sequencers Classic Sound Dust RTFM instruction manual built into the interface MICRO SEQUENCERS multiple play rates 1 to 32 steps Swing, note length and humanize controls 9 note divisions per note midi drag & drop FX SEQUENCERS multiple play rates 1 to 32 steps Swing, length and humanize controls control for OOOF, WOOF, DOOF and EBB effects OOOF 128 levels of tape saturation and general nastiness WOOF 128 presets of 3 band EQ 3 flavours : FLAT, SHARP & FILTER DOOF 128 presets of multi-bus dynamic effects, doubling and saturation 3 flavours : GLUE, MULCH & SMASH EBB sequenced volume ducking CUSTOM IMPULSE RESPONSE 122 custom IRs - pre & post FX 11 Categories - EPIC - POLITE-DEVICE-REVERSE-SPRING-FX-LOW DRONE-MID DRONE-HIGH DRONE-SUB DRONE DRONE sections add tuned drone sounds you might also like these... PLANKTON SONAR More plink with a bit of plonk PLANKTON DRUMMER pitched & tuned drums with intriguing FX sequencing BOOM AND BUST The original pool of cinematic thumping KICKTOM Like it says - kicks and toms : )








