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Experimental drawbar organ device. A sample library for Kontakt VST Anchor 1 orgone 2 £35 An organic analogic synth beastie. What happens when you build an organ out of classic synth parts ? 11 classic synth oscillators 1.2GB of 24bit multi samples for FULL version of Kontakt 5.8 or above. add to cart Orgone began as an experiment around the idea of "what would a Hammond organ with sawtooth waves sound like ?" and slowly grew into a huge modular machine that combines multi sampled waveforms from several classic synths into a 1GB+ Kontakt sample instrument that goes way beyond the possibilities of any of the originals. THE SYNTHS Moog Voyager sawtooth and square waves - 24bit, 8 second samples of every note. Dsi Pro 2 narrow square waves - 24bit, 8 second samples of every note. Yamaha CS15 square waves - 24bit, 8 second samples of every note. Roland SH101 saw tooth + sub waves - 24bit, 8 second samples of every note. Moog unfiltered noise - 24bit, 8 second samples of every note (which is probably overkill - but hey) mid Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST Orgone 2 - an unusual drawbar organ for Kontakt VST Orgone 2 an unusual drawbar organ for Kontakt VST 1/4 ORGONE 2 uses the basic additive architecture of the drawbar organ to create a deeply malleable instrument with huge polyphony and a complex but relatively simple operating system. It then adds the filters, envelopes, lfos etc of subtractive synthesis to each individual drawbar. It's like having 4 classic 11 oscillator synths in one modular box. Because the quirks and character of the original ageing synths (30 plus years in the case of the CS15) have been retained Orgone has a living organic sound that can go to places other electronic instruments can only dream of. This isn't another plastic EDM box...although it can do amazing thick creamy basses. Orgone is great for woozy string synth pads, throbby beat synced cinematic backdrops, gnarly "Frankie Teardrop" organs and 60s keyboards, ethereal theremins, evolving space drones and GREAT BIG ultra saw synth tones. What's Inside ? 11 classic synth oscillators 1.2GB of 24bit multi samples 134 snaphots Knob randomisation and reset system Drawbar presets based on Hammond B3 Pitch bend semi-tone amount selector per oscillator DAW automation control of everything Saturation control per oscillator Pan control per oscillator Reverb send per oscillator Volume envelope per oscillator Vibrato LFO with semi-tone depth, speed (sync & hertz), fade and chaos per oscillator Low pass or formant filter with envelope shape and LFO speed (sync & hertz) and shape modelling per oscillator Tremolo speed (sync & hertz), depth, LFO width, shape and chaos per oscillator Chorus depth and speed per oscillator Tape delay engine per oscillator Master convolution reverb with 80 custom IRs - categories : large, medium, device, reverse, tape, spring, pedal & real Master guitar cabinet modeller, EQ, Leslie, phaser, tone and distortion. Note off tune, volume, decay and reverb send Velocity amount. Aftertouch tune morphing bend amount. Built in RTFM ORGONE 2 needs a FULL version of Kontakt 5.8 or above to work properly £35/$47/42€ (inc VAT) for Orgone 2 instant download add to cart end you might like these... Hammr+ Re-inventing the (tone)wheel part 1 Hammr Growler Evil full tilt Hammond B3 Flutter EP Electrical piano wavetable loopiness ODDular Bonkers LFO mayhem

Bathroom sponge plus Hofner President bass = Kontakt sample library SPONGE BASS £25 Hofner President Bass + flat wound strings x bathroom sponge = Sponge Bass 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations for FULL version of Kontakt 5.8 or above add to cart Back in the day the original Fender Precision bass came with a plate over the bridge with a dampener built in. Leo Fender patented the bridge mute in 1966 with the idea of mimicking the deadened thud of a double bass. But those crazy rock n roll kids weren’t so keen and tended to remove the cover for more sustain. But the woofy, woolly thud of damped bass strings was embraced by some visionaries. The Motown players, Paul McCartney (early on) and Carol Kaye (bass player on all the great Beach Boys recordings) used the sponge technique with wild abandon. SPONGE BASS re-creates that classic rounded thud with 1,296 glorious recordings of individually sponged bass notes. mid Sponge Bass - a sample library for Kontakt VST - gubbins Sponge Bass - a sample library for Kontakt VST Sponge Bass - a sample library for Kontakt VST - gubbins 1/2 Whats Inside ? 8 randomised round robins per note 567MB download ( 1.4GB uncompressed) Fingered ( velocity 0-119) and Picked (velocity 120-127) articulations Full range of all 4 strings sampled Humanized ARP/sequencer Fade (note length) control pre-mapped to Modwheel (changeable by right-clicking) Mono/poly mode operates per string, so two notes can't/can be played on same string Voice stack mode for up to eight notes at once Transient, Tape, Amp and Cabinet modelling. 3 band EQ a hint of Room reverb everything is automatable requires FULL Kontakt 5.8.1 FULL version of Kontakt 5.8.1 or above needed SPONGE BASS will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £25/$33/30€ (inc VAT) for SPONGE BASS instant download add to cart you might like these TOO... Rubber Bass 2 wubby DRIFT001 Minimal maximalism Prepared Pianet Messed up electric piano Ships piano 3 Scott of the Antarctics piano, and some friends down

We follow the science. Elements and compounds for Spectrasonics Omnisphere. A Periodic Table of sound. TABLE of ELEMENTS £35 A Periodic Table of sound An evocative custom sound for every element - rich malleable pads for ecstatic drama and gorgeous tension 119 elemental patches 60 compound multis for SPECTRASONICS OMNISPHERE 2 add to cart We follow the science Table of Elements is an innovative approach to Omnisphere sound design. Every patch is a sonic re-creation of an element of the periodic table. Each a complex and unique texture with movement and rich sonic character that can evolve with modwheel and aftertouch manipulation. A palette of beautiful, undulating, chilling, ecstatic, lustrous, warm, squashed, diaphanous pads that go from inspirational minimal ambience to full-blown cinematic opulence. Long evolving notes move and swell with serpentine tempo synced motion that ebbs and flows with your music. Table of Elements is an (in)organic symphony of ear fruit - a catalyst for your creativity. And you might learn a bit about chemistry too. "There comes a point on every production when you've done the basics, and now you need something new, interesting, unique and inspiring. So I navigate to my Sound Dust library where time and time again I'm surprised and thrilled by what I find " - Gary Barlow - yes 'that' Gary Barlow ! Fermium Fm Table of Elements for Spectrasonics Omnisphere Argon Ar Table of Elements for Spectrasonics Omnisphere Untopia review Fermium Fm Table of Elements for Spectrasonics Omnisphere 1/5 mid The periodic table of elements, is essentially an infographic that cleverly displays all the chemical elements , which are arranged by atomic number , electron configuration , and recurring chemical properties . Russian chemist Dmitri Mendeleev published the first recognizable table in 1869, developed mainly to illustrate periodic trends of the then-known elements. He also predicted some properties of unidentified elements that were expected to fill gaps within the table. Most of his forecasts soon proved to be correct, culminating with the discovery of gallium and germanium in 1875 and 1886 respectively. TABLE of ELEMENTS instant download £35 requires Spectrasonics Omnisphere 2 add to cart What's Inside ? 119 elemental patches, fully databased and for easy access prefixed with usefully Mendelevium categories... ACTINIDE – radioactive : beautiful, volatile and maybe a bit scary ALKALI METAL – reaction with water forms alkalies : mysterious and liquid ALKALINE EARTH METAL – second most reactive : cold, austere, unstable LANTHANIDE – silver-coloured metals : deep, complex, lustrous METALLOID – between metals and non-metal : quixotic, surprising NOBLE GAS – odourless, colourless, unreactive : light, amorphous, gassy NON-METAL – do not produce heat or electricity and are structurally brittle : pulsating, rich, frangible POST TRANSITIONAL METAL– AKA the poor metals : spiteful, agile, naive TRANSITIONAL METAL –the largest group in the table : a bit of everything 60 compound multis - a combination of elemental patches that create gorgeous and complex sounds - eg H2O (hydrogen and oxygen) All patches will have something cunning mapped to both Aftertouch and Mod Wheel, and are intended to be as expressive and malleable as something made from zeros & ones can possibly be. you might like these... Untopia for Omnisphere Dank and delicious post punk synths PMC Because Post Modernism is so last century LOST & FOUND Here it is ! Cluster Oblique stratagems for U-He Zebra 2 bottom

The next generation granular sample recycler for Kontakt 6 REKOMBINATOR III 25% OFF = £27 inc VAT The next generation granular sample recycler for Kontakt expertly conjured by SOUND DUST friend SzCz for FULL version of KONTAKT 6 and above ADD TO CART A welcome return to a granular leviathan from the brilliant mind of SOUND DUST buddy SzCz. Back in the day, we helped release the original version of SzCz's very crafty granular gadget - and with the new version it just got even better ! ReKombinator III is an upgraded version with the same powerful playback engine and sample pool with the addition of advanced modulator, effects sections, and support for sample drag'n'drop. It may look daunting, but with a bit of effort ReKombinator III is capable of amazing results that defy gravity, and the time space continuum. SzCz himself explains all in the video talk through above. mid 1/5 bottom For FULL version of Kontakt 6 or above 25% OFF = £27/$34.50/€31.50 (inc VAT) for ReKombinator III instant download ADD TO CART Super powerful dual granular engine 190 Snapshots included 178 Waveforms to get you started Drag n Drop your own samples into each engine for unlimited sound design possibilities Created for the FULL version Kontakt 6.6.1 or above (not for Kontakt Player)* Dedicated pages for Waveforms, Filters, Effects, Space and Modulation Sample browser window Sample audition Speed, Position, Blur, Density, Shape, Size, Scanning Speed, Pitch and Volume controls for each grain Latch control Powerful modulation with step sequencer Dozens of filter types to choose from 4 Effects slots with 20 effects to choose from Effects presets section (load, save and edit presets) Convolution reverb section with 100+ reverbs to choose from and randomisation control you might also like these... GHOST DROP More granular malarkey PLANKTON Gorgeous wibble wobble FOUND A found sound drum machine INFUNDIBULUM #1.1 A time funnel

Get in touch with Sound Dust CONTACT US Send a message Bingo! Sound Dust is always open to interesting ideas, so if you are looking for bespoke content, a bundle deal, have a great idea for a sample library, or just want to say hello - don't be shy, get in touch.

A re-imagined version of the Hammond B3 organ. Sample library for Kontakt VST HAMMR+ £30 Re-inventing the (tone)wheel Oasis keyboardist Mikey Rowe's Hammond B3 with some new additions. Goes where no Hammond has gone before. 1GB download 70 presets including 30 classic sounds for FULL version of Kontakt 4 or above. add to cart Hammr+ is one part of the Hammr Suite a classic tonewheel organ sample set developed with Oasis/Sheryl Crow keyboard player Mikey Rowe and recorded by genius Andy Britton at the very lovely Toyroom Studios here in Brighton. You'd be right in thinking that the last thing the world needs is another Hammond clone, and I would be the first to agree, but the Hammr+ is a little different. Of course, she oozes classic character and has all the capabilities you'd expect of a tonewheel organ, but in true Sound Dust style this thing moves way past the limitations of the original. By taking advantage of sampling technology, bespoke Kontakt architecture and a little bit of imagination Hammr+ can do things that were inconceivable in the original 1959 instrument. mid Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST by Sound Dust Expanded Hammond Organ sample librar Expanded Hammond Organ sample library for Kontakt VST 1/3 What's Inside ? Every note of every drawbar of an unmentionable tonewheel organ sampled for 7 secs through a 1959 Leslie cabinet for around 1GB of uncompressed samples. Individual control of volume, pan, ADSR, vibrato, saturation (amount, bass and tone) and tremolo (speed, fade and depth ) for every drawbar. Percussion 2nd and 3rds available at the same time, with control of octave and decay time. Note off volume and decay control. Velocity sensitivity control. CC11 hardwired to volume for expression pedal swells. Leslie simulator with speed, treble/bass balance and distance controls. 69 specially recorded reverb impulses from a variety of real spaces and classic gear. Cabinet re-micing through a choice of 11 speaker cabinets. Dirt, morphing EQ and master EQ effects. Dirty contacts control adds small amounts of timing variation to note on /off to mimic the effects of ageing key contacts. 70 presets including 30 classic sounds. Chaos and reset controls for painless sound design. Master/slave control system for quick adjustment of group controls. Built in user manual. It sounds great ! FULL version of Kontakt 4 or above needed. Hammr+ will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Hammr+ instant download add to cart Hammr Bundle Hammr+ & Hammr Growler (full price £60) £50/$80/70€ (inc VAT) for Hammr Bundle instant download Hammr bundle end you might like these... Hammr Growler Angry full tilt Hammond B3 ORGONE 2 Analogue but organic ultra synth organ Prepared Pianet Mildly annoyed Hohner Pianet T DULCITONIUM A happy convolution dulcitone

Free granular malarky for Kontakt sample GRAINSTRUMENT LITE add to cart Granular malarky for all. An empty vessel for all the funny noise your heart desires. XY pad control of playback speed and grain size XY pad control of reverb size and mix Use inbuilt samples or load your own That's it ! Grainstrument LITE will play nicely with FULL Kontakt 5.6.8 and above.

A portable harpsichord recorded binaurally and also made into a prepared drum machine. Sample library for Kontakt VST Tiny Binaural Harpsichord³ £30 A portable Arnold Dolmetsch Harpsichord - plucked, damped and brutally prepared then recorded binaurally with OKM in ear mics and a human head 2 x instruments types - harpsichord and prepared harpsichord drum machine 150MB download for FULL version of Kontakt 5.5.1 or above. add to cart The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). As always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing - it offers a completely unique and incredibly versatile ‘must have’ instrument for the modern player, sound designer or composer. mid Although the TBH³ has evolved from its predecessor, the TBH², there are some significant differences to hand. A spanking new edit suite and effects bank each come with an expanded set of features and editing controls for superior detailed manipulation of sound. Tweaking almost any of the controls will result in the transformation of familiar harpsichord characteristics, delivering subtle new textures or completely altered states. Experimentation rewards with never before heard wonders. Altering volume envelope, attack shape and heaping on the sustain can result in something that sounds like a treated harpsichord played with an E-Bow. Drop an octave or two, add a little something from the Sound Dust wildcards of dirt and rotor and discover the fizzing twang of short metal wires stretched over a jar. The TBH³ encourages and rewards with each edit. Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ Tiny Binaural Harpsichord³ 1/4 What's Inside ? Harpsichord 3 articulations with selectable release sound Sample start control per articulation Stereo width and pan control per articulation ADSR volume envelope control per articulation Parametric notch/bump EQ per articulation Transient designer per articulation 24 custom convolution reverbs per articulation 4 controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 controllable send effects - delay and algorithmic reverb Keyboard Velocity modelling page 25 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 4 or above needed. Tiny Binaural Harpsichord³ will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £30/$43/38€ (inc VAT) for Tiny Binaural Harpsichord³ instant download add to cart Prepared Harpsichord BOINK ENGINE PAGE 215 prepared harpsichord sounds 12 triggered 12 track sequencers 8 FX sequencing lanes per sequence track - reverb level, volume, filter cut off, hold, sample start, pan, transient modeller and tuning Remix control with 32 algorithms Sound and timing ramdomisation controls ONE SHOT PAGE 5 octaves of one shot kits 13 per note articulations - inc flam, drag, roll, Geiger, 16th repeat, 8th repeat, triplet 2 custom convolution reverb engines with 24 custom impulse responses Chaos and Order controls for instant ramdomisation and reset Filter, tuning and reverb send amount controls Handy build in instructions in RTFM page you might like these... FLUTTER DUST Beautiful mangled acoustics Ships Piano² Three character pianos in one. GrandThriftautoHarp² A tiny autoharp makes love to a grand piano MCE #1 : Found A found sound drum machine down

Amazing over modulated synth device with rare sampled EMS Putney for Kontakt VST ODDULAR £50 A beautiful throb monster, a one of a kind modulation leviathan. Pulsational rapture is only ever a few mouse clicks away. 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty 210 themed snapshots. 1.5GB download Contains rare multi-sampled EMS Putney for FULL version of Kontakt 5.8 or above add to cart ODDular is a hybrid sample instrument based around 3 specially coded BPM synced super LFOs, a complex but very simple to use modulation matrix and an innovative user interface. ODDular borrows some of the more useful concepts of modular synthesis to create otherworldly and impossible sounds that are actually musically useful and don’t require a complex nest of cables to produce. "F**king cool and really f**king amazing ! " - James & Pablo - ToyDrum mid The sample engine is loaded with 1.5GB of multi samples from rare and sought after classic synths - EMS VCS3 Putney, Oberheim Xpander 6, Siel Orchestra and great sounding synth wildcards - Moog Dfam, Moog Voyager, Technics WSA1, Make Noise O-Coast and Nord Wave. If you ever dreamed of owning a polyphonic BPM syncable VCS3 (who wouldn't) or need to quickly create a complex rhythmic underscore for ‘John Carpenter meets the Berlin Minimalists’ ODDular is definitely for you. 1/4 down What's Inside? 15 Kontakt .nki instruments - 14 with multi-sampled synths + 1 empty instrument for loading your own samples 210 snapshots...but ODDular is all about tweaking really, these are just to get you started 1.5GB download LFOs (Low frequency oscillators - the coloured ones) 3 super dooper flexible LFOs Adjustable beat-synced time units (32nd to whole note, with triplets) plus free running 8 select-able basic shapes + remix function to combine with other shapes for really complex LFO shapes Shift and offset for shape adjustment LFOs can modulate each other's speed ENVELOPE FOLLOWER (the pink one) Tracks overall volume of the instrument Controls for attack, fade, boost and follow ARPEGGIATOR Chord and 10 other arp modes Adjustable step lengths from 1 to 64 Adjustable step rate from 1/128 to whole note with triplet variations. Swing, decay, octave and mode control MASTER CLOCK On, off and reset controls Clock divider - effects speed of all LFOs LFO overload mode select - 3 modes to choose how modulation behaves when maximum value is reached ODDulation - choose to reset or randomise modulation destinations ODD LFO - reset or randomise LFO speed and shapes SAMPLE ENGINE Volume attack, decay, sustain and release control Low pass and high pass filters EQ - low, mid and high bands Amp simulator - tone, drive and bottom controls Tape drive Device - a selection of esoteric impulse responses (includes speakers, amps, vinyl and of course the EMS) Room - 17 bespoke convolution reverbs, clouds, rooms, springs, plates and ghosts Delay send FULL version of Kontakt 5.8.1 or above needed ODDULAR will load into Kontakt Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £50/$64/60€ (inc VAT) for ODDULAR instant download add to cart you might like these TOO... Infundibulum#1.1 The originial multi arp Infundibulum#2.1 more time funnel Flutter Dust Module Beautiful mangled acoustics. Modular Chaos Engine #2.1 Chaotic Dave Smith Evolver drum machine MODULATION DESTINATIONS... Low pass cut-off and resonance High pass cut-off EQ - low, mid and high bands Amp simulator - tone control Tape drive Device - mix Room - mix from ENVELOPE FOLLOWER. Low pass resonance Amp simulator - drive XY PAD Controls all modulations for filters and EQ Separate midi learn-able X and Y controls AFTERTOUCH Pitch +/- 1 octave Bit reduction Sample rate

The fading ghosts of ancient instruments. A sample library for Native Instruments Kontakt sampler. dulcitonium £40 The world's first and only convolution dulcitone.... An ancient and rare keyboard invigorated with nifty digital witchcraft - and ghosts. 70 snapshots 6 x articulations 2GB download for FULL version of Kontakt 5.8.1 or above. add to cart DULCITONIUM takes the gorgeous woody jingle of the dulcitone and transforms it into an extended dusty swoon that goes to infinity and beyond. It starts with ancient keyboards (see Dulcitone 1884 and dULCITONE1900 ) - with a Dulcitone 1884 through tape, a stretched Dulcitone 1900, and a Dulcitone 1900 clunk layer; but it doesn't stop there, that would be too easy. It's also about the ghosts... The ghosts are dragged into this spiritual plane by treating each dulcitone sample as an impulse response for a convolution reverb* Load a sample into a convolution reverb plug in, send in 20 second bursts of Moog Voyager white noise and record the result. Do that for every single note/sample and several weeks later you have a collection of dusty, metallic bowed sounding, infinite dulcitone-ness. * Basically, a convolution reverb takes an input signal (the sound to be reverberated) and processes it with the sound of an actual or virtual acoustic space to create the illusion that the input was recorded in that space. The sound of the acoustic space is captured in what is called an impulse response (IR). Wikipedia ...and there is still more (see below) Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments Olivia De Haviland_GUBBINS Dulcitonium - the fading ghosts of ancient instruments DULCITONE 1900 interior Dulcitonium - the fading ghosts of ancient instruments Bike Seat Sniffer_DULCITONIUM Dulcitonium - the fading ghosts of ancient instruments 1/7 mid Here's what it takes to make a DULCITONIUM... Clunk Dulcitone : short and percussive - every note recorded binaurally directly from the simple dulcitone mechanism - 4 levels of velocity. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion insert. Reverse Ghost : reversed, stretched and mangled Dulcitone 1884 made by cunning convolution process (see above) Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. Forward Ghost : a different set of stretched, mangled and convolved Dulcitone 1884 samples with 7 layers of velocity Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. Tape Dulcitone 1900 : 7 velocity layers of binaural Dulcitone 1900 passed through cassette tape for extra artefacts and character. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion. Roomy Nord : a multi sampled nord modular electric piano style patch which is recorded binaurally using mics in a real room environment. Adds 3d depth and body, has its own adjustable octave control. Sample start and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send and distortion unit. Stretch Dulcitone 1900 : 3 velocity layers of binaural Dulcitone 1900 stretched beyond the pain barrier. Sample start, loop length and octave control. BPM synced pan, volume, vibrato and chorus speeds from 12 bars to 1/256 of a bar. Low pass and high pass filter, convolution reverb with 24 custom reverb impulses. Delay send. What's Inside? 6 articulations - see above for details 850 24bit stereo samples = 2GB with Native Instruments' propriety compression Note Jitter - randomises note on/off timing, velocity values and tuning between articulations Chord and Key quantise - selectable to fix scale and chord type across all keys Sample start and loop length control per instrument BPM synced pan and volume modulation per instrument BPM synced vibrato and chorus per instrument 24 custom convolution reverbs per instrument 4 fully controllable insert effects - dirt, eq, rotor, phaser and master algorithmic reverb 2 fully controllable send effects - delay and algorithmic reverb Keyboard Velocity and round-robin modelling page 70 instrument snapshots Handy build in instructions in RTFM page FULL version of Kontakt 5.8.1 or above needed. DULCITONIUM will load into Player but time out after 10 minutes, so please don't buy this if you are using the free Kontakt Player. £40/$56/46€ (inc VAT) for DULCITONIUM instant download add to cart down you might like these... SAXOMAPHONIUM Ancient reeds PENDLEONIUM 4 Rusty & dusty DRIFT001 4 knobs ! CLOUD VIOLA 2 Very stringy